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In the 1870’s, U.S Marshal Mike S. Blueberry tries to stop Wally Blount, the man who killed his girlfriend, from getting to a stockpile of gold hidden in Indian territory. On his way, he meets Prosit, a German villain on a persistent mission to find gold in the Superstition Mountains.

A shape shifter (Burke) comes from the desert in search of victims, a spirit the locals call “The Dust Devil”. He prays on the lonely and the unloved, those that have already lost everything but life itself. Wendy (Field) has broken up with her husband and wanders aimlessly in her car. She picks up a stranger and begins having misgivings about picking him up when strange things begin to occur. Meanwhile a local police officer (Mokae) tracks the killer. Aided by a shaman’s admonishments about witchcraft he sets off to try and stop the beast before it can complete its grisly task.

The teenager Bill Whitney (Billy Warlock) feels misfit with his parents and his sister Jenny Whitney (Patrice Jennings). When his sister’s boyfriend David Blanchard (Tim Bartell) bugs his family, he shows the disturbing tapes to Bill showing incest and a weird society. When Blanchard dies in a car accident, Bill decides to investigate his family and find a scary truth.

A fable of innocence: thirteen-year-old Aviva Victor wants to be a ‘mom’. She does all she can to make this happen, and comes very close to succeeding, but in the end her plan is thwarted by her sensible parents. So she runs away, still determined to get pregnant one way or another, but instead finds herself lost in another world, a less sensible one, perhaps, but one pregnant itself with all sorts of strange possibility. She takes a road trip from the suburbs of New Jersey, through Ohio to the plains of Kansas and back. Like so many trips, this one is round-trip, and it’s hard to say in the end if she can ever be quite the same again, or if she can ever be anything but the same again.

After years of feeling alone, Gonzo is contacted by his alien family through his breakfast cereal. Gonzo’s soon-persistent belief of his extraterrestrial origins leads his muppet pals to dismiss him as crazy…and draws the attention of an evil government agent who kidnaps Gonzo. Will Kermit and the gang rescue their friend? Will Gonzo finally meet his alien family?

Henry Spencer tries to survive his industrial environment, his angry girlfriend, and the unbearable screams of his newly born mutant child.

Four horror/science-fiction segments directed by four of Hollywood’s famous directors based on TV’s most popular anthology series, bookened by a funny and scary prologue and epilogue featuring Dan Aykroyd and Albert Brooks. In the first story directed by John Landis (a vague remake of the Twilight Zone episode “A Quality of Mercy”) a loud-mouthed bigotted businessman (Vic Morrow) with an intense hatred for Jews, blacks, and Asians, gets the tables turned on him when he walks out a bar and is inexplicably transported back in time to being pursued by Nazis in 1940’s France, then as an African-American at a KKK rally in the 1950s Deep South, and as a Vietnamese in 1960s Vietnam. The second story directed by Stephen Spielberg (a remake of ‘Kick the Can’) an old man (Scatman Crothers) arrives at a retirement home and makes the wishes of the residents come true when he magically transforms them into youthful incarnations of their days gone by. The third story directed by Joe Dante (a remake of ‘It’s a Good Life’) a young woman on the road (Kathleen Quinlan) gives a ride to a mysterous 10-year-old boy (Jeremy Licth) to his house and ends up trapped with other people in an alternate reality created by the boy’s imagination. The fourth story directed by George Miller (a remake of ‘Nightmare at 20,000 Feet) stars John Lithgow as an passenger on an airline whom sees, but cannot convince anyone, a mysterious creature on the outside wing of the airplane trying to sabotage the aircraft.

Jane Morton, a psychiatrist from Dublin in deep mourning following the accidental death of her husband and son, is assigned to work on the case of Dorothy Mills, a teenaged girl in a small village who tried to strangle a baby. After miraculously surviving a car accident, Jane discovers a village darkened by strange events and meets a very nervous Dorothy, who swears she never touched the baby. After analyzing the teenager, Jane makes a diagnosis of multiple personality disorder until the day that Dorothy speaks with the voice of David, Jane’s dead son.

Tod Hackett, fresh out of Yale, wants to make it as an art director in late 1930’s Hollywood - but he finds himself increasingly distracted by his new neighbor Faye, a would-be starlet with possible designs of her own on a lonely, morose accountant. As Tod is drawn deeper into the lurid private lives of studio bosses and film industry workers, he gradually becomes desperate to know if Faye - or anyone - is capable of real love.

Jerry Mulligan, a struggling American painter in Paris, is “discovered” by an influential heiress with an interest in more than Jerry’s art. Jerry in turn falls for Lise, a young French girl already engaged to a cabaret singer. Jerry jokes, sings and dances with his best friend, an acerbic would-be concert pianist, while romantic complications abound.