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Leila (’Lauren Lee Smith’ (qv)) is a sexually voracious young woman who connects with men through brief physical encounters. One night at a crowded house party, Leila meets David (’Eric Balfour’ (qv)) and its lust at first sight. Later, as she has casual sex with a stranger just behind the house, David and his girlfriend mirror her actions in their car. Leila and David’s eyes lock as they watch each other having sex with others, a courtship ritual that initiates their own sexual affair. Seduction is easy and very satisfying. Leila and David get to know each other — which means being intimate — in bed, at the park, on the roof, everywhere. For them, and for other members of their generation, sex is a form of communication. But Leila starts to realize that her attachment to David is different from anything she’s experienced before, and David is just as serious about her. For the first time, they experience needs and desires that go beyond the physical. It is an emotional connection they crave. Afraid of the feelings they have unleashed in each other, they retreat to the safety of their former lives. Real life, and the messiness of emotional attachments, have punctured their sexual and romantic bubble and threaten to keep the lovers apart. David’s father dies after a long illness and he turns to his ex-girlfriend for support. Leila, meanwhile, is distracted by her parents’ looming divorce. Leila and David are trapped between two worlds. Anonymous sex, or sex without context, is losing its appeal. But a conventional approach to commitment - marriage and the seemingly inevitable divorce that follows, as evidenced by Leila’s parents — is not the answer. They set out to find a way to build lust and love, spontaneity and substance, into a new life together.

Once a promising writer, John Hayson now gets by on the odd writing job. A personal tragedy has left him dispassionate about the world and his work and he lives his life in limbo. In the midst of this existential crisis he attends a high school reunion and meets three old friends; acquaintances he’s tried to forget but who now emerge like ominous shadows from his past. Once again, face to face with the love of his life, Hayson tries to right old wrongs and get his life back on track. However, life has other plans, and he realizes that the past is best laid to rest or it might haunt you forever. He soon finds himself embroiled in a nightmarish brew of deceit, passion and murder. Wanted by the police for a heinous killing, he must choose between succumbing to his darkest desires or the light that will renew his faith in himself and his future.

Drugs. They consume mind, body and soul. Once you’re hooked, you’re hooked. Four lives. Four addicts. Four failures. Doing their best to succeed in the world, but failing miserably, four people get hooked on various drugs. Despite their aspirations of greatness, they succumb to their addictions. Watching the addicts spiral out of control, we bear witness to the dirtiest, ugliest portions of the underworld addicts reside in. It is shocking and eye-opening but demands to be seen by both addicts and non-addicts alike.

In a futuristic society, some people are selected at birth to become soldiers, and trained in such a manner that they become inhuman killing machines. One of the most succesfull and older of these soldiers (Russell) is pitted against a new breed of soldiers, and after the confrontation is believed to be dead. His body is left behind in a semi-abandoned colonial planet, where everything is peaceful, and he is taught about the other aspects of life. But eventually he has to fight the new breed of soldiers again, this time to defend his new home…