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“The Naughty Stewardesses” follows four fetching flight attendants as they deal with randy passengers, dirty old men, “fashion” photographers, and other hazards in the sky and on the ground. Donna Desmond and Tracy King star with Carrol and Livingston.

BLAZING STEWARDESSES features Adamson’s wife, cult scream queen Regina Carrol, and Yvonne DeCarlo, best know as TV’s Lily Munster. This broad comedy, the sequel to NAUGHTY STEWARDESSES, finds a planeful of oversexed airline attendants touching down on a ranch. Little do they know, however, about the masked bandit lurking in the sagebrush, who just might ruin their plans for some lusty fun.

After auditions, 12 young dancers make it to the American Ballet Academy. They’ll prepare for the student showcase to determine who will be asked to join the American Ballet Company. Tensions mount between Jonathan, the company’s aging choreographer, and Cooper, his best dancer, who also wants to choreograph. The brilliant Maureen seems poised for success, but she discovers that life is passing her by. Jody, whose body may be the wrong type and whose technique is ragged, elicits Cooper’s interest. The edgy, smart-mouthed Eva loves to dance but seems destined to be stuck in the back of the chorus. The showcase will decide their fates.

Stephanie Komack was a high-class hooker and assassin for the Italian Mob. Now working in London as a waitress, and a single mother to her seven year old daughter, the Mob track Stephanie down and persuade her to do one last job. The hit goes wrong and Stephanie soon realises the stark reality of her failure. They snatch her daughter as punishment, but didn’t figure on Stephanie’s capacity for revenge! Inspired by true events, JOURNAL OF A CONTRACT KILLER is the gripping story of a woman driven to turn on her paymasters with devastating consequences.

A word. What is the pervert? Sex freak, deranged degenerate, disturbed diabolical psychotic subversive embracer of things both erotic and erratic. What is to pervert? The twist of an object, phrase or ideal in such a way it was never intended or even imagined. Who is the pervert? Why, that’s another story altogether… A young man (Sean Andrews as “James”) comes to spend the summer at the remote desert ranch of his father (Darrell Sandeen as “Hezekiah”) in hopes of repairing their estranged relationship only to find that he’s become a psychotic madman. But who is responsible for the bizarre murders James has uncovered? Hezekiah pins the blame on his son, and after a series of unexplainable incidents, James begins to doubt his own suspicions. Little does he know that the real killer lurks just under his nose!

Hamlet, son of the king of Denmark, is summoned home for his father’s funeral and his mother’s wedding to his uncle. In a supernatural episode, he discovers that his uncle, whom he hates anyway, murdered his father. In an incredibly convoluted plot—the most complicated and most interesting in all literature—he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the “prime minister,” love and then unlove an innocent whom he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on stage, including his own and his mother’s.

Victor Mancini, a sex-addicted med-school dropout, who keeps his increasingly deranged mother, Ida, in an expensive private medical hospital by working days as a historical re-enactor at a Colonial Williamsburg theme park. At night, Victor runs a scam by deliberately choking in upscale restaurants to form parasitic relationships with the wealthy patrons who “save” him. When, in a rare lucid movement, Ida reveals that she has withheld the shocking truth of his father’s identity, Victor enlists the aid of his best friend, Denny and his mother’s beautiful attending physician, Dr. Paige Marshall, to solve the mystery before the truth of his possibly divine parentage is lost forever.

A successful FBI profiler, Illeana Scott (Jolie), is summoned to help out Canadian law enforcement in Montreal, to hunt down a serial killer who assumes the lives and identities (hence the title) of the people he kills as he travels across North America, which forces Illeana to adjust to working in a strange city with a police team with which she doesn’t really fit in.

It is 1948 in LA and Ezikeal “Easy” Rawlins, an African-American World War II veteran, is looking for work. At his friend’s bar, he is introduced to a white man, DeWitt Albright, who is looking for someone to help him find a missing white woman assumed to be hiding somewhere in LA’s Black community. This woman, Daphane Monet, happens to be the fiancée of a wealthy “blue blood,” Todd Carter, who is currently the favorite in the city’s mayoralty race. Daphane Monet is known to frequent the Black jazz clubs in LA. Easy, innocently, accepts Albright’s offer; however, he quickly finds himself amidst murder, crooked cops, ruthless politicians, and brutalizing hoodlums. This is a Chandler-esque “who-done-it” with an African-American theme.

Kathy is an outcast at an elite New England boarding school whom lands in a coma resulting from accidentally being hit by a car during a cruel practical joke against her by several car loads of her tormentors. A little later, Eva, a new arrival to the school, takes over Kathy’s old room and begins socializing with some of the girls responsible for Kathy’s condition. It turns out that Eva is a pawn under the control of the comatose Kathy from her hospital bed in seeing revenge against those whom did her wrong, while Kathy’s physician, meets and begins dating Eva whom also targets his latest girlfriend.