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A trip into virtual reality. Angelo has developed a virtual reality system, which truly immerses the user into the world of computer make-believe. The lawnmower man, Jobe, who is retarded, is put ‘into’ the system to find out if his intelligence can be improved. It can, but not without some serious side-effects.

The movie starts out with Arthur, King of the Britons, looking for knights to sit with him at Camelot. He finds many knights including Sir Galahad the pure, Sir Lancelot the brave, the quiet Sir Bedevere, and Sir Robin the Not-Quite-So-Brave-as-Sir Lancelot. They do not travel on horses, but pretend they do and have their servants bang coconuts to make the sound of horse’s hooves. Through satire of certain events in history (witch trials, the black plague) they find Camelot, but after literally a quick song and dance they decide that they do not want to go there. While walking away, God (who seems to be grumpy) come to them from a cloud and tells them to find the Holy Grail. They agree and begin their search…

An expedition is sent from Earth to Altair in the constellation of Aquilae (some 17 light years from Earth) to discover what happened to a colony of settlers on its fourth planet, Altair-4. What they discover is how and why an alien race of geniuses destroyed itself overnight while leaving their technology intact at some point in the distant, distant past.

The Monty Python group examines the meaning and purpose of life in a series of sketches from conception to death and beyond. In typical Monty Python fashion they satirizes and humourizes almost everyone.

Baby George got into a plane crash in a jungle, stayed alive and was adopted by a wise ape. Ursula Stanhope, US noble woman is saved from death on safari by grown-up George, and he takes her to jungle to live with him. He slowly learns a rules of human relationships, while Ursula’s lover Lyle is looking for her and the one who took her. After they are found, Ursula takes George to the USA.

This animated feature-length life of Jesus boasts a stellar pedigree. Originally a BBC Wales production, it showcases the voices of some of Britain’s finest actors in any medium: Ralph Fiennes as a brooding and humble Jesus, Miranda Richardson as Mary Magdalene, Richard E. Grant as John the Baptist and David Thewlis as Judas. The lovely, flute-heavy score is by Oscar-winner Anne Dudley (The Full Monty). And clearly a lot of expense has gone into the Claymation-like animation. But while it’s hard to find fault with the rendering of this familiar story—it is respectful and definitely done, you might say, by the Book—it would have been nice if there had been a tad more joy, if it walked a bit lighter in its sandals. As it is, all the characters seem consistently subdued, whether they are expressing angst, rage, terror or bliss—none of which is helped by the figures’ blank-eyed stares (if animators are becoming ever more sophisticated, why can’t they get rid of those creepy blank gazes once and for all?). Still, the weight of having such formidable actors play these familiar roles lends the production a certain credibility, and parents looking for good religious videos that won’t insult their kids’ intelligence will be thrilled.

In this cinematic concert, mesmerizing images are plucked from everyday reality, then visually altered with state-of-the-art digital techniques. The result is a chronicle of the shift from a world organized by the principles of nature to one dominated by technology, the synthetic and the virtual. Extremes of intimacy and spectacle, tragedy and hope fuse in a tidal wave of visuals and music, giving rise to a unique, artistic experience that reflects the vision of a brave new globalized world.

In August of 1940 in the English village of Pepperinge Eye, three cockney orphans are sent to live with Eglantine Price (Angela Lansbury), who is studying to become an apprentice witch. When she receives a letter from the Correspondence College of Witchcraft in London, she and the children fly on a bed (by way of a magic bedknob) to London to meet the headmaster of the defunct school, Emelius Brown (David Tomlinson). At a townhouse where Mr. Brown is staying, Miss Price finds half of a book called THE SPELLS OF ASTOROTH. For the other half, they deal with a shady character known as the Bookman (Sam Jaffe).

Roy and Helen Knable are having problems. Roy has become a couch potato and Helen resents this. After a fight, Spike, a high ranking devil, appears to offer Roy the ultimate satellite system. Roy signs without realising he has sold his soul. When he is sucked into the cable version of Hell, Helen is sucked in with him. They go through the satanic variety of cable TV where dying will consign them to damnation. Shows they find themselves on include: “Driving over Miss Daisy”; “Northern Overexposure” and “Autopsies of the Rich and Famous”. Roy must take charge and save them from the dangers of this cable Hell.

Three more stories told from a comic book are presented by the Creep. The first is about a dime-store Native American that seeks vengeance on those who killed the store’s owners. The second is about a carnivorous mass of pond scum that attacks four people on a raft. The final tale is about a rich woman who accidentally kills a hitchhiker while speeding home from an affair with a male prostitute.