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Steven Kovak has been kicked out of his apartment by his girlfriend. Steven has a new apartment, and decides to slip the cable guy (Chip) $50 for free cable. Steven then fakes an interest in Chip’s line of work. However Chip takes this to heart trying to become Steven’s best bud. When Steven no longer wants to be Chips friend the man who can do it all goes on an all out assault to ruin Steven’s life. In the backdrop is the delicate sub-plot of the trial of a former kid star for murdering his brother.

Chaos descends upon the world as the brains of the recently deceased become inexplicably reanimated, causing the dead to rise and feed on human flesh. Speculation rests on a radiation-covered NASA satellite returning from Venus, but it only remains a speculation. Anyone who dies during the crisis of causes unrelated to brain trauma will return as a flesh-eating zombie, including anyone who has been bitten by a zombie. The only way to destroy the zombies is to destroy the brain. As the catastrophe unfolds, a young woman visiting her father’s grave takes refuge in a nearby farmhouse, where she is met by a man who protects her and barricades them inside. They both later discover people hiding in the basement, and they each attempt to cope with the situation. Their only hope rests on getting some gasoline from a nearby pump into a truck that is running on empty, but this requires braving the hordes of ravenous walking corpses outside. When they finally put their plans into action, panic and personal tensions only add to the terror as they try to survive.

After a series of ill-fated relationships, Jane (Ashley Judd) has finally met Mr. Right, Ray (Greg Kinnear) - he’s emotionally available, and not afraid of commitment. Six weeks into their blissful courtship, he asks her to move in with him, and they start looking at apartments. But little by little Ray starts to pull away, until Jane realizes that once again she’s been dumped. Jane’s womanizing coworker, Eddie, just happens to be looking for a roommate, and Jane reluctantly moves in. Desperate to understand what happened and get over Ray, Jane comes up with a theory of interpreting male-female relations by observing the behaviors of wild animals. She shares this idea with a friend who works at a men’s magazine (Marisa Tomei) and is given an anonymous editorial column devoted solely to her thoughts on the matter. But no one could have predicted the chord she’d strike among women with her theory, and the column’s wild success makes Jane start to question her conclusions - and opens her eyes to what might be right in front of her.

A novelist - Jack Torrance take a job interview as winter caretaker of the isolated, old, huge and beautiful Overlook Hotel. In the interview, Jack is told by the manager himself, that the previous caretaker - Grady, chopped his family and later killed himself with a shotgun. Ignoring the story, Jack brings his wife - Wendy and his son Danny. It happens that Danny, has a mysterious power known as “The Shining” that shows him things from the past and future. Some of the visions come from Tony - “the little boy who lives in Danny’s mouth”. Danny meets Hallorann - the hotel cook in their first day arriving at the Overlook, who also has this “Shining” and he warns him about the hotel and the sinister Room 237. As the days go by, Danny has visions of previous guests and employees who died at the hotel years before, meanwhile Jack starts driving into insanity, turning more and more aggressive, at the point that Danny and Wendy gets convinced that Jack might try to do the same thing, Grady did.

He’s the star of the show—but he doesn’t know. Truman Burbank is a man whose life is a nonstop TV show. Truman doesn’t realize that his quaint hometown is a giant studio set run by a visionary producer/director/creator, that folks living and working there are Hollywood actors, that even his incessantly bubbly wife is a contract player. Gradually, Truman gets wise. And what he does about his discovery will have you laughing, crying and cheering.

Young publishing executive Carly takes an apartment in an exclusive “sliver” building in New York, only to learn that the previous tenant, who bore a great resemblance to Carly, died in a mysterious fall from the apartment balcony. When other tenants of the building begin to die likewise mysteriously, Carly begins to suspect that a killer may be inhabiting the building and that it may be either Zeke, the voyeuristic building owner with whom she’s become involved romantically, or Jack, a mystery writer with a suspicious quality.

This film tells the true story of Jeffrey Wigand, a former tobacco executive, who decided to appear on the CBS-TV News show “60 Minutes.” As matter of conscience partially prodded by producer Lowell Bergman, he revealed that, the tobacco industry was not only aware that cigarettes are addictive & harmful, but deliberately worked on increasing that addictiveness. Unfortunately, both protagonists of this story learn the hard way that simply telling the truth is not enough as they struggle against both Big Tobacco’s attempts to silence them and the CBS TV Network’s own cowardly complict preference of putting money as a higher priority over the truth.

Television reporter Angela Vidal (Carpenter) and her cameraman (Harris) are assigned to spend the night shift with a Los Angeles Fire Station. After a routine 911 call takes them to a small apartment building, they find police officers already on the scene in response to blood curdling screams coming from one of the apartment units. They soon learn that a woman living in the building has been infected by something unknown. After a few of the residents are viciously attacked, they try to escape with the news crew in tow, only to find that the CDC has quarantined the building. Phones, internet, televisions and cell phone access have been cut-off, and officials are not relaying information to those locked inside. When the quarantine is finally lifted, the only evidence of what took place is the news crew’s videotape.

It’s 1950’s New York and the age of live television. Benjy Stone is a young writer on a major comedy-variety show. He is assigned to chaperon that week’s guest Alan Swann, a faded movie-star and renowned womanizer and drinker. Benjy’s job is to try and keep Swann sober and above all else, make sure he shows up for the live broadcast on Saturday evening. Benjy and Swann have a number of adventures throughout the week, including dinner with Benjy’s somewhat eccentric family. In the end, both learn lessons in life from the other.

Frank Cross runs a US TV station which is planning a live adaptation of Dickens’ Christmas Carol. Frank’s childhood wasn’t a particularly pleasant one, and so he doesn’t really appreciate the Christmas spirit. With the help of the ghosts of Christmas past, present and future, Frank realises he must change.