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In New York, the unemployed divorced Larry Daley is a complete loser. His son Nick is very disappointed with his father that is gong to be evicted, and Larry accepts the job of night watchman in the Museum of Natural History as the substituted for three old security guards that have just retired to raise some money and pay his bills. In his first nightshift, Larry realizes that everything at the museum comes to life at night. The Museum transforms in a complete chaos with the inexperienced Larry, and he learns that since an old Egyptian stone came to the Museum in 1950, the was statues comes to life until dawn. When Larry brings his son to spend a night with him, the three old guards break in the Museum to stole the magic stone. Larry organizes the historic characters to help him to arrest the criminals and save the museum.

A young man (Lerman) moves from Montana to Florida with his family, where he’s compelled to engage in a fight to protect a population of endangered owls.

Jon Bon Jovi stars in this horror film. Vampires: Los Muertos centers on vampire hunter-for-hire Derek Bliss (Bon Jovi),When a new client hires him to hunt down a particularly powerful vampire queen in Mexico,soon he gathers a hunting crew and sets off across Mexico for some vampire hunting action.

Dalton is an expert “cooler” — a barroom bouncer who can break up fights without getting himself killed in the process. Frank Tilghman, the owner of the Double Deuce in Jasper, Missouri, has hired Dalton away from a bar in Memphis, because Tilghman needs someone who can handle the nightly outbreaks of violence at the Double Deuce, and teach the rest of the Double Deuce’s bouncers how to handle it. There’s even a cage protecting the bar’s band from the customers. The band is led by Dalton’s old friend Cody, who is blind. Dalton is injured on his first night on the job and is treated by Elizabeth “Doc” Clay, the local doctor. Dalton and Doc soon fall in love with each other, and this angers Brad Wesley, a crime boss that Doc was once involved with — and may still be involved with. Wesley is also responsible for a lot of the violence at the Double Deuce, and for some time, Wesley has had the sheriff in his pocket, giving him complete control of the town of Jasper. Wesley is out to get rid of Dalton, who has already made some friends in Jasper — Dalton has rented a room from a man named Emmet, and has befriended local auto parts store owner Red Webster, and has also befriended Pete Stroudenmire, the owner of Stroudenmire Ford, a local car dealership. Wesley, who wants money from these people, has his henchmen burn down Red’s store, run a big foot truck through the showroom of Pete’s dealership, and set Emmet’s home on fire. Dalton is pleasantly surprised when his mentor and old friend, legendary cooler Wade Garrett, arrives in town and helps him beat up the guys who are vandalizing Tilghman’s liquor shipment because Wesley wants to be the one to supply Tilghman’s liquor, and take money from Tilghman. A couple of days after Wade’s arrival, Wesley has Wade murdered in order to get a point across to Dalton. In retaliation, Dalton storms Wesley’s mansion, with every intention of freeing the town from Wesley.

Max (Weaver) and Page (Hewitt) are a mother and daughter con team. Max seduces wealthy men into marrying her, then Page seduces them into infidelity so Max can rake them over the divorce court coals. And then it’s on to the next victim.

Ex-Special Forces operator Frank Martin (Jason Statham) lives what seems to be a quiet life along the French Mediterranean, hiring himself out as a mercenary “transporter” who moves goods - human or otherwise - from one place to another. No questions asked. Frank’s newest transport seems no different from the countless ones he’s done in the past. He has been hired by an American known only as “Wall Street” (see Rule Two) to make a delivery, but when Frank stops along route, he notices his “package” is moving. Violating his own personal rules, Frank looks inside the bag, finding its contents to be a beautiful, gagged woman.

The powerful tycoon Auric Goldfinger (Gert Frobe) has initiated “Operation Grand Slam,” a cataclysmic scheme to raid Fort Knox and obliterate the world economy. James Bond, armed with his specially equipped Aston Martin (its accessory package includes built-in machine guns, a smoke screen and an ejector seat), must stop the plan by overcoming several outrageous adversaries. First there’s Oddjob (Harold Sakata), the mute servant who kills at the toss of a lethal hat; next, the beautiful Jill Masterson (Shirley Eaton), who gives new meaning to the phrase “golden girl”; and finally, sexy pilot Pussy Galore (Honor Blackman), whose romantic feelings for Bond complicate her involvement in Goldfinger’s high-flying scheme.

Strangers from all different walks of life: a limo driver escorting a movie star, parents with a young son, a cop transporting a convict, a prostitute, a young couple, and a motel manager are caught up in a nasty rainstorm, stuck at a motel in desolate Nevada. Soon they realize they may be at the motel for another reason when one by one, people start getting killed off. As tensions flare and fingers are pointed, they have to get to the bottom of why they’re there. Meanwhile in an undisclosed location, a psychiatrist is trying to prove the innocence of a man accused of murder in an eleventh hour trial. How these two through-lines are related can only be found in Identity.

Miles Logan is a jewel thief. Things go awry while he’s stealing a huge diamond in downtown L.A.: a thief, Deacon, tries a double-cross, the police arrive, and Miles is arrested, but not before he hides the jewel in an air duct of a building under construction. Two years’ later, he’s out of prison and he heads for the site: it’s L.A.’s new police headquarters! Posing as a reassigned cop, Miles gets into the building, but before he can recover the swag, he’s partnered with a naive detective and sent out to investigate burglaries. With Deacon on his trail, he must recover the diamond, keep the cops fooled, and do a few good deeds as a detective who can think like a criminal.