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An old man in a nursing home reads a story to an old woman each day. The story he reads follows two young lovers named Allie Hamilton and Noah Calhoun. They met one evening at a carnival many years ago. Allie’s parents separate Noah and Allie. They disapprove of Noah’s lack of wealth, and move Allie away. After waiting for Noah to write her for several years, Allie meets and becomes engaged to a handsome young soldier named Lon. In a local newspaper, Noah’s picture catches Allie’s eye. He is standing in front of a fully restored, 200 year old home. The article is filled with praise for his accomplishments. Allie’s heart nearly bursts. The last time she saw this house it was a rotted decaying shamble. She stood enfolded in Noah’s arms in the great entryway and listened to his plans to buy and restore this house. Just the way she wanted it. With her love for Noah still alive, the picture pulls at her heart. She has to go back, see if Noah is okay, and tell him about her marriage. They both think the echo deep in their hearts, the one that has lasted all these years, is not shared by the other. The cry they could not stifle. It wasn’t over for me.

An aging antique dealer, Jesus Gris, happens upon an elegant mechanized scarab. When opened, it painfully stabs whomever is holding it, but the wound brings youthful vigor and a vampire’s need for blood. The device is relentlessly pursued by a dying tycoon, Dieter de la Guardia, whose nephew Angel, reluctant to see his uncle live a moment longer, must still do the old man’s bidding. Meanwhile, Gris’s desires endanger his own granddaughter, Aurora.

After her mother dies from a methadone overdose, Jeliza-Rose is taken from the big city to a rural farmhouse by her father. As she tries to settle into a new life in a house her father had purchased for his now-deceased mother, Jeliza-Rose’s attempts to deal with what’s happened result in increasingly odd behavior, as she begins to communicate mainly with her bodiless Barbie doll heads and Dell, a neighborhood woman who always wears a beekeeper’s veil.

Dennis Clegg is in his thirties and lives in a halfway house for the mentally ill in London. Dennis, nicknamed “Spider” by his mother has been institutionalized with acute schizophrenia for some 20 years. He has never truly recovered, however, and as the story progresses we vicariously experience his increasingly fragile grip on reality.

In this blend of the B movie classic The Blob (1958) and some Romero’s zombies film, a meteorite collides in a small town. Grant finds it, and is infected by a parasite worm, which installs in his brain and causes him a creepy transformation into a monster. Starla, his wife, and Bill, a policeman, will try to stop him and the plague of worms generated by the creature.

Penny’s love for her partner, taxi-driver Phil, has run dry. He is a gentle, philosophical guy, and she works on the checkout at a supermarket. Their daughter Rachel cleans in a home for elderly people, and their son Rory is unemployed and aggressive. The joy has gone out of Phil’s and Penny’s life, but when an unexpected tragedy occurs, they are brought together to rediscover their love. All or Nothing is set on a London working-class housing estate over a long weekend, and also tells the stories of a range of Phil and Penny’s neighbors, some of whom become involved in the family’s lives, and all of whom experience an emotional journey.

When fiftysomething Suzette loses her job as a bartender she decides to make a road trip to visit her old friend Vinnie who she hasn’t seen since their days as groupies back in the day. On the way she meets Harry, a nervous writer who says he is going home to confront his father, then shows her his gun. Once they reach their destination Suzette finds that Vinnie is now Lavinia, a conservative housewife who is reluctant to reexperience the flower power of her youth, and Harry finds confrontation with himself rather than with his father.

Divorce mediators John Beckwith and Jeremy Grey are business partners and lifelong friends who share one truly unique springtime hobby—crashing weddings! Whatever the ethnicity of the wedding party—Jewish, Italian, Irish, Chinese, Hindu—the charismatic and charming duo always have clever back stories for inquisitive guests and inevitably become the hit of every reception, where they strictly adhere to their proven rules of wedding crashing to meet and pick up women aroused by the very thought of marriage. At the tail end of another successful season of toasting brides and grooms, Jeremy learns that the daughter of Treasury Secretary William Cleary and his wife, Kathleen, is getting married in what is sure to be the Washington D.C. social event of the year. After infiltrating the lavish affair, John and Jeremy quickly set their sights on two bridesmaids, Claire and Gloria Cleary. With the lavish reception in full swing, Jeremy works his game plan to perfection in seducing Gloria, but John’s flirtation banter with Claire is unexpectedly impeded by her pompous, Ivy League boyfriend Sack. Having uncharacteristically fallen hard and fast for Claire, John convinces a resistant Jeremy to bend the crashing rules and accept an invitation to an extended weekend party at the Cleary family compound. Once at the palatial waterfront estate, John and Jeremy endure a multitude of comical mishaps at the hands of the dysfunctional members of the Cleary family, but also learn a few unexpected lessons about love and relationships.

Ken Park focuses on several teenagers and their tormented home lives. Shawn seems to be the most conventional. Tate is brimming with psychotic rage; Claude is habitually harassed by his brutish father and coddled, rather uncomfortably, by his enormously pregnant mother. Peaches looks after her devoutly religious father, but yearns for freedom. They’re all rather tight, or so they claim. But they spend precious little time together and none of them seems to know much about one another’s family lives. This bizarre dichotomy underscores their alienation # the result of suburban ennui, a teenager’s inherent sense of melodrama, and the disturbing nature of their home environments.

The Bakers, a family of 12, move from small-town Illinois to the big city after Tom Baker (Martin) gets his dream job to coach his alma mater’s football team. Meanwhile, his wife (Hunt) also gets her dream of getting her book published. While she’s away promoting the book, Tom has a hard time keeping the house in order while at the same time coaching his football team, as the once happy family starts falling apart.