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The movie starts out with Arthur, King of the Britons, looking for knights to sit with him at Camelot. He finds many knights including Sir Galahad the pure, Sir Lancelot the brave, the quiet Sir Bedevere, and Sir Robin the Not-Quite-So-Brave-as-Sir Lancelot. They do not travel on horses, but pretend they do and have their servants bang coconuts to make the sound of horse’s hooves. Through satire of certain events in history (witch trials, the black plague) they find Camelot, but after literally a quick song and dance they decide that they do not want to go there. While walking away, God (who seems to be grumpy) come to them from a cloud and tells them to find the Holy Grail. They agree and begin their search…

Widowed astronomer Steven Mills accidentally sends a great surge of energy out into space, threatening life on another world. They respond by dispatching one of their race disguised in deliberately attractive human form (Celeste Martin) to Earth to sort things out, accompanied by a rather less attractive superior (Bag). Steven is indeed attracted, as is his untrustworthy brother, while Celeste becomes increasingly fond of Steven’s young daughter.

An artist, John Jaspers (Mark frost) sells his soul to the mysterious “M” (Andrew Divoff)in order to get revenge on the people who killed his girlfriend. Soon, he realizes everything has a price, and he is transformed into a horned demon with a passion for killing. He learns that M plans to release the Homunculus, a giant Lizard-like monster onto the earth, opening the gate to hell. Now, Jaspers must stop M before he can let the apocalypse begin…

When a young boy falls ill, his grandfather pops round to visit him. To cheer his grandson up, Grandpa has brought a storybook; The Princess Bride, a tale of the love between the beautiful Buttercup and the besotted Westley, a love cruelly interrupted by Westley’s tragic apparent death at sea when seeking his fortune. Heartbroken, Buttercup has sworn never to love again, but accepts the marriage proposal of the rich and handsome Prince Humperdinck, heir to the throne of Florin; but death is no barrier to true love, and in a story filled with exotically-accented swordsmen, big-hearted giants, genius kidnappers, sadistic torturers, vile swamps, Rodents of Unusual Size, the Dread Pirate Roberts and a somewhat embittered miracle worker, the love between Westley and Buttercup twists and turns on a path filled with adventure. Will the True Love of Westley and Buttercup win the day? Will Inigo Montaya find the six-fingered man who murdered his father? Will Humperdinck’s evil plans come to fruition? And, more importantly, will Grandpa be able to tell the story without any of the yucky kissing?

Susanna is rushed to the hospital. Afterwards she discusses this with a psychiatrist. She had been having some delusions. She had also been having an affair with the husband of her parents’ friend. The doctor suggests that combining a bottle of aspirin and a bottle of vodka was a suicide attempt. This she denies. He recommends a short period of rest at Claymoore. Claymoore is a private mental hospital full of noisy, crazy people. Georgina is a pathological liar. Polly has been badly scarred by fire. Daisy won’t eat in the presence of other people. Lisa is a sociopath, the biggest exasperation for the staff - like Nurse Valerie - and the biggest influence on the other girls in the hospital. Lisa has a history of escapes, so gaining access to personal medical files is not a problem… Susanna’s boyfriend Toby is concerned that she seems too comfortable living with her institutionalized friends…

Remake of the 1958 horror sci-fi about a deadly blob which is the spawn of a secret government germ warfare project which consumes everyone in its path. Teenagers try in vain to warn the townsfolk, who refuse to take them seriously, while government agents try to cover up the evidence and confine the creature.

In this erotic remake of the 1942 classic, a young woman’s sexual awakening brings horror when she discovers her urges transform her into a monstrous black leopard.

Determined to close the gates of hell once and for all, a 22nd-century scientist, whose ancestor originally freed the demonic Pinhead centuries before, tries to reverse the Lament Configuration. Spanning several generations, this final entry in Clive Barker’s horror franchise acts as both prequel and sequel to the other installments.

Lt. Harrigan (Danny Glover) is a cop fighting the good war against drugs. But recently, the major drug lords have been killed off in a very brutal fashion. His superiors tell him to stay out of it, but Harrigan knows that something is wrong. His instincts are right when he discovers that the person behind the murders is none other than the Predator, the human-hunting alien who likes to make trophies out of his victims’ skulls. But how can Harrigan stop the Predator when it can turn invisible and kill him without him knowing it?

Four horror/science-fiction segments directed by four of Hollywood’s famous directors based on TV’s most popular anthology series, bookened by a funny and scary prologue and epilogue featuring Dan Aykroyd and Albert Brooks. In the first story directed by John Landis (a vague remake of the Twilight Zone episode “A Quality of Mercy”) a loud-mouthed bigotted businessman (Vic Morrow) with an intense hatred for Jews, blacks, and Asians, gets the tables turned on him when he walks out a bar and is inexplicably transported back in time to being pursued by Nazis in 1940’s France, then as an African-American at a KKK rally in the 1950s Deep South, and as a Vietnamese in 1960s Vietnam. The second story directed by Stephen Spielberg (a remake of ‘Kick the Can’) an old man (Scatman Crothers) arrives at a retirement home and makes the wishes of the residents come true when he magically transforms them into youthful incarnations of their days gone by. The third story directed by Joe Dante (a remake of ‘It’s a Good Life’) a young woman on the road (Kathleen Quinlan) gives a ride to a mysterous 10-year-old boy (Jeremy Licth) to his house and ends up trapped with other people in an alternate reality created by the boy’s imagination. The fourth story directed by George Miller (a remake of ‘Nightmare at 20,000 Feet) stars John Lithgow as an passenger on an airline whom sees, but cannot convince anyone, a mysterious creature on the outside wing of the airplane trying to sabotage the aircraft.