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In Middletown, at 11:14 PM, two cars accidents happen at the same time, affecting the lives of five different groups of people. A drunken driver hits a man in a lonely road near a bridge; three young men hits a woman with a van, one of the passenger has a severed penis while another man on the road shoots them; a young man robs a convenience store, with the support of the clerk; a man finds a body in a cemetery and gets rid off it; and a young woman pretending to be pregnant tries to raise money for an abortion. All of these characters and their fates are very connected.

A young man has dropped out of Queens College but desperately wants to please his father, a federal judge who’s harsh with his son. At his father’s insistence, Seth Davis closes a casino he operates in his own house, mostly for college students. Thinking he’ll please dad, he takes a job in a small brokerage house, an hour from Manhattan, where trainees make cold calls to lists of well-paid men, and then apply high-pressure tactics to sell initial public offerings exclusive to the firm. He’s terrific at sales. Once training is over, the pay is phenomenal, and Seth wonders why. Curiosity leads him to ethical dilemmas, encounters with the Feds, and new territory with his father.

“The Machinist” is a film about a man who hasn’t slept in a year, and he starts thinking that he’s losing his mind, when he starts seeing hallucinations, and his perception of reality becomes twisted. He’s haunted by a co-worker that no one else can see, and keeps finding post-it notes with secret messages on his fridge…

Film adaptation of street tough Jim Carroll’s epistle about his kaleidoscopic free fall into the harrowing world of drug addiction. As a member of a seemingly unbeatable high school basketball squad, Jim’s life centers around the basketball court and the court becomes a metaphor for the world in his mind. A best friend who is dying of leukemia, a coach (”Swifty”) who takes unacceptable liberties with the boys on his team, teenage sexual angst, and an unhealthy appetite for heroin — all of these begin to encroach on young Jim’s dream of becoming a basketball star. Soon, the dark streets of New York become a refuge from his mother’s mounting concern for her son. He can’t go home and his only escape from the reality of the streets is heroin for which he steals, robs and prostitutes himself. Only with the help of Reggie, an older neighborhood friend with whom Jim “picked up a game” now and then, is he able to begin the long journey back to sanity.

A man in a suit at a Manhattan firm leaves work on Friday; he looks unhappy. He stops at a fortune teller’s for a Tarot reading: “You are not where you belong,” she tells him. That evening he quits his marriage and walks the streets of New York, passing from a classy bar to a gentleman’s club, then to a high-class bordello, a mugging, a pawnshop, and a diner where someone does listen. He shares his insights with her and later with others. Violence, disappointment, and musings entwine as Edmond loses his moorings while believing he’s found them. Where does he belong?

Based on a play, Sleuth confronts two extremely clever British men in a game of trickery and deceit. Andrew Wyke (Michael Cain), an aging famous author who lives alone in a high-tech mansion, after his wife Maggie has left him for a younger man; and Milo Tindle (Jude Law),an aspiring actor, equipped with charm and wit, who demonstrates both qualities once again). When Wyke invite Tindle to his mansion, Tindle seeks to convince the former into letting his wife go by signing the divorce paper. However, Wyke seems far more interested in playing mind games with his wife’s new lover, and lures him into a series of actions he thoroughly planned in seeking revenge on his unfaithful spouse.

Buster is a small time crook who pulls a big time job. When he finds that the police will not let the case drop, he goes into hiding and can’t contact his wife and child. He arranges to meet them in Mexico where he thinks they can begin again, but finds that he must choose between his family and freedom.

John LeCarre’s spy thriller is brought to the big screen. A British spy (Pierce Brosnan) is banished to Panama after having an affair with an ambassador’s mistress. Once there he makes connection with a local tailor (Geoffrey Rush) with a nefarious past and connections to all of the top political and gangster figures in Panama. The tailor also has a wife (Jamie Lee Curtis), who works for the Panamanian president and a huge debt. The mission is to learn what the President intends to do with the Panama Canal. But what the two do is concoct a tremendous fictional tale about former mercenaries who are ready to topple the current government and are willing to work with Britain and the US to do so.

His world in complete disorder after his break-up with a famous actress, Carter, a young soft-core porn writer, goes to suburban Detroit to care for his sickly Grandmother and heal his broken heart. Along the way he forms a special bond with the family that lives across from his Grandma, and changes the life of each woman. In the course of this, as is required in every film—and thus the world, he changes his own life as well.

In Chicago, the lonely architect Alex Wyler has a troubled relationship with his father Simon Wyler. In 2004, he buys an old glass house in a lake, designed and built by his father, and he finds a message in his mailbox from the former tenant, the also lonely Dr. Kate Forster, asking to deliver her correspondence in an address downtown. Alex meets his brother Henry in Chicago and when they go to the address with Dr. Forster’s correspondence, they find a building of luxury apartments under construction to be delivered eighteen months later. After some messages, Alex and Kate disclose that she is living in 2006 and Alex in 2004, they fall in love for each other and they try to find means to meet each other.