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As Inge buries her husband Olaf on their Minnesota farm in 1968, we relive her life story as she tells her grown grandson about how she arrived from Germany in 1920 as Olaf’s postal bride and of the obstacles they overcame in order to marry…

Television reporter Angela Vidal (Carpenter) and her cameraman (Harris) are assigned to spend the night shift with a Los Angeles Fire Station. After a routine 911 call takes them to a small apartment building, they find police officers already on the scene in response to blood curdling screams coming from one of the apartment units. They soon learn that a woman living in the building has been infected by something unknown. After a few of the residents are viciously attacked, they try to escape with the news crew in tow, only to find that the CDC has quarantined the building. Phones, internet, televisions and cell phone access have been cut-off, and officials are not relaying information to those locked inside. When the quarantine is finally lifted, the only evidence of what took place is the news crew’s videotape.

Karl from Germany and Marcelo from France emigrated to Argentina and became brothers-in-law. Whatever happens later they will always preserve a strong family feeling. Karl soon returned to Germany to serve in the army. Marcelo and his children Julio and Chichi became Argentinean citizens but later returned to Paris. Karl became a general with a son (Heinrich) in the SS. During WWII he got a high job within the occupation administration in France. Heinrich would come and go. Julio was a playboy. Chichi joined the resistance and was eventually tortured to death by Gestapo. Julio has a relation to a woman whose husband is a POW, and who will after release become a district leader within the resistance movement. Julio eventually feels that it is his duty to fight the Nazis. With a firm reputation as a superficial playboy, he can attend the nightclub favoured by German officers and gather much important information. Finally he and another partisan (posing as his chauffeur) accept a highly important suicidal task involving a courtesy call to Heinrich.

When Hank Deerfield is told by the military that his son Mike, who only recently returned from a tour of duty in Iraq, has gone AWOL he travels to the military base to see if he can make any sense of the young man’s disappearance. Hank is himself a retired military investigator and is frustrated by both the military and the civilian police’s apparent lack of interest in the case. In the end he does manage to get help from Det. Emily Sanders and together they piece together the events that led to Mike’s disappearance. In the end, this is a story of how war dehumanizes individuals to the point where the taking of life makes no sense and has no purpose

Don Anderson (Greg Kinnear) is the Mickey’s food restaurant chain’s Marketing Director. He is the inventor of the “Big One” the hamburger best seller of Mickey’s. An independent research reports the presence of cow’s feces in the Big One. So Don is sent to Cody, Colorado, to verify if the slaughterhouse, main supplier of Mickey’s, is efficient as it appears and the production process is regular. During his investigations he discovers the horrible truth behind a simple hamburger; the reality is not like we think it is. Don discovers that the mass production system involves from the temp workers like Amber (Ashley Jonhson), to the exploitation of Mexican irregular immigrants. It is not only the meat that is crush in the mincing machine, but all our society.

Nazi skinheads in Melbourne take out their anger on local Vietnamese, who are seen as threatening racial purity. Finally the Vietnamese have had enough and confront the skinheads in an all-out confrontation, sending the skinheads running. A woman who is prone to epileptic seizures joins the skins’ merry band, and helps them on their run from justice, but is her affliction also a sign of impurity?

Heralded as one of the all-time great theatrical releases, “12 Angry Men” focuses on a jury’s deliberations in a capital murder case. A 12-man jury is sent to begin deliberations in the first-degree murder trial of an 18-year-old Latino accused in the stabbing death of his father, where a guilty verdict means an automatic death sentence. The case appears to be open-and-shut: The defendant has a weak alibi; a knife he claimed to have lost is found at the murder scene; and several witnesses either heard screaming, saw the killing or the boy fleeing the scene. Eleven of the jurors immediately vote guilty; only Juror No. 8 (Mr. Davis, played by Henry Fonda) casts a not guilty vote. At first Mr. Davis’ bases his vote moreso for the sake of discussion after all, the jurors must believe beyond a reasonable doubt that the defendant is guilty. As the deliberations unfold, the story quickly becomes a study of the jurors’ complex personalities (which range from wise, bright and empathetic to arrogant, prejudiced and merciless), preconceptions, backgrounds and interactions. That provides the backdrop to Mr. Davis’ attempts in convincing the other jurors that a “not guilty” verdict might be appropriate.

The continuing saga of the Corleone crime family tells the story of a young Vito Corleone growing up in Sicily and in 1910s New York; and follows Michael Corleone in the 1950s as he attempts to expand the family business into Las Vegas, Hollywood and Cuba.

Peter Gibbons just can’t seem to catch a break. His girlfriend is cheating on him, he has an obnoxious neighbor, and he’s completely miserable with his job as a small cog in a company called Initech. Then he visits a hypnotherapist, who dies just after putting Peter into a state of complete bliss. Free of worrying about making a living, he no longer feels the need to keep his job, just as the company is going through a massive downsizing. However, his new attitude only makes him more valuable in the company’s eyes, and his friends Michael and Samir are fired instead. Together, they scheme to plant a virus inside Initech’s computer system that will pull money into their own account.

This movie transplants the classic tale of “Romeo and Juliet” to New York City in the 1950s. The two feuding families are replaced by brawling street gangs. The Montagues become the Anglo Jets, led by Riff (Russ Tamblyn), and the Capulets become the Puerto Rican Sharks, led by Bernardo (George Chakiris). At a dance, Tony (Richard Beymer), former leader of the Jets and Riff’s best friend, and Maria (Natalie Wood), Bernardo’s little sister, see each other across the room and it’s love at first sight. With opposition from both sides, they meet secretly and their love grows deeper. However, the gangs are plotting one last rumble, a fight that will finally end the battle for control of the streets. Will Tony and Maria’s love carry through a battle that threatens to destroy the people they love around them? With a young, talented cast, a gorgeous score and dance sequences that need to be seen to believe, West Side Story is a must-see!