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A Russian epic, the movie traces the life of surgeon-poet Yury Zhivago before and during the Russian Revolution. Married to an upper-class girl who is devoted to him, yet in love with an unfortunate woman who becomes his muse, Zhivago is torn between fidelity and passion. Sympathetic with the revolution but shaken by the wars and purges, he struggles to retain his individualism as a humanist amid the spirit of collectivism.

U.S. President Merkin Muffley is on the hot line to Moscow with some rather embarrassing news for the Soviet premier: “Hello, Dimitri….I’m fine….Now then, you know how we’ve always talked about the possibility of something going wrong with the bomb….The bomb, Dimitri. The hydrogen bomb….Well, now, what happened is that, uh, one of our base commanders…he went a little funny in the head….and he went and did a silly thing….He ordered his planes to attack your country.” A comedy about an accidental nuclear attack? One that ends with total annihilation, thermonuclear apocalypse? Preposterous! Stanley Kubrick thought otherwise. In the end his thinking prevailed. The mad saga revolves around a psychotic Strategic Air Command officer, Gen. Jack D. Ripper, who lets loose his B-52 bomber squadron on the Soviet Union. Ripper takes this unilateral action because of his paranoid belief that Communists are sapping and contaminating “all our precious bodily fluids” as part of their plan to take over the world.” Unbeknownst to Ripper, his attack will trigger the Russian’s ultimate weapon, the Doomsday Machine, a diabolical retaliatory device set to blow up the planet.

A crime/conspiracy story based on the influential comic by Alan Moore. Watchmen focuses on the every day life of out of work superheroes. Costumed superheroism has been outlawed, and most groups have been abandoned. But as a new threat presents itself, the paranoid masked detective/vigilante Rorschach uncovers a conspiracy to destroy all masked heroes.

The “Iron Curtain” is starting to come down around the Soviet Union under the leadership of Mikhail Gorbachev. A Soviet boxer named Ivan Drago, nicknamed “The Siberian Express”, comes to the United States with his wife, a Russian champion swimmer and coach for a guest match. Drago is a superbly conditioned boxer who has been scientifically trained in the USSR, and he & his coach propose a fight against Rocky Balboa. Rocky’s former adversary, Apollo Creed decides to take on Drago despite having been out of the ring for several years. Creed unwisely taunts Drago before the match, and after the first round, Drago issues a prophetic warning to Creed: “You will lose.” Unfortunately the warning comes true and Creed dies following a pounding by the Siberian Express. When death threats are made against the Russian boxer, he returns to the USSR and states if there is to be a match between Balboa & Drago, it will be in the USSR. To honor Creed’s memory, Rocky takes the Soviets up on their challenge and goes to Siberia to train for the match against the “Siberian Express”, that will take place in Moscow on Christmas Day, in front of a hostile audience.

An elderly countess strikes a bargain with the devil and exchanges her soul for the ability to always win at cards. An army officer, who is also a fanatic about cards, murders her for the secret, then finds himself haunted by the woman’s spirit.

Stefan and Dolly Oblonsky have had a little spat and Stefan has asked his sister, Anna Karenina, to come down to Moscow to help mend the rift. Anna’s companion on the train from St. Petersburg is Countess Vronsky who is met at the Moscow station by her son. Col. Vronsky looks very dashing in his uniform and it’s love at first sight when he looks at Anna and their eyes meet. Back in St. Petersburg they keep running into each other at parties. Since she has a husband and small son, they must be very discreet if they are going to see each other alone.

Film version of the stage musical, based on the stories of Sholom Aleichem. Tevye the Milkman is a Jewish peasant in pre-Revolutionary Russia, coping with the day-to-day problems of ’shtetl’ life, his Jewish traditions, his family (wife and daughters), and state-sanctioned pogroms.

Catherine The Great had been portrayed by Mae West, Elizabeth Bergner, Marlene Dietrich, and Pola Negri. She lived to be 67 years old. Amazing, if we are to believe her amorous ways. Lubitsch was to have directed this, but he became ill and the reins were handed to Preminger, with Ernst looking over his shoulder and making sure that Otto’s customary heavy hand was somewhat lightened. The ancient Biro/Lengyel play “Czarina,” which had been used as the basis for other movies about the Russian queen, was adapted this time by Mayer and Frank, veteran screenwriters who knew what they were doing. To Bankhead’s St. Petersburg castle comes Eythe, a young cavalry officer who has ridden for days to tell her of a coup planned by two generals. Eythe admits that he has plenty of energy left despite the travel, so Bankhead requests that he return later that night for a “private interview.” Eythe is handsome, albeit a bit sappy, but he must have some ability in the lovemaking department, because his rise to the rank of general is rapid. Eythe is soon in love with Baxter, a virginal woman who is a lady in waiting. Bankhead falls hard for Eythe, and, when she learns that he is affianced to Baxter, the young woman is sent away. Eythe is heartbroken but still owes allegiance to his queen, so he helps overcome the plot to dethrone her. Bankhead is so happy at what he’s done, she allows Eythe and Baxter to reunite while she finds new thrills in the arms of Price, the French ambassador. With all of the sleeping around Bankhead does, it’s a wonder any state business ever got done in the years when Catherine was Great. A few laughs, but Bankhead chews up the scenery and the pacing is off a beat. Lubitsch had filmed this as FORBIDDEN PARADISE in 1924.

Veteran-turned-mercenary Thoorop takes the high-risk job of escorting a woman from Russia to America. Little does he know that she is host to an organism that a cult wants to harvest in order to produce a genetically modified Messiah.

When the president of Russia suddenly dies, a man whose politics are virtually unknown succeeds him. The change in political leaders sparks paranoia among American CIA officials, so CIA director Bill Cabot recruits a young analyst to supply insight and advice on the situation. Then the unthinkable happens: a nuclear bomb explodes in a U.S. city, and America is quick to blame the Russians.