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Leila (’Lauren Lee Smith’ (qv)) is a sexually voracious young woman who connects with men through brief physical encounters. One night at a crowded house party, Leila meets David (’Eric Balfour’ (qv)) and its lust at first sight. Later, as she has casual sex with a stranger just behind the house, David and his girlfriend mirror her actions in their car. Leila and David’s eyes lock as they watch each other having sex with others, a courtship ritual that initiates their own sexual affair. Seduction is easy and very satisfying. Leila and David get to know each other — which means being intimate — in bed, at the park, on the roof, everywhere. For them, and for other members of their generation, sex is a form of communication. But Leila starts to realize that her attachment to David is different from anything she’s experienced before, and David is just as serious about her. For the first time, they experience needs and desires that go beyond the physical. It is an emotional connection they crave. Afraid of the feelings they have unleashed in each other, they retreat to the safety of their former lives. Real life, and the messiness of emotional attachments, have punctured their sexual and romantic bubble and threaten to keep the lovers apart. David’s father dies after a long illness and he turns to his ex-girlfriend for support. Leila, meanwhile, is distracted by her parents’ looming divorce. Leila and David are trapped between two worlds. Anonymous sex, or sex without context, is losing its appeal. But a conventional approach to commitment - marriage and the seemingly inevitable divorce that follows, as evidenced by Leila’s parents — is not the answer. They set out to find a way to build lust and love, spontaneity and substance, into a new life together.

At John Hughes High School, the students are the same as just about every other teenager in a teen movie. The popular jock, Jake (Chris Evans), takes a bet from Austin, the cocky blonde guy (Eric Christian Olsen), that he can transform Janey, the pretty ugly girl (Chyler Leigh), into the prom queen before the prom. But two people are trying to stop Jake from succeeding: his evil sister, Catherine, the cruelest girl in school (Mia Kirshner), and Priscilla, the bitchy cheerleader (Jaime Pressly). And all of their friends are the same as any other teen movie: Areola, the naked foreign exchange student (Cerina Vincent), Les, the beautiful weirdo (Riley Smith), Malik, the token black guy (Deon Richmond), the desperate virgins (Cody McMains, Samm Levine, and Sam Huntington), Amanda Becker, the perfect girl (Lacey Chabert), Ricky, Janey’s obsessed best friend (Eric Jungmann), and Sadie, the VERY old undercover reporter (Beverly Polcyn).

She thought she was their Guardian Angel, but was she really their Nanny from Hell? A chilling modern ghost story, inspired by a classic of the genre, In A Dark Place is the suspenseful, erotic story of a young woman fighting to redeem the souls of two children seduced by dark influences beyond the grave. Anna Veigh, a recently qualified art therapist and teacher, is finding work at her inner city special school a tougher psychological challenge than she can cope with. The offer of a new post minding two wealthy young orphans whilst their wealthy uncle is away on business seems a perfect escape for her. It is a welcome escape. Her new workplace is Bly House, a remote country estate with beautiful grounds and a small resident staff. Miles and Flora, the children, seem sweet and charming, if a little strange, and Anna thinks that she has really “landed on her feet” after the rigors of her previous job. The only fly in the ointment is the frosty estate manager, Miss Grose, who seems remote and unfriendly to the new arrival. Very soon, moreover, Anna makes disquieting discoveries. Miles, the boy, has been expelled from his school, for a sin so dreadful the headmaster will not even discuss it. Anna then learns that her predecessor in the job, one Miss Jessel, died in suspicious circumstances. To add to her unease, she begins to catch glimpses of unknown sinister figures lurking in the grounds, but nobody else admits to seeing them. Anna confronts the Miss Grose with her suspicions about these intruders, but is surprised by the force of Miss Grose’s reaction. The figures Anna describes are unmistakably those of two ex-employees at the house. The only problem is that these employees are dead. Anna senses that the ghostly manifestations are malevolent in their intent. Not only is the psychological welfare of the children in very real jeopardy, but their lives and their souls are also at risk. But Anna is forced to confront dark secrets buried deep in her own psyche as she fights to cleanse the children’s souls of darkness, with terrifying consequences for all concerned.

A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run in with a limousine, he ends up a guest of a woman (Eve) and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider.

Lee Holloway is a smart, quirky woman in her twenties who returns to her hometown in Florida after a brief stay in a mental hospital. In search of relief from herself and her oppressive childhood environment, she starts to date a nerdy friend from high school and takes a job as a secretary in a local law firm, soon developing an obsessive crush on her older boss, Mr. Grey. Through their increasingly bizarre relationship, Lee follows her deepest longings to the heights of masochism and finally to a place of self-affirmation.

At a high-school party, four friends (Jim, Kevin, Finch, and Oz) find that losing their collective virginity isn’t as easy as they had thought. But they still believe that they need to do so before college. To motivate themselves, they enter a pact to try to be the first to “score.” And of course, the senior prom is their last best chance. As the fateful date draws near, the boys wonder who among them will get lucky. More importantly, do they really want to do it at all?

When a ‘Single White Female’ places an ad in the press for a similar woman to rent a room (to replace the boyfriend she’s just left), all the applicants seem weird. Then along comes a level headed woman who seems to be just right. The new lodger has a secret past which haunts her.

In 1933, after leaving Dogville, while traveling with her father (Willem Dafoe) and his gangsters to the south of USA, Grace Margaret Mulligan (Bryce Dallas Howard) sees a slave ready to be punished in a property called Manderlay. The slavery had been abolished seventy years ago, and Grace becomes revolted with the attitude of the owners of Manderlay, keeping slaves in their cotton fields and following predetermined despicable rules called “Mam’s Law”. Grace decides to stay with some gangsters in Manderlay and give notions of democracy to the slaves and to the white family. When harvest time comes, Grace sees the social and economical reality of Manderlay.

A bright-eyed young actress travels to Hollywood, only to be ensnared in a dark conspiracy involving a woman who was nearly murdered, and now has amnesia because of a car crash. Eventually, both women are pulled into a psychotic illusion involving a dangerous blue box, a director named Adam Kesher, and the mysterious night club Silencio.

Deacon, Matt and Fred will do anything for even a glimpse of sex and spend their mornings pirating porno movies from Fred’s after school job at the video store. But when Fred is fired, the well runs dry, and our heroes come up with a new plan: make their own “adult” film.