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Benjamin Barry is an advertising executive competing with two female co-workers for a major campaign for a diamond merchant. He cuts a deal with his competitors that the account is his if he can make a woman of their choice fall in love with him in 10 days. In comes Andie Anderson who, in turn, is writing a story on how to lose guy in 10 days as a bet with her boss to be allowed to write more substantial stories. With a hidden agenda in each camp, will either party be able to complete their mission?

The Waterfront Crime Commission is about to hold public hearings on union crime and underworld infiltration. As workers are turned against each other, Terry Malloy inadvertently participates in the murder of fellow longshoreman Joey Doyle. Union boss Johnny Friendly orchestrates the murder along with other illegal dockside activities, aided by Terry’s brother Charley. Terry begins to feel pangs of conscience. When Joey’s sister Edie sees more in Terry than he sees in himself and Father Barry urges him on, Terry reassesses his past and begins to regain responsibility for his actions.

Babe’s brother appears out of the blue. He does this from time to time because his family never knows where he is, working as a government spy. One of his charges is a nazi war criminal who he has just told is no longer welcome in the United States. The doctor has a fortune hidden in a safety deposit box and is convinced that Babe knows whether or not it is safe to go to pick it up and will stop at nothing to find out.

Johnny Ross works for Chicago mobster Peter Ross, his brother. In April 1968 Johnny Ross escapes two attempts on his life and flees to San Francisco, where he is placed in protective custody by politician Walter Chalmers, who hopes to use Ross to further his own national aspirations. To protect Ross, Chalmers asks the SFPD to assign Detective Lieutenant Frank Bullitt and his partners, Sergeants Don Delgetti and Carl Stanton, to guard him at a flophouse near an overhead freeway. It looks like a simple assignment, but at 1 AM the next day it all goes awry in a blast of a shotgun, leaving Stanton and Ross fighting for life at San Francisco General. Bullitt gets what information he can, but breathing down his neck is the angered Chalmers who vows to ruin Bullitt’s career should Ross die. Bullitt gets a break when the gunman appears at the hospital to finish off Ross, and Bullitt gets a good look at him; now Bullitt must smoke out the gunman and his backup man before Chalmers carries out his threat, leading to a high-speed pursuit, a fiery crash at a gas station, and a fingerprint check that leads to a stunning discovery about Ross, and about a couple staying at a swanky hotel in San Mateo.

Joey Drayton brings her fiancé, Dr. John Prentice, home to sunny San Francisco to meet her affluent parents. Their liberal persuasions are now put to the test, for although the young man is an ideal choice (he’s highly and internationally respected in the medical field, and he’s impeccably mannered, handsome, well dressed and of a respectable California family), he’s black. The film, which covers one busy day in the Drayton home, is essentially a drawing-room comedy, a series of cross-conversations between the young doctor and the girl’s parents, and finally between all sets of parents and offspring. A simple dinner is extended to include the doctor’s parents, who fly up from Los Angeles for the evening, and the crusty but benevolent old Irish priest, a friend of the family. Thus, the title of the film . . .

Struggling writer Paul Varjak moves into a New York apartment building and becomes intrigued by his pretty, quirky neighbor Holly Golightly. Holly’s lifestyle confuses and fascinates Paul; in public she flits through parties with a sexy, sophisticated air, but when they’re alone she changes into a sweetly vulnerable bundle of neuroses.

Johnny Hooker is a young con-man who is being taught by Luther. One day they pull one of their con jobs and net themselves a huge roll. What they don’t know is that the man they conned is the courier for a numbers runner. And it turns out that the boss, Doyle Lonigan, considers it an attack on him and orders all the people involved terminated. Hooker is shaken down by a crooked cop, Snyder, who threatens to turn him over to Lonigan unless he pays him off. Hooker pays him, he then tries to warn Luther but is too late. He then goes to see Henry Gondorf, a friend of Luther’s and a one time great con-man, who has had a bit of bad luck. After hearing what happened to Luther and seeing how hungry Hooker is for payback, he assembles a gang and decides to con Lonigan. While everything seems to be going ok, there is just the problem of the hit on Hooker and Snyder, whom Hooker paid off with counterfeit money.

Princess Anne embarks on a highly publicized tour of Europian capitals. When she and her royal entourage arrive in Rome, she begins to rebel against her restricted, regimented schedule. One night Anne sneaks out of her room, hops into the back of a delivery truck and escapes her luxurious confinement. However, a sedative she was forced to take earlier starts to take effect, and the princess is soon fast asleep on a public bench. She is found by Joe Bradley, an American newspaper reporter stationed in Rome. He takes her back to his apartment. The next morning Joe dashes off to cover the Princess Anne press conference, unaware that she is sleeping on his couch! Once he realizes his good fortune, Joe promises his editor an exclusive interview with the princess.

This 98-minute film is a stark and stylish horror/thriller that turns everyone’s favorite time of the year inside out. Olivia Hussey and Margot Kidder star among an ill-fated houseful of sorority sisters celebrating the holiday season. Festivities turn fatal when obscene phone calls break the serenity and it becomes clear that a psychopath is stalking the house.

An intense portrayal of elite soldiers who have one of the most dangerous jobs in the world: disarming bombs in the heat of combat. When a new sergeant, James, takes over a highly trained bomb disposal team amidst violent conflict, he surprises his two subordinates, Sanborn and Eldridge, by recklessly plunging them into a deadly game of urban combat. James behaves as if he’s indifferent to death. As the men struggle to control their wild new leader, the city explodes into chaos, and James’ true character reveals itself in a way that will change each man forever.