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Sent from the city to investigate the murder of a teenage girl in a small Alaska town, a police detective (Pacino) accidentally shoots his own partner while trying to apprehend a suspect. Instead of admitting his guilt, the detective is given an unexpected alibi, but this “solution” only multiplies the emotional complexity and guilt over his partner’s death. He’s also still got a murder to solve, in addition to the blackmail and framing of an innocent bystander being orchestrated by the man they were chasing. There’s also a local detective (Swank) who is conducting her own personal investigation… of his partner’s death. Will it all come crashing down on him?

Young publishing executive Carly takes an apartment in an exclusive “sliver” building in New York, only to learn that the previous tenant, who bore a great resemblance to Carly, died in a mysterious fall from the apartment balcony. When other tenants of the building begin to die likewise mysteriously, Carly begins to suspect that a killer may be inhabiting the building and that it may be either Zeke, the voyeuristic building owner with whom she’s become involved romantically, or Jack, a mystery writer with a suspicious quality.

An extremely wealthy and crafty old man (Douglas) toys with his greedy nieces and nephews as they circle about, waiting for their ill-deserved inheritance. The plot thickens as the old man takes a young mistress (d’Abo), and they fear that she will get the estate. In response, they locate the much-loved nephew (Fox) who walked away from the whole greed thing and became a professional bowler. Deception upon deception complicates matters as young Daniel is slowly drawn back under the spell of Greed.

Once a promising writer, John Hayson now gets by on the odd writing job. A personal tragedy has left him dispassionate about the world and his work and he lives his life in limbo. In the midst of this existential crisis he attends a high school reunion and meets three old friends; acquaintances he’s tried to forget but who now emerge like ominous shadows from his past. Once again, face to face with the love of his life, Hayson tries to right old wrongs and get his life back on track. However, life has other plans, and he realizes that the past is best laid to rest or it might haunt you forever. He soon finds himself embroiled in a nightmarish brew of deceit, passion and murder. Wanted by the police for a heinous killing, he must choose between succumbing to his darkest desires or the light that will renew his faith in himself and his future.

An entrepreneurial criminal, Slim (Dorff) is as smart as they come. Cocky and confident, he assembles a team of risk-taking rush-seekers to pull off a series of five bank heists, each time using a different extreme sport to make the getaway. Following an unexpected windfall on only their second job, the gang nets $20 million in untraceable bonds. Having scored enough money to retire on, Slim and his crew decide to call the robbery game quits. But both the mob and the police have other plans in mind for Slim: they want him to keep working, for them.

Murder By Numbers is a psychological suspense-thriller that tells the story of a tenacious homicide detective, Cassie Mayweather (’Sandra Bullock’ (qv)) and her new partner Sam Kennedy (’Ben Chaplin’ (qv)) who become pitted against two malevolently brilliant young men (’Ryan Gosling (I)’ (qv) and ‘Michael Pitt (II)’ (qv)) in an ingenious battle of wits as they try to solve a murder case.

Two hundred years after Mary Shelley’s novel the brilliant but mad Doctor (Thomas Kretschmann) has sustained his creature and himself over two centuries through genetic experimentation. In present-day America Detective O’Connor (Parker Posey) is investigating a series of horrific murders which leads her to the doctor and his creature. What she uncovers reveals the strange evolution the doctor and his creation undergo over the course of two centuries and the divergent paths creator and monster take in pursuing good or evil.