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The story of the rise and fall of the Roman Emperor Gaius Julius Caesar, born July 13, 100 B.C., and starting his career as a young Roman with visions of greatness for the Eternal City. When Sulla conquers Rome with his troops, Caesar is one of the very few to stand up against the despotic dictator. This impresses Pompeius, Sulla’s general, and he protects the young man, who is a nephew of Marius, a well known veteran, against the wrath of Sulla. After Sulla’s death, Caesar returns from exile and starts his political career. Caesar’s daughter Julia marries general and senator Pompeius, and Caesar takes Pompeius’ troops in order to simply safeguard the borders to Gaul, but instead conquers the whole country. His final victory takes place at the fortress of Alesia, where the Germanic troops under Vercingetorix capitulate. Back in Rome, Ceasar is not trusted anymore, since the troops are loyal to him alone and it is feared by Pompeius and Cato that he will use the troops to conquer Rome and declare himself King, including the establishing of a inheritbale right to the throne. Instead, Caesar does none of that and sets off to Egypt in order to ensure a constant delivery of agricultural goods to the Roman Empire. After a glorious return to Rome, his former friends Pompeius and Cato are dead, their deaths blamed on Caesar, and his personal life is in ruins since he could not resist the temptation of beautiful Egyptian empress Cleopatra. Being inveigled and aided by a group of rebellious and untrusting senators around Cassius, his nephew Brutus finally kills Julius Caesar at March 15, 44. B.C. (the Ides of March) at the age of 55, starting an era of civil wars.

Nazi skinheads in Melbourne take out their anger on local Vietnamese, who are seen as threatening racial purity. Finally the Vietnamese have had enough and confront the skinheads in an all-out confrontation, sending the skinheads running. A woman who is prone to epileptic seizures joins the skins’ merry band, and helps them on their run from justice, but is her affliction also a sign of impurity?

“The Machinist” is a film about a man who hasn’t slept in a year, and he starts thinking that he’s losing his mind, when he starts seeing hallucinations, and his perception of reality becomes twisted. He’s haunted by a co-worker that no one else can see, and keeps finding post-it notes with secret messages on his fridge…

Andrew Largeman shuffled through life in a lithium-induced coma until his mother’s death inspired a vacation from the pills to see what might happen. A moderately successful TV actor living in Los Angeles, “Large” hasn’t been home to the Garden State in nine years. But even with 3,000 miles between them, he’s been unable to escape his domineering father Gideon and the silencing effect he’s had on his son from afar. Stunned to find himself in his hometown after such a long absence, Large finds old acquaintances around every corner living quite unique lives as gravediggers, fast food knights and the panderers of pyramid schemes. Meanwhile, at home, he does his best to avoid a long-simmering but inevitable confrontation with his father. By a twist of fate, Large meets Sam, a girl who is everything he isn’t. A blast of color, hope and quirks, Sam becomes a sidekick who refuses to ride in his sidecar. Her warmth and fearlessness give Large the courage to open his heart to the joy and pain of the infinite abyss that is life.

The nineteen years old Catholic college girl Emily Rose (Jennifer Carpenter) dies a couple of days after being submitted to an exorcism carried out by her parish priest, Father Moore (Tom Wilkinson). Emily believed she was possessed by six demons, and although authorized by Emily and he parents, Father Moore is accused of negligent homicide, since he had suggested Emily to interrupt the use of medications for epilepsy. In order to avoid a scandal, the Archdiocese hires the successful, ambitious and agnostic lawyer Erin Bruner (Laura Linney), and the prosecution assigns the religious prosecutor Ethan Thomas (Campbell Scott). Along the days, there is a battle between science and religion in the court.

McMurphy, a man with several assault convictions to his name, finds himself in jail once again. This time, the charge is statutory rape when it turns out that his girlfriend had lied about being eighteen, and was, in fact, fifteen (or, as McMurphy puts it, “fifteen going on thirty-five”). Rather than spend his time in jail, he convinces the guards that he’s crazy enough to need psychiatric care and is sent to a hospital. He fits in frighteningly well, and his different point of view actually begins to cause some of the patients to progress. Nurse Ratched becomes his personal cross to bear as his resistance to the hospital routine gets on her nerves.