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After breaking up with his girlfriend Annie Hall, neurotic comedian Alvy Singer goes on a stream of conciousness journey through his memories of their relationship, trying to find out what caused them to part ways. He often breaks the fourth wall, speaking to the camera, entering peoples’ stories, and even using animation.

After a series of ill-fated relationships, Jane (Ashley Judd) has finally met Mr. Right, Ray (Greg Kinnear) - he’s emotionally available, and not afraid of commitment. Six weeks into their blissful courtship, he asks her to move in with him, and they start looking at apartments. But little by little Ray starts to pull away, until Jane realizes that once again she’s been dumped. Jane’s womanizing coworker, Eddie, just happens to be looking for a roommate, and Jane reluctantly moves in. Desperate to understand what happened and get over Ray, Jane comes up with a theory of interpreting male-female relations by observing the behaviors of wild animals. She shares this idea with a friend who works at a men’s magazine (Marisa Tomei) and is given an anonymous editorial column devoted solely to her thoughts on the matter. But no one could have predicted the chord she’d strike among women with her theory, and the column’s wild success makes Jane start to question her conclusions - and opens her eyes to what might be right in front of her.

He’s the star of the show—but he doesn’t know. Truman Burbank is a man whose life is a nonstop TV show. Truman doesn’t realize that his quaint hometown is a giant studio set run by a visionary producer/director/creator, that folks living and working there are Hollywood actors, that even his incessantly bubbly wife is a contract player. Gradually, Truman gets wise. And what he does about his discovery will have you laughing, crying and cheering.

A deeply disturbed photographer and Vietnam veteran, named Kirk Smith, terrorizes Los Angeles by going around strangling lingerie-clad young women in their homes while taunting Lindsay Gale, a young psychologist, by calling her on a radio call-in show to describe his sexual hang-ups and misogynistic ways, while a local police detective, Lt. McCable, is always two steps behind in trying to catch the psycho.

A successful talk show host leaves Los Angeles to reunite with his family in the Deep South.

For twelve years, the methodic IRF agent Harold Crick has had a routine lonely life guided by his wristwatch. However, one day he hears the narration of his life in off, telling that he is going to die pretty soon. Meanwhile, he audits Ana Pascal, the owner of a bakery that is in debt with the IRF, and falls in love for her. Harold is advised by Professor Jules Hilbert to change his monotonous lifestyle while he tries to find Karen Eiffel, the author of the story of his life, who is researching means of killing the character, and convince her to change the ending of the story.

Taken aback by his mother’s wedding announcement, a young man returns home in an effort to stop her from marrying his old high school gym teacher, a man who made high school hell for generations of students.

A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run in with a limousine, he ends up a guest of a woman (Eve) and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider.

Tobacco industry lobbyist Nick Naylor has a seemingly impossible task: promoting cigarette smoking in a time when the health hazards of the activity have become too plain to ignore. Nick, however, revels in his job, using argument and twisted logic to place, as often as not, his clients in the positions of either altruistic do-gooders or victims. Nick’s son Joey needs to understand and respect his dad’s philosophy, and Nick works hard to respond to that need without compromising his lack of values. When a beautiful news reporter betrays Nick’s sexually-achieved trust, his world seems in danger of collapsing. But there’s always one more coffin nail in Nick’s pack.

Dr. Evil uses a device he calls a “Time Machine” to travel back to 1969 and remove Austin Powers’ mojo. The sexually wounded swinger must travel back in time and, with the help of agent Felicity Shagwell, recover his vitality. Meanwhile, Dr. Evil’s personal life runs amok as he discovers love, continues to shun his son and develops a close relationship with himself. Well, actually, a clone 1/8 his size whom he dubs “Mini-Me”. The always time-baffled Dr. Evil begins his plan to put a gigantic cannon on the moon, thus turning it into a device called either “The Death Star” or “Alan Parson’s Project,” depending on which name is available.