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John Clasky is a devoted dad whose skills as a chef have offered his family a very upscale life, including a summer home in Malibu and a breathtaking new Mexican housekeeper, named Flor. She and her daughter Cristina have recently emigrated to L.A. from Mexico and are trying to find a better life. When they move in with the Claskys for the summer, Flor has to fight for her daughter’s soul as she discovers that life in a new country is perilous!

In 1183 Henry II summonses his sons Richard, John, and Geoffrey to join him and his prison-bound wife Eleanor at Chinon for a family Christmas, along with King Philip II of France and his sister Alais, Henry’s mistress. Philip is insisting Alais now marries John as agreed years before else he wants her dowry, the lands of the Vexen, back. As Eleanor has already given the province of Aquitaine to Richard, the outcome of this may decide the very future of England. Everyone present except perhaps Alais are masters of double-dealing and deceipt, so it could be a lively Yuletide.

Writer/Director Dante Tomaselli merges two disturbing storylines into this visually arresting chiller. The first involves a band of five teens that escape from a drug rehabilitation center to cash in on a questionable promise of salvation from the psychopathic Reverend Salo Jr. (Vincent Lamberti). Leader of the pack Luck (Danny Lopes), fueled on major hallucinogens, transports the gang to the reverend’s isolated house where the basis of the second plot has been set simultaneously. Here lives Grace (Lizzy Mahon), Salo Jr.’s daughter, whom he and his equally bizarre wife (Christie Sanford) have enslaved through enforced drug addiction and psychic brainwashing. Grace’s only salvation appears to be by the guidance of her paternal grandfather Reverend Salo Sr. (The Amazing Kreskin). But this hope is quickly jeopardized when it becomes revealed that his comforting visitations may be being made from beyond the grave. Regardless, it is through Grace’s visions involving him that she learns of her parent’s demonic pastimes, which include abduction, murder, and possibly worse. Shortly after the arrival of the rehab escapees, Luck shoots and kills Salo Jr. and his wife. This eruption of bloody violence becomes the catalyst for the unleashing of dark forces with terrifying results.

When a man is diagnosed with terminal cancer, he takes custody of his misanthropic teenage son, for whom quality time means getting high, engaging in small-time prostitution, and avoiding his father.

When a Southern born New York writer tries to commit suicide, her “unemployed-football-coach” twin brother, Tom Wingo, comes to her aid. While tending to his sister Savannah’s care he meets her psychiatrist, Dr. Susan Lowenstein. Dr. Lowenstein, desperate to unlock the door to her patient’s self-destructive pattern, relies on Tom to be his sister’s memory. What she doesn’t realize is that the last thing Tom wants to do is remember. Haunted by a painful childhood and a domineering mother, Tom discovers the only thing worse than not remembering is not telling.

A novelist - Jack Torrance take a job interview as winter caretaker of the isolated, old, huge and beautiful Overlook Hotel. In the interview, Jack is told by the manager himself, that the previous caretaker - Grady, chopped his family and later killed himself with a shotgun. Ignoring the story, Jack brings his wife - Wendy and his son Danny. It happens that Danny, has a mysterious power known as “The Shining” that shows him things from the past and future. Some of the visions come from Tony - “the little boy who lives in Danny’s mouth”. Danny meets Hallorann - the hotel cook in their first day arriving at the Overlook, who also has this “Shining” and he warns him about the hotel and the sinister Room 237. As the days go by, Danny has visions of previous guests and employees who died at the hotel years before, meanwhile Jack starts driving into insanity, turning more and more aggressive, at the point that Danny and Wendy gets convinced that Jack might try to do the same thing, Grady did.

A loving father explains the value of promise and believing to his two boys trough the story of young Mike and his kid brother Bobby, who being abandoned by their dad had to move with ma and German shepherd Shane to a rural town where the local kids, lorded by abusive older scamp Victor Hernandez, consider them intruders ’stealing’ their predecessors’ place. Alas the friendly sheriff Daugherty, whose protection they politely wave, will have to act against a far worse bully, ma’s new lover who expects to be called the king and belts Bobby’s back brutally when drunk in the garage, a secret the boys want to keep secret for finally happy ma. The superstitious brothers spend their time exploring, pulling a wheeled red wagon called Radio Flyer, which name finally inspires a desperate ‘magical escape’ attempt…

Tracy is a more unpopular girl who desperately wants to befriend the most popular girl in school Evie. When Evie finally becomes her friend she leads Tracy into a world of drugs, sex, violence, and theft in which her mother can not save her.

In the weekend after thanksgiving 1973 the Hoods are skidding out of control. Benjamin Hood reels from drink to drink, trying not to think about his trouble at the office. His wife, Elena, is reading self help books and losing patience with her husband’s lies. Their son, Paul, home for the holidays, escapes to the city to pursue an alluring rich girl from his prep school. And young, budding nymphomaniac, Wendy Hood roams the neighborhood, innocently exploring liquor cabinets and lingerie drawers of her friends’ parents, looking for something new. Then an ice storm hits, the worst in a century. Things get bad…

Joey Drayton brings her fiancé, Dr. John Prentice, home to sunny San Francisco to meet her affluent parents. Their liberal persuasions are now put to the test, for although the young man is an ideal choice (he’s highly and internationally respected in the medical field, and he’s impeccably mannered, handsome, well dressed and of a respectable California family), he’s black. The film, which covers one busy day in the Drayton home, is essentially a drawing-room comedy, a series of cross-conversations between the young doctor and the girl’s parents, and finally between all sets of parents and offspring. A simple dinner is extended to include the doctor’s parents, who fly up from Los Angeles for the evening, and the crusty but benevolent old Irish priest, a friend of the family. Thus, the title of the film . . .