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After a series of ill-fated relationships, Jane (Ashley Judd) has finally met Mr. Right, Ray (Greg Kinnear) - he’s emotionally available, and not afraid of commitment. Six weeks into their blissful courtship, he asks her to move in with him, and they start looking at apartments. But little by little Ray starts to pull away, until Jane realizes that once again she’s been dumped. Jane’s womanizing coworker, Eddie, just happens to be looking for a roommate, and Jane reluctantly moves in. Desperate to understand what happened and get over Ray, Jane comes up with a theory of interpreting male-female relations by observing the behaviors of wild animals. She shares this idea with a friend who works at a men’s magazine (Marisa Tomei) and is given an anonymous editorial column devoted solely to her thoughts on the matter. But no one could have predicted the chord she’d strike among women with her theory, and the column’s wild success makes Jane start to question her conclusions - and opens her eyes to what might be right in front of her.

In 16th century Venice, courtesans enjoy unique privileges: dressed richly in red, they read, compose poetry and music, and discuss affairs of state with the men who govern the Republic. When Veronica Franco comes of age, she cannot marry Marco Venier, whom she loves, because she is well born but penniless. Her choice: cloister or courtesan. She steels her heart, and with beauty and intelligence becomes the best. She’s a heroine when she helps convince France to aid Venice in war with Turkey, but when plague descends, the Church charges her with witchcraft. At her inquisition, she must match wits with an old rival, speak for all women, and call courage from Venier.

A small desert town has been harassed for months by a gang of drag racers, but so far no one has done anything to stop them. One day, a ghostly black car shows up, challenging members of the group to race, then killing them one by one. Neither the gang nor the police can catch the car or its driver, but some investigating into the gang’s past may reveal just who’s behind all this.

In 2019, Lincoln Six Echo and Jordan Two Delta are best friends in a repressive and intriguing society, where everybody expects to win the lottery. The prize is to move to a paradisaical island outside the domes that protect the dwellers against the contaminated environment. Jordan wins the lottery, and Lincoln accidentally finds the scary truth behind the Utopian award: they are clones, generated to provide replacement organs and parts to the owners of insurance policy.

Sophie Hartley (Susan Sarandon) is convinced that she is being stalked. She becomes increasingly certain that her husband’s (Sam Neill) beautiful co-worker, Mara (Emily Blunt), wants her children, her husband and her life. But no one believes Sophie. Forced to prove her sanity, Sophie grows increasingly paranoid - but is she imagining things? Sophie becomes completely caught up in her obsession, turning stalker herself - and makes a discovery more frightening than her worst fear.

A London website designer ops out of her comfortable but ordinary relationship with a nice boyfriend when she forms a dangerously obsessive bond with a handsome, mysterious mountaineer, who turns out to have some secrets.

A millionaire wants to turn a golf course into a new property development, but the president of the golf club doesn’t like the idea. This is the basic ‘plot’ which hides behind the many antics of the employees and players on the golf course.

The nature of temptation. Banks is a hit man, the best, usually working for Latin American drug cartels. He picks up solitary women, uses them briefly for a job, then kills them. He’s in the Southwest, headed toward Mexico, when he picks up Bennie, a woman leaving an abusive marriage, going to Paradise, Arizona. The film follows three tracks: Banks’s slow recruitment of Bennie, the set-up for the hit at a swank resort in Mexico, and the FBI’s close pursuit of Banks, whom they want alive in hopes he’ll rat out his bosses. Bennie may not be who she seems, and there may be a chink in Banks’s tough-guy armor. Guns, money, and a chance at Paradise…

Ricardo Tubbs (Jamie Foxx) is urbane and dead smart. He lives with Bronx-born Intel analyst Trudy (Naomie Harris), as they work undercover transporting drug loads into South Florida to identify a group responsible for three murders. Sonny Crockett (Colin Farrell) [to the untrained eye, his presentation may seem unorthodox, but procedurally, he is sound] is charismatic and flirtatious until - while undercover working with the supplier of the South Florida group - he gets romantically entangled with Isabella (Gong Li), the Chinese-Cuban wife of an arms and drugs trafficker. The best undercover identity is oneself with the volume turned up and restraint unplugged. The intensity of the case pushes Crockett and Tubbs out onto the edge where identity and fabrication become blurred, where cop and player become one - especially for Crockett in his romance with Isabella and for Tubbs in the provocation of an assault on those he loves.

San Francisco heiress Page Forrester is brutally murdered in her remote beach house. Her husband Jack is devastated by the crime but soon finds himself accused of her murder. He hires lawyer Teddy Barnes to defend him, despite the fact she hasn’t handled a criminal case for many years. There’s a certain chemistry between them and Teddy soon finds herself defending the man she loves.