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Without words, cameras show us the world, with an emphasis not on “where,” but on “what’s there.” It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred monks do a monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky.

An ex-con moves to L.A. to find work and creates a disturbance by fighting for a position. More importantly he touches the lives of many of his neighbors including an older man dying of cancer, a young married couple whose husband is too proud to accept a lesser position which causes strife with his wife, and a young boy on the verge of getting in trouble with street gangs.

World heavyweight boxing champion Rocky Balboa returns home to Philadelphia to a hero’s welcome after defeating Ivan Drago in a brutal match. Rocky soon discovers that his match with Drago has left him with damage to his brain, and his fortune, which he had entrusted to his wife Adrian’s brother Paulie, has been squandered by an incompetent accountant. In debt to the IRS, Rocky is forced to sell most of his possessions, including his mansion. Rocky, Adrian, and their son Rocky Balboa Jr, move back to Rocky’s old neighborhood in South Philadelphia. Adjustment to the dramatically different lifestyle proves to be more difficult for Rocky Balboa Jr than it is for Rocky and Adrian. Junior quickly becomes involved with a bad crowd, and encounters a bully. Meanwhile, financially desperate Rocky is tempted to re-enter the ring when shady promoter George Washington Duke offers him a huge amount of money to defend his title. Adrian insists that Rocky not risk his life by returning to the ring. Rocky’s financial future looks bleak, until he is approached by a young boxer named Tommy “Machine” Gunn, who idolizes Rocky and begs Rocky to help him train. Rocky agrees to train Tommy, but this hurts Rocky’s relationship with Junior, who believes Rocky is neglecting him in favor of Tommy. Junior becomes even more deeply involved with the bad crowd that he has fallen into. Junior even undergoes training and beats up the bully who was harassing him. After Tommy wins his first few matches, he starts becoming arrogant. When Tommy, who wants a high profile match against a champion, arrogantly decides that Rocky is not moving him up quickly enough, an impatient Tommy turns his back on Rocky and hires Duke as his new manager. While this gives Rocky and Junior the chance they need to work things out with each other, Tommy wins a belt, and still doesn’t have the respect that he’s arrogantly looking for because fans always boo him. Duke tells Tommy that the only way to get the respect Tommy wants would be to beat Rocky one-on-one, so Duke and Tommy find Rocky at a bar, and Tommy challenges Rocky to a street fight that may put Rocky’s life on the line.

Film version of the stage musical, based on the stories of Sholom Aleichem. Tevye the Milkman is a Jewish peasant in pre-Revolutionary Russia, coping with the day-to-day problems of ’shtetl’ life, his Jewish traditions, his family (wife and daughters), and state-sanctioned pogroms.

Sally Trent has an illegitimate child, but cannot support her and gives the baby up for adoption. The father, Michael Gardner, leaves for China not knowing about the baby, and she assumes he has abandoned her for life. She gets a job as a torch singer, changes her name to Mimi Benton, and becomes notorious for her drinking and philadering. Mimi fills in on a children’s radio program as the character “Aunt Jenny,” singing and telling bedtime stories, and eventually uses the airtime to find her long lost daughter, part with her wild lifestyle, and reunite with Michael.

On the eve of World War II, a British officer revisits Waterloo Bridge and recalls the young man he was at the beginning of World War I and the young ballerina he met just before he left for the front. Myra stayed with him past curfew and is thrown out of the corps de ballet. She survives on the streets of London, falling even lower after she hears her true love has been killed in action. But he wasn’t killed. Those terrible years were nothing more than a bad dream is Myra’s hope after Roy finds her and takes her to his family’s country estate.

In the rural American south during the depths of the Depression, two children watch as their principled father takes a stand against intolerance.

Based on a true story that shocked the nation in 1965, the film recounts one of the most shocking crimes ever committed against a single victim. Sylvia and Jennie Fae Likens, the two daughters of traveling carnival workers are left for an extended stay at the Indianapolis (3850 E. New York St. is hardly suburban, nor was it in 1965, by any stretch of the imagination.) home of single mother Gertrude Baniszewski and her seven children. Times are tough, and Gertrude’s financial needs cause her to make this arrangement before realizing how the burden will push her unstable nature to a breaking point. What transpires in the next three months is both riveting and horrific, leaving one child dead and the rest scarred for life.

In 1989, Nino Brown, a small time drug dealer, is convinced by one of his fellow thugs that the wave of the future is in the cocaine derivative, crack. Brown sees potential in crack and sets out to establish himself as chief kingpin by killing off his rivals and even going as far as to take over a whole apartment complex. Out to stop him are undercover cops Scottie Appleton and Nick Paretti. Appleton especially wants to get Nino because of the fact that he murdered Scottie’s mother as part of a gang initiaton. Also involved is Pookie, a former crackhead who wants to bring down Nino as well.

During the Great Depression, a common-man hero, James J. Braddock—a.k.a. the Cinderella Man—was to become one of the most surprising sports legends in history. By the early 1930s, the impoverished ex-prizefighter was seemingly as broken-down, beaten-up and out-of-luck as much of the rest of the American populace who had hit rock bottom. His career appeared to be finished, he was unable to pay the bills, the only thing that mattered to him—his family—was in danger, and he was even forced to go on Public Relief. But deep inside, Jim Braddock never relinquished his determination. Driven by love, honor and an incredible dose of grit, he willed an impossible dream to come true. In a last-chance bid to help his family, Braddock returned to the ring. No one thought he had a shot. However Braddock, fueled by something beyond mere competition, kept winning. Suddenly, the ordinary working man became the mythic athlete. Carrying the hopes and dreams of the disenfranchised on his shoulders, Braddock rocketed through the ranks, until this underdog chose to do the unthinkable: take on the heavyweight champ of the world, the unstoppable Max Baer, renowned for having killed two men in the ring.