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A few months before World War I, an aging band of outlaws led by Pike Bishop rob a Texas bank intent on using the money to retire. When the robbery goes wrong, the gang is forced to flee to Mexico with Bishop’s reformed ex-partner, Deke Thornton, in hot pursuit. With nothing to show for the failed robbery, Bishop’s gang agrees to steal a shipment of guns for General “Mapache” Juerta, to restore their fortunes. With Thornton closing in, and their association with the evil Juerta trying their conscience, Bishop and co. prepare for their lawless past to catch up with them.

A modern day look at America’s war on drugs told through four separate stories that are connected in one way or another. A conservative politician who’s just been appointed as the US drug czar learns that his daughter is a drug addict. A trophy wife struggles to save her husband’s drug business, while two DEA agents protect a witness with inside knowledge of the spouse’s business. In Mexico, a corrupt, yet dedicated cop struggles with his conscience when he learns that his new boss may not be the anti-drug official he made himself out to be.

Two young Texas cowboys on the cusp of manhood ride into 1940’s Mexico in search of experience. What they find is a country as chaotic as it is beautiful, as cruel and unfeeling as it is mysterious, where death is a constant, capricious companion.

Don Anderson (Greg Kinnear) is the Mickey’s food restaurant chain’s Marketing Director. He is the inventor of the “Big One” the hamburger best seller of Mickey’s. An independent research reports the presence of cow’s feces in the Big One. So Don is sent to Cody, Colorado, to verify if the slaughterhouse, main supplier of Mickey’s, is efficient as it appears and the production process is regular. During his investigations he discovers the horrible truth behind a simple hamburger; the reality is not like we think it is. Don discovers that the mass production system involves from the temp workers like Amber (Ashley Jonhson), to the exploitation of Mexican irregular immigrants. It is not only the meat that is crush in the mincing machine, but all our society.

Television made him famous, but his biggest hits happened off screen. “Confessions of a Dangerous Mind” is the story of a legendary showman’s double life - television producer by day, CIA assassin by night. At the height of his TV career, Chuck Barris was recruited by the CIA and trained to become a covert operative. Or so Barris said.

“Frida” chronicles the life Frida Kahlo (Salma Hayek) shared unflinchingly and openly with Diego Rivera (Alfred Molina), as the young couple took the art world by storm. From her complex and enduring relationship with her mentor and husband to her illicit and controversial affair with Leon Trotsky, to her provocative and romantic entanglements with women, Frida Kahlo lived a bold and uncompromising life as a political, artistic, and sexual revolutionary.

A group of friends whose leisurely Mexican holiday takes a turn for the worse when they, along with a fellow tourist embark on a remote archaeological dig in the jungle, where something evil lives among the ruins.

Tim Kearney is an incarcerated former Marine who is offered freedom by DEA agent Tad Gruzsa in exchange for impersonating recently-late drug lord Bobby Z. Things don’t go as planned, however, and Kearney ends up on the run with Bobby Z’s 12-year-old son.

Buster is a small time crook who pulls a big time job. When he finds that the police will not let the case drop, he goes into hiding and can’t contact his wife and child. He arranges to meet them in Mexico where he thinks they can begin again, but finds that he must choose between his family and freedom.

A wave of kidnappings has swept through Mexico, feeding a growing sense of panic among its wealthier citizens, especially parents. In one six-day period, there were twenty-four abductions, leading many to hire bodyguards for their children. Into this world enters John Creasy, a burned-out ex-CIA operative/assassin, who has given up on life. Creasy’s friend Rayburn brings him to Mexico City to be a bodyguard to nine-year-old Pita Ramos, daughter of industrialist Samuel Ramos and his wife Lisa. Creasy is not interested in being a bodyguard, especially to a youngster, but for lack of something better to do, he accepts the assignment. Creasy barely tolerates the precocious child and her pestering questions about him and his life. But slowly, she chips away at his seemingly impenetrable exterior, his defenses drop, and he opens up to her. Creasy’s new-found purpose in life is shattered when Pita is kidnapped. Despite being seriously wounded during the kidnapping, he vows to kill anyone involved in or profiting from the kidnapping. And no one can stop him.