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Rowena Price is a muckraking reporter for a New York paper. When her story about a closeted gay Senator who preaches family values is spiked, she quits and soon finds herself investigating the grisly murder of a childhood friend. Her friend had been dumped by ad exec Harrison Hill, so he’s Rowena’s prime suspect. Rowena gets a job at the ad agency as a temp, and she’s soon the object of Hill’s attentions. She’s helped in her subterfuge by Miles Haley, a friend at the paper who has a secret thing for her. Everyone, it seems, has secrets, including Hill, who must keep his affairs from his wife - her money fuels his lifestyle. Murder will out?

Megan Voorhees (Natasha Lyonne), is possessed and two priests, Father McFeely (James Woods) and Father Harris (Andy Richter), must drive the demon out, but the exorcism doesn’t go as planned. A year later, survivors Cindy Campbell (Anna Faris), Ray Wilkins (Shawn Wayans), and Shorty (Marlon Wayans) and Brenda Meeks (Regina Hall), are at college, trying to forget the incidents that occurred last Halloween. Cindy is falling for Buddy (Christopher Kennedy Masterson), who loves to give wedgies, and Ray is still confused about his sexuality. Professor Oldman (Tim Curry) and his paralyzed assistant, Dwight (David Cross), have decided to do a research study at Hell House, the house where the bad exorcism took place, and disguise it as a sleep disorder study. Chaos starts as soon as Cindy arrives and meets the creepy caretaker (Chris Elliot) with the funny hand. But the house has some deep dark secrets that the group has to solve, even if they are scary or disgusting.

A contract killer sees a chance to free himself from a tragic past.

A dark tale based on the true story of Aileen Wuornos, one of America’s first female serial killers. Wuornos had a difficult and cruel childhood plagued by abuse and drug use in Michigan. She became a prostitute by the age of thirteen, the same year she became pregnant. She eventually moved to Florida where she began earning a living as a highway prostitute—servicing the desires of semi-truck drivers. The tale focuses on the nine month period between 1989 and 1990, during which Wuornos had a lesbian relationship with a woman named Selby. And during that very same time, she also began murdering her clientele in order to get money without using sex. This turned the tables on a rather common phenomena of female highway prostitutes being the victims of serial killers—instead Wuornos, herself, carried out the deeds of a cold-blooded killer.

Jigsaw has disappeared. Now aided by his new apprentice Amanda, the puppet-master behind the cruel, intricate games that have terrified a community and baffled police has once again eluded capture and vanished. While city detectives scramble to locate him, Dr. Lynn Denlon is unaware that she is about to become the latest pawn on his vicious chessboard. One night, after finishing a shift at her hospital, Lynn is kidnapped by the deranged Amanda and taken to an abandoned warehouse where she meets Jigsaw, aka: John Kramer, who’s now bedridden and on the verge of death. Lynn is told that she must keep the madman alive for as long as it takes Jeff, another of his victims, to complete a game of his own. Racing against the ticking clock of Jigsaw’s own heartbeat, Lynn and Jeff struggle to make it through each of their vicious tests, unaware that Jigsaw and Amanda have a much bigger plan for both of them…

Jonathan Ecks (Antonio Banderas), an FBI agent, realizes that he must join with his lifelong enemy, Agent Sever (Lucy Liu), a rogue DIA agent with whom he is in mortal combat, in order to defeat a common enemy. That enemy has developed a “micro-device” that can be injected into victims in order to kill them at will.

The workaholic head of the compliance section of a New York bank flies to Monaco to investigate unusual deposits from an offshore bank and meets a down-on-his-luck international film star who has become embroiled in criminal activities.

When detective Eric Matthews (Donnie Wahlberg) is called to a crime scene of a victim of Jigsaw (Tobin Bell), he finds a lead to the place where he is hidden. Once there, he realizes that Jigsaw trapped his son Daniel Matthews (Erik Knudsen) with three women and four men in a shelter, and they are inhaling a lethal nerve gas. If they do not use an antidote within two hours, they will die. Eric follows with increasing desperation the death of each member of the group in monitors, while trying to convince Jigsaw to release his son.

Wanting to escape city life for the countryside, New Yorkers Cooper Tilson (Quaid), his wife Leah (Stone) and their two children move into a dilapidated old mansion still filled with the possessions of the previous family. Turning it into their dream house soon becomes a living nightmare when the previous owner (Dorff) shows up, and a series of terrifying incidents lead them on a spine-tingling search for clues to the estate’s dark and lurid past…

Max has lived a mundane life as a cab driver for twelve years. The faces have come and gone from his rear-view mirror: people and places he’s long since forgotten—until tonight. Vincent is a contract killer. When an off-shore narco-trafficking cartel learns that they’re about to be indicted by a federal grand jury, they mount an operation to identify and kill the key witness, and the last stage is tonight. It is on this very night that Vincent has arrived—and five bodies are supposed to fall. Circumstances cause Vincent to hijack Max’ taxicab, and Max becomes collateral—an expendable person who’s in the wrong place at the wrong time. Through the night, Vincent forces Max to drive him to each assigned destination. And as the L.A.P.D. and F.B.I. race to intercept them, Max and Vincent’s survival become dependent on each other, in ways neither would have imagined.