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Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.

Omens and concepts of good vs. evil have no place in Maggie O’Connor’s well-ordered, practical universe. Her life revolves around her job as a nurse at a busy New York hospital, until one rainy night, her sister Jenna abandons her newborn, autistic daughter at her home. Maggie takes the baby in, and she becomes the daughter she never had. Six years later Jenna suddenly re-appears with a mysterious new husband, Eric, and abducts Cody. Despite the fact that Maggie has no legal rights to Cody, FBI agent John Travis (Jimmy Smits), an expert in ritual homicide and occult-related crime, takes up her cause when he realizes that Cody shares the same birth date as several other recently missing children. The little girl, it soon becomes clear, is more than simply “special.” She manifests extraordinary powers that the forces of evil have waited centuries to control, and her abduction sparks a clash between the soldiers of good and evil that can only be resolved, in the end, by the strength of one small child and the love she inspires in those she touches.

The Good is Blondie, a wandering gunman with a strong personal sense of honor. The Bad is Angel Eyes, a sadistic hitman who always hits his mark. The Ugly is Tuco, a Mexican bandit who’s always only looking out for himself. Against the backdrop of the Civil War, they search for a fortune in gold buried in a graveyard. Each knows only a portion of the gold’s exact location, so for the moment they’re dependent on each other. However, none are particularly inclined to share…

The Waterfront Crime Commission is about to hold public hearings on union crime and underworld infiltration. As workers are turned against each other, Terry Malloy inadvertently participates in the murder of fellow longshoreman Joey Doyle. Union boss Johnny Friendly orchestrates the murder along with other illegal dockside activities, aided by Terry’s brother Charley. Terry begins to feel pangs of conscience. When Joey’s sister Edie sees more in Terry than he sees in himself and Father Barry urges him on, Terry reassesses his past and begins to regain responsibility for his actions.

In the 17th century a Jesuit priest and a young companion are escorted through the wilderness of Quebec by Algonquin Indians to find a distant mission in the dead of winter. The Jesuit experiences a spiritual journey while his young companion falls in love with the Algonquin chief’s beautiful daughter underneath the imposing and magnificent mountains. Dread and death follows them upriver.

In St. Marks catholic boarding school for girls, the religious student Elizabeth is attacked by evil forces and disappears from the classroom and the impotent Father Drake is incapable of saving her. The school is closed and five years later it is reopened. Five troubled unwanted girls - Alex, Mara, the blind Cecilia, Leah and Connie - are left by their family in the institution, severely directed by the headmistress Miss Pearce with hands of iron. Father Drake is their teacher and the girls are forbidden to go to the mysterious third floor. When Alex has visions of the possessed Elizabeth, weird things happen in the spot and the girls have to fight against a legion of two thousand demons.

Mike, following his release from a psychiatric hospital, teams up with old pal Reggie to hunt down the Tall Man, who is at it again. A mysterious, beautiful girl has also become part of Mike’s dreams, and they must find her before the Tall Man does. They reach an Oregon cemetery that has had all the bodies dug up and removed. Realizing this is the work of the Tall Man, they venture inside armed heavily. But the Tall Man still has his deadly flying spheres - and a couple of cronies who will stop at nothing to keep their evil plans a secret.

The lives of three young people - a rich student, a girl from the “wrong side of the tracks” and her boyfriend - unexpectedly intersect during one fateful summer in the romantic drama “Here on Earth.” Kelley Morse (Chris Klein), who is cocky and brash, normally would never have crossed paths with the residents of a small town near his posh private school. But when he takes his shiny new Mercedes out for a drive, he locks horns with some of the locals, including Jasper (Josh Hartnett). As Jasper’s willful girlfriend Samantha (Leelee Sobieski) looks on, Kelley and Jasper engage in a dangerous car race that turns disastrous, leaving a popular diner owned by Samantha’s mother in ruins. Kelley and Jasper are sentenced to a creatively ironic but fitting punishment: They must help rebuild the diner. Not only does this ruin Kelley’s summer plans, he also must board at the home of his rival, Jasper. Kelley begins to fulfill his “sentence,” but refuses to have anything to do with Jasper and his parents. When Kelley again encounters Samantha, the attraction is immediate and strong. First love blossoms in the Berkshire woods (”a little bit of heaven, here on earth,” Samantha calls the pastoral setting), angering Jasper, who has known Samantha practically his entire life. These new feelings and the romantic triangle that develops are only the beginning of a new journey for Kelley, Samantha and Jasper, as they ultimately make life-changing discoveries about themselves and each other.

Plagued by nightmares and her sister’s suicide, Maria joins her friends on a road trip to a vacation home in a remote desert town. Once there, she finds herself hunted by El Charro (Andrew Bryniarski) - an ancient evil driven to exact a brutal revenge on Maria’s lineage. The Curse of El Charro creates a world where 70’s exploitation, 80’s character based horror, and German Expressionist silent films can coexist against a backdrop of religious portends, bizarre dreamscapes, and chicks covered in blood.

A coven of devil-worshiping monks living in New York City search for victims for their sacrificial ceremonies.