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Two wealthy sisters, both heiresses to their family’s cosmetics fortune, are given a wake-up call when a scandal and ensuing investigation strip them of their wealth.

District Attorney Tom Logan is set for higher office, at least until he becomes involved with defence lawyer Laura Kelly and her unpredictable client Chelsea Deardon. It seems the least of Chelsea’s crimes is the theft of a very valuable painting, but as the women persuade Logan to investigate further and to cut some official corners, a much more sinister scenario starts to emerge.

Gloria (Jane Fonda) is a young woman of the Depression. She has aged beyond her years and feels her life is hopeless, having been cheated and betrayed many times in her past. Fantasizing about movies, she sees herself as an actress and decides to head for Hollywood, having got the idea from a movie magazine while recuperating in the hospital from a suicide attempt which resulted from another unhappy love affair. Robert (Michael Sarrazin), a desperate Hollywood citizen unsuccessfully trying to become a director, never doubting that he’ll eventually make it. Robert and Gloria meet and decide to enter a dance marathon, one of the crazes of the thirties. The grueling dancing takes its toll on Gloria’s already weakened spirit, and she tells Robert that she’d be better off dead, that her life is hopeless - all the while acting cruel and bitter, alienating those around her, trying to convince him to shoot her and put her out of her misery. After all, they shoot horses, don’t they?

Bartleby (B.) Gaines is a fun loving slacker who, unfortunately, gets turned down for every college he applied for, much to the charign of his overly expectant parents. So, with a little cutting and pasting, he creates the South Harmon Institute of Technology, and lo and behold, he is accepted (along with his friends Rory, Hands, and Glen, whose college plans were also all but dashed). However, his parents want to see the website, the campus, and the dean. So now he has his other friend Sherman (who has been accepted to the prestigious Harmon College) build a web page, they lease out an abandoned psychiatric hospital, and they hire Sherman’s uncle Ben (played to perfection by comedian Lewis Black) to be the dean. Problem solved? Not quite. The web page was done so well, that hundreds of students show up at the front door, all of which were turned down by other colleges. Faced with no choice, Bartleby decides to proceed with turning South Harmon into a real college, and sets about figuring out what to teach and how to teach it. Meanwhile at Harmon, dean Van Horne meets with Hoyt Ambrose, a rich law student and head of the KBE fraternity (which Sherman is trying to become a member of), to discuss building a gateway for Harmon using land presently being used by South Harmon. He tries finding the leaseholder of the land, to no avail. Meanwhile, his girlfriend, Monica, catches him cheating on her, and a big party at South Harmon lures a chunk of Harmon’s students away, including Monica into the arms of Bartleby. Now Hoyt uses Sherman, knowing he has been bouncing between the two schools, in an attempt to bring South Harmon down for good. However, Bartleby has an accreditation appointment with the state Board of Education to prove South Harmon’s worthiness. Can he legally bring the South Harmon Institute of Technology to life and win the love of Monica?

Successful and single businesswoman Kate Holbrook has long put her career ahead of a personal life. Now 37, she’s finally determined to have a kid on her own. But her plan is thrown a curve ball after she discovers she has only a million-to-one chance of getting pregnant. Undaunted, the driven Kate allows South Philly working girl Angie Ostrowiski to become her unlikely surrogate. Simple enough … After learning from the steely head of their surrogacy center that Angie is pregnant, Kate goes into precision nesting mode: reading childcare books, baby-proofing the apartment and researching top pre-schools. But the executive’s well-organized strategy is turned upside down when her Baby Mama shows up at her doorstep with no place to live. An unstoppable force meets an immovable object as structured Kate tries to turn vibrant Angie into the perfect expectant mom. In a battle of wills, they will struggle their way through preparation for the baby’s arrival. And in the middle of this tug-of-war, they’ll discover two kinds of family: the one you’re born to and the one you make.

New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he’s visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there’s no accounting for taste…

The mother (and father) of all Teen Sex Gross Out comedies is set in the 1950’s where there’s only one thing on the male sex’s mind. Well, sex to be correct. We have PEE WEE: the horny toad that is desperate to lose his virginity. TOMMY: the bad boy of the bunch. MEAT: tough jock whose nickname originates from his abnormally large body appendage. MICKEY: a wiseass redneck without a care in all the universe. BRIAN: the smart Jew. And TIM: the racist giving talents of his abusive father. Each one takes a trip to PORKY’S, it’s the most popular strip joint in Florida. But when they try to get in, they’re tricked and humiliated. Returning home, they vow revenge. Following crazy sex jokes like Ms. Balbrick’s famous “Pecker Pull” incident, to the ultimate return fire on a strip club, PORKY’S is and will remain the grandest of all teenage comedies.

Mitch McDeere is a young man with a promising future in Law. About to sit his Bar exam, he is approached by ‘The Firm’ and made an offer he doesn’t refuse. Seduced by the money and gifts showered on him, he is totally oblivious to the more sinister side of his company. Then, two Associates are murdered. The FBI contact him, asking him for information and suddenly his life is ruined. He has a choice - work with the FBI, or stay with the Firm. Either way he will lose his life as he knows it. Mitch figures the only way out is to follow his own plan…

A yuppie couple buy a large house in an exclusive San Fransisco neighborhood. They renovate it and plan to rent two apartments on the first floor to cover the costs. A prosperous looking man moves in but is not the ideal tenant. He never pays any rent, drives the other tenants away and systematically ruins the lives of his landlords.

An attorney (Ben Affleck) in a rush to make a court appointment to file legal papers involving a multi-million dollar trust accidentally collides with an alcoholic insurance salesman (Samuel Jackson), who also is a rush for a court appointment involving the custody of his children. The attorney leaves the scene of the accident and strands the salesman, causing him to miss his custody hearing. During the process of the post-crash discussion, the attorney accidentally drops the papers he needs to present in court. The judge gives him until the end of the day to present the papers and thus begins a cat and mouse game between the proponents. A few questionable actions later on both parties’ part, they finally start questioning their actions and their lives. In the end, both come to new understanding of what is important and appear to be set in new ethical and moral directions. Contains mild violence and profanity.