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Two losers from Milwaukee, Coop & Remer (Parker & Stone), invent a new game playing basketball, using baseball rules. When the game becomes a huge success, they, along with a billionaire’s help, form the Professional Baseketball League where everyone gets the same pay and no team can change cities. Coop & Remer’s team, the Milwaukee Beers is the only team standing in the way of major rule changes that the owner of the Dallas Felons (Vaughn) wants to institute.

Adela Quested, a young Englishwoman, travels to India in the late 1920s to visit her fiancé, a British magistrate posted in a small town; her traveling companion is his mother Mrs. Moore. They want to see something of the country and to meet everyday Indians, but are frustrated by the British community’s insistence that relations with the locals are best experienced from a distance. Finally, a friend introduces them to a Muslim doctor whom Mrs. Moore had seen briefly on her visit to a mosque. He takes them on an outing to the nearby caverns (a local attraction), but what happens there threatens to destroy any civility between the British and Indian societies.

In this cinematic concert, mesmerizing images are plucked from everyday reality, then visually altered with state-of-the-art digital techniques. The result is a chronicle of the shift from a world organized by the principles of nature to one dominated by technology, the synthetic and the virtual. Extremes of intimacy and spectacle, tragedy and hope fuse in a tidal wave of visuals and music, giving rise to a unique, artistic experience that reflects the vision of a brave new globalized world.

In an attempt to resurrect the slapstick comedy of Laurel and Hardy or The Marx Brothers, Stanley Tucci and Oliver Platt team-up as two out-of-work actors who accidentally stowaway on a ship to hide from a drunken, belligerent lead actor who has sworn to kill them for belittling his talents. Of course, the lead actor end up on the ship as well. Also, a madman (Tony Shalhoub) plots the destruction of the ship and Steve Buscemi is a depressed, suicidal lounge singer named Happy Frank.

Seven years later, 13-year-old Damien is just discovering who he really is, and what he is destined to do. Now living with his Aunt, Uncle, and cousin in a wealthy suburb of Chicago, Damien is anxious to inherit everything. Can Richard Thorn finish the job that Damien’s father (Ambassador Thorn) started?

David Spade plays Joe, whose search for his family has him hittin’ the road and keepin’ it real with every lowlife he meets, including a sweet hottie (Brittany Daniel), a janitor (Christopher Walken), and a pychotic cannibal (Brian Thompson) with whom he has a brief interlude. Through it all, Joe keeps on truckin’ . . . all the way to L.A., where a shock jock DJ (Dennis Miller) targets Joe as the butt of his show. But Joe’s plucky spirit encourages listeners to cheer him on and help him find a better family than the one he thought he wanted. Rock on!

Sam Bowden is a small-town corporate attorney/”Leave It to Beaver”-esque family-man. Max Cady is a tattooed, cigar-smoking, bible-quoting, psychotic rapist. What do they have in common? Fourteen years, ago Sam was a public defender assigned to Max Cady’s rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey, bibliophile Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.

Bill Parrish, media tycoon, loving father and still a human being, is about to celebrate his 65th birthday. One morning, he is contacted by the Inevitable - by hallucination, as he thinks. Later, Death itself enters his home and his life, personified in a man’s body: Joe Black has arrived. His intention was to take Bill with him, but accidentally, Joe’s former host and Bills beautiful daughter Susan have already met. Joe begins to develop certain interest in life on earth as well as in Susan, who has no clue who she’s flirting with.

Shakespeare’s famous play is updated to the hip modern suburb of Verona still retaining its original dialogue. The gun-toting members of the families wage a vicious war on the streets as the star-crossed lovers, their tragic destiny.

The world is full of zombies and the survivors have barricaded themselves inside a walled city to keep out the living dead. As the wealthy hide out in skyscrapers and chaos rules the streets, the rest of the survivors must find a way to stop the evolving zombies from breaking into the city.