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Top London cop, PC Nicholas Angel (Pegg) is good. Too good. And to stop the rest of his team looking bad, he is reassigned to the quiet town of Sandford. He is paired with Danny Butterman (Frost), who countlessly questions him on the action lifestyle. Everything seems quiet for Angel, until two actors are found decapitated. It is address to as an accident, but Angel isn’t going to accept that, especially when more and more people turn up dead. Angel and Danny clash with everyone, whilst trying to uncover the truth behind the mystery of the apparent “acidents”.

A hip hop horror anthology of three tales of terror told by the Hound of Hell (Snoop Dogg) that revolve around the residents of an inner-city neighborhood whose actions determine where they will go in the afterlife.

Martin Brody is the new police chief of Amity, an island resort town somewhere in New England. He has a wife named Ellen, and two sons named Michael and Sean. On a Summer morning, Brody is called to the beach, where the mangled body of Summer vacationer Chrissie Watkins has washed ashore. The medical examiner tells Brody that it could have been a shark that killed Watkins. Mayor Larry Vaughn, who is desperate to not lose the money that will be brought in by 4th of July tourists, wants Brody to say Watkins’s death was caused by a motorboat propeller instead of a shark, because the thought of a shark in Amity’s waters would drive tourists away from Amity. It looks like Vaughn is a mayor who puts money ahead of people’s lives. Shark expert Matt Hooper believes Watkins was killed by a shark. Hooper is proven right a few days later, when Alex Kintner is killed by the shark that killed Watkins. Looking for the quickest solution, Vaughn tells all of the local fishermen to let him know if they see the shark. A shark hunter named Quint offers to find the shark and kill it, but Vaughn thinks Quint’s price of $10,000 is too high. When a tiger shark is killed and hauled in by a couple of boaters, Vaughn hastily says that the shark crisis is over, but Hooper says the shark that’s been killing people a huge great white shark is still in Amity’s waters, but Vaughn leaves the beaches opened because all he cares about is the 4th of July tourist money. On the 4th of July, Vaughn encourages people to swim at the beach, and Hooper is proven right again when the shark kills a man, biting the man’s leg off. Michael, who was in the water at the time of the attack, is taken to the hospital, where he’s treated for shock after watching the shark kill the guy. Brody asks Vaughn to hire Quint to find the shark. Because his own kids were at that beach too, Vaughn agrees to hire Quint to find the shark. Quint, Hooper, and Brody are sent out to sea in Quint’s boat, the Orca, ready to do whatever it takes to find the shark.

Roland Rat, Margaret Thatcher; Rubik’s Cubes, the Royal Wedding; aerobics, skinheads… It’s 1983, and the schools are breaking up for summer. Shaun is 12 and a bit of a loner, growing up with his mum in a grim coastal town, his dad killed fighting in the Falklands War. On his way home from school where he’s been tormented all day for wearing flares, he runs into a group of skinheads, who against expectations turn out to be friendly and take him under their wing. Soon Shaun discovers parties, girls and snappy dressing, and finds some role models in Woody, Milky and the rest of the gang. But when an older, overtly racist skinhead returns home from prison, the easy camaraderie of the group is broken, and Shaun is drawn into much more uncomfortable territory. Based largely on his own experience as a youngster, this is Shane Meadows’ most mature and fully realised film. Handling the complexities of masculinity, violence and race with sensitivity and a lightness of touch, it’s hard to imagine a film that would better capture the mood of the time, or that could have any greater an understanding of the allure of being part of a gang.

This movie transplants the classic tale of “Romeo and Juliet” to New York City in the 1950s. The two feuding families are replaced by brawling street gangs. The Montagues become the Anglo Jets, led by Riff (Russ Tamblyn), and the Capulets become the Puerto Rican Sharks, led by Bernardo (George Chakiris). At a dance, Tony (Richard Beymer), former leader of the Jets and Riff’s best friend, and Maria (Natalie Wood), Bernardo’s little sister, see each other across the room and it’s love at first sight. With opposition from both sides, they meet secretly and their love grows deeper. However, the gangs are plotting one last rumble, a fight that will finally end the battle for control of the streets. Will Tony and Maria’s love carry through a battle that threatens to destroy the people they love around them? With a young, talented cast, a gorgeous score and dance sequences that need to be seen to believe, West Side Story is a must-see!

A powerful virus escapes from a British research facility. Transmitted in a drop of blood and devastating within seconds, the virus locks those infected into a permanent state of murderous rage. Within 28 days the country is overwhelmed and a handful of survivors begin their attempts to salvage a future, little realising that the deadly virus is not the only thing that threatens them.

An unknown and lethal virus has wiped out five billion people in 1996. Only 1% of the population has survived by the year 2035, and is forced to live underground. A convict (James Cole) reluctantly volunteers to be sent back in time to 1996 to gather information about the origin of the epidemic (who he’s told was spread by a mysterious “Army of the Twelve Monkeys”) and locate the virus before it mutates so that scientists can study it. Unfortunately Cole is mistakenly sent to 1990, six years earlier than expected, and is arrested and locked up in a mental institution, where he meets Dr. Kathryn Railly, a psychiatrist, and Jeffrey Goines, the insane son of a famous scientist and virus expert.

In Chicago, the lonely architect Alex Wyler has a troubled relationship with his father Simon Wyler. In 2004, he buys an old glass house in a lake, designed and built by his father, and he finds a message in his mailbox from the former tenant, the also lonely Dr. Kate Forster, asking to deliver her correspondence in an address downtown. Alex meets his brother Henry in Chicago and when they go to the address with Dr. Forster’s correspondence, they find a building of luxury apartments under construction to be delivered eighteen months later. After some messages, Alex and Kate disclose that she is living in 2006 and Alex in 2004, they fall in love for each other and they try to find means to meet each other.

Convinced that art school will put him on the path to fame, Jerome (Minghella) must come to terms with his anemic talent, as he watches the girl of his dreams fall in love with another student. Then, strangely, he’s arrested as a suspected murderer — only to discover that crime might actually pay.

Harvey Pekar is file clerk at the local VA hospital. His interactions with his co-workers offer some relief from the monotony, and their discussions encompass everything from music to the decline of American culture to new flavors of jellybeans and life itself. At home, Harvey fills his days with reading, writing and listening to jazz. His apartment is filled with thousands of books and LPs, and he regularly scours Cleveland’s thrift stores and garage sales for more, savoring the rare joy of a 25-cent find. It is at one of these junk sales that Harvey meets Robert Crumb, a greeting card artist and music enthusiast. When, years later, Crumb finds international success for his underground comics, the idea that comic books can be a valid art form for adults inspires Harvey to write his own brand of comic book. An admirer of naturalist writers like Theodore Dreiser, Harvey makes his American Splendor a truthful, unsentimental record of his working-class life, a warts-and-all self portrait. First published in 1976, the comic earns Harvey cult fame throughout the 1980s and eventually leads him to the sardonic Joyce Barber, a partner in a Delaware comic book store who end ups being Harvey’s true soul mate as they experience the bizarre byproducts of Harvey’s cult celebrity stature.