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Hollywood, today: Bobby Bowfinger, a run-down actor-producer-director, is reading a script which a friend has written. Completely convinced of its quality, he decides to take a last shot at fame and fortune. But the script is not that easy to sell, and a famous producer promises him to do it, but there is one condition: Kit Ramsey, Hollywood’s number one star, has to be in it. So, Bobby tries his luck with Kit - who says no - and then decides to shoot the film himself. Together with the cheapest team available in Southern California, an aspiring beauty from Ohio, a diva who is just a little over the hill, a key-holding gofer from a major studio and a goon hired away from burger-flipping, Bobby sets out to shoot the science-fiction-film starring Kit Ramsey - who does not even know he’s being filmed.

Shocked Californians woke up one day to find out there’s no Latino left in the state as the strange eerie mist shrouded everything in this social-satiric mockumentary. Unable to reach the outside world, the life of the whole state begins to degenerate, and the economical, political and social importance of Latinos soon becomes very clear.

Miles Logan is a jewel thief. Things go awry while he’s stealing a huge diamond in downtown L.A.: a thief, Deacon, tries a double-cross, the police arrive, and Miles is arrested, but not before he hides the jewel in an air duct of a building under construction. Two years’ later, he’s out of prison and he heads for the site: it’s L.A.’s new police headquarters! Posing as a reassigned cop, Miles gets into the building, but before he can recover the swag, he’s partnered with a naive detective and sent out to investigate burglaries. With Deacon on his trail, he must recover the diamond, keep the cops fooled, and do a few good deeds as a detective who can think like a criminal.

Max Kirkpatrick is a cop who protects Kate McQuean, a civil law attorney, from a renegade KGB team out to terminate her.

Maya is a quick-witted young woman who comes over the Mexican border without papers and makes her way to the LA home of her older sister Rosa. Rosa gets Maya a job as a janitor: a non-union janitorial service has the contract, the foul-mouthed supervisor can fire workers on a whim, and the service-workers’ union has assigned organizer Sam Shapiro to bring its “justice for janitors” campaign to the building. Sam finds Maya a willing listener, she’s also attracted to him. Rosa resists, she has an ailing husband to consider. The workers try for public support; management intimidates workers to divide and conquer. Rosa and Maya as well as workers and management may be set to collide.