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Upon moving to Britain to get away from American violence, astrophysicist David Sumner and his wife Amy are bullied and taken advantage of by the locals hired to do construction. When David finally takes a stand it escalates quickly into a bloody battle as the locals assault his house.

All the hot gamblers are in town, and they’re all depending on Nathan Detroit to set up this week’s incarnation of “The Oldest Established Permanent Floating Crap Game in New York”; the only problem is, he needs $1000 to get the place. Throw in Sarah Brown, who’s short on sinners at the mission she runs; Sky Masterson, who accepts Nathan’s $1000 bet that he can’t get Sarah Brown to go with him to Havana; Miss Adelaide, who wants Nathan to marry her; Police Lieutenant Brannigan, who always seems to appear at the wrong time; and the music/lyrics of Frank Loesser, and you’ve got quite a musical. Includes the songs: Fugue for Tinhorns, “Luck Be a Lady”, “Sit Down, You’re Rocking the Boat”.

Five young British nuns are invited to move to a windy “palace”, former house of the concubines of an old general, in the top of a mountain in Mopu, Himalaya, to raise the convent of Saint Faith Order, a school for children and girls, and an infirmary for the local dwellers. Sister Clodagh (Deborah Kerr) is assigned as the superior sister, and her liaison with civilization is the rude government agent Mr. Dean (David Farrar). The lonely and exotic place and the presence of Mr. ‘Dean awake the innermost desires in the flesh of the sisters, and Sister Ruth (Kathleen Byron) becomes mad with the temptation.

In a futuristic Britain, a gang of teenagers go on the rampage every night, beating and raping helpless victims. After one of the boys quells an uprising in the gang, they knock him out and leave him for the police to find. He agrees to try “aversion therapy” to shorten his jail sentence. When he is eventually let out, he hates violence, but the rest of his gang members are still after him.

Ron Burgundy (Ferrell) is the top-rated anchorman in San Diego in the ’70s. When feminism marches into the newsroom in the form of ambitious newswoman Veronica Corningstone (Applegate), Ron is willing to play along at first-as long as Veronica stays in her place, covering cat fashion shows, cooking, and other “female” interests. But when Veronica refuses to settle for being eye candy and steps behind the news desk, it’s more than a battle between two perfectly coiffed anchor-persons… it’s war.

Kaneda is a bike gang leader whose close friend Tetsuo gets involved in a government secret project known as Akira. On his way to save Tetsuo, Kaneda runs into a group of anti-government activists, greedy politicians, irresponsible scientists and a powerful military leader. The confrontation sparks off Tetsuo’s supernatural power leading to bloody death, a coup attempt and the final battle in Tokyo Olympiad where Akira’s secrets were buried 30 years ago.

Mathilda, a twelve-year old New York girl, is living an undesirable life among her half-family. Her father stores drugs for two-faced cop Norman Stansfield. Only her little brother keeps Mathilda from breaking apart. One day, Stansfield and his team take cruel revenge on her father for stretching the drugs a little, thus killing the whole family. Only Mathilda, who was out shopping, survives by finding shelter in Léon’s apartment in the moment of highest need. Soon, she finds out about the strange neighbour’s unusual profession - killing - and desperately seeks his help in taking revenge for her little brother. Léon, who is completely unexperienced in fatherly tasks, and in friendships, does his best to keep Mathilda out of trouble - unsuccessfully. Now, the conflict between a killer, who slowly discovers his abilities to live, to feel, to love and a corrupt police officer, who does anything in his might to get rid of an eye witness, arises to unmeasurable proportions - all for the sake of a little twelve-year old girl, who has nearly nothing to lose.

L.A. in the early 1930’s: racism, poverty, and disease color the Bunker Hill neighborhood where Arturo Bandini, a lover of men and beasts alike, has arrived from Colorado to write the great Los Angeles novel. After six months and down to his last nickel, he orders a cup of coffee, served by Camilla Lopez, beautiful, self-possessed, and Mexican. Arturo gets advice, encouragement, and an occasional check from H.L. Mencken, so he keeps writing and he keeps seeing Camilla. But, he’s mean to her for no apparent reason, so the relationship sputters. A housekeeper from back East suggests a way out of his jealously and fears. “Camilla Bandini”: is it in the cards?

Astrid Magnussen is a 15 year old girl, living in California. Her mother, Ingrid, is a beautiful, free-spirited poet. Their life, though unusual, is satisfying until one day, a man named Barry Kolker (that her mother refers to at first as “The goat man”) comes into their lives, and Ingrid falls madly in love with him, only to have her heart broken, and her life ruined. For revenge, Ingrid murders Barry with the deadly poison of her favourite flower: The White Oleander. She is sent to prison for life, and Astrid has to go through foster home after foster home. Throughout nearly a decade she experiences forbidden love, religion, near-death experiences, drugs, starvation, and how it feels to be loved. But throughout these years, she keeps in touch with her mother via letters to prison. And while Ingrid’s gift is to give Astrid the power to survive, Astrid’s gift is to teach her Mother about love.

This true-story-based bittersweet drama follows Evelyn Ryan (Julianna Moore) who was a housewife and a devoted mother of 10. Her remarkable ingenuity and an uncommon wit had success at the jingle contests staged by corporations to promote their products. Evelyn had found the way to keep her family together, notwithstanding an alcoholic husband and the other difficult circumstances.