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The Stone family unites in common cause when their favorite son brings his uptight girlfriend home for the Christmas holiday, with plans of proposing. Overwhelmed by the hostile reception, she begs her sister to join her for emotional support, triggering further complications.

L.A. in the early 1930’s: racism, poverty, and disease color the Bunker Hill neighborhood where Arturo Bandini, a lover of men and beasts alike, has arrived from Colorado to write the great Los Angeles novel. After six months and down to his last nickel, he orders a cup of coffee, served by Camilla Lopez, beautiful, self-possessed, and Mexican. Arturo gets advice, encouragement, and an occasional check from H.L. Mencken, so he keeps writing and he keeps seeing Camilla. But, he’s mean to her for no apparent reason, so the relationship sputters. A housekeeper from back East suggests a way out of his jealously and fears. “Camilla Bandini”: is it in the cards?

John and Max are elderly men living next door to each other. They’re continuously arguing and insulting each other, and have been this way for over 50 years. One day, Ariel, moves into the street. Both men are attracted to her, and their rivalry steps up a gear.

This film views the mob lives of three pivotal figures in the 1960’s and 70’s New York. Ray Liotta plays Henry Hill, a local boy turned gangster in a neighborhood full of the roughest and toughest. Joe Pesci plays Tommy Devito, a pure bred gangster, who turns out to be Henry’s best friend. Robert De Niro plays Jimmy Conway, the man who puts the two of them together, and runs some of the biggest hijacks and burglaries the town has ever seen. After an extended jail sentence, Henry must sneak around the back of the local mob boss, Paulie Cicero, played by Paul Sorvino, to live the life of luxury he has always dreamed of. In the end, the friends end up in a hell of a jam, and must do anything they can to save each other, and stay alive.

This Martin Scorsese film depicts the Janus-like quality of Las Vegas—it has a glittering, glamorous face, as well as a brutal, cruel one. Ace Rothstein and Nicky Santoro, mobsters who move to Las Vegas to make their mark, live and work in this paradoxical world. Seen through their eyes, each as a foil to the other, the details of mob involvement in the casinos of the 1970’s and ’80’s are revealed. Ace is the smooth operator of the Tangiers casino, while Nicky is his boyhood friend and tough strongman, robbing and shaking down the locals. However, they each have a tragic flaw—Ace falls in love with a hustler, Ginger, and Nicky falls into an ever-deepening spiral of drugs and violence.

Man on the Moon is a biographical movie on the late comedian Andy Kaufman. Kaufman, along with his role on “Taxi,” was famous for being the self-declared Intergender Wrestling Champion of the world. After beating women time and time again, Jerry Lawler (who plays himself in the movie), a professional wrestler, got tired of seeing all of this and decided to challenge Kaufman to a match. In most of the matches the two had, Lawler prevailed with the piledriver, which is a move by spiking a guy head-first into the mat. In one of the most famous moments in this feud was in the early 80s when Kaufman threw coffee on Lawler on “The Late Show with David Letterman,” got into fisticuffs with Lawler, and proceeded to sue NBC.

After twelve years in prison, Walter arrives in an unnamed city, moves into a small apartment across the street from an elementary school, gets a job at a lumberyard, and mostly keeps to himself. A quiet, guarded man, Walter finds unexpected solace from Vickie, a tough-talking woman who promises not to judge him for his history. But Walter cannot escape his past. A convicted sex offender, Walter is warily eyed by his brother-in-law, shunned by his sister, lives in fear of being discovered at work, and is hounded by a suspicious local police officer, Detective Lucas. After befriending a young girl in a neighborhood park, Walter must also grapple with the terrible prospect of his own reawakened demons.