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Susan Stevenson (Ursula Andress) and her brother Arthur (Antonio Marsina) get off a plane somewhere in South America, allegedly in search of her husband. They team up with, Dr. Edward Foster (Stacy Keach). The three head into the jungle, get in more than a few fights amongst themselves, and view lots of gratuitous animal cruelty, notable an iguana getting eviscerated.

Sent from the city to investigate the murder of a teenage girl in a small Alaska town, a police detective (Pacino) accidentally shoots his own partner while trying to apprehend a suspect. Instead of admitting his guilt, the detective is given an unexpected alibi, but this “solution” only multiplies the emotional complexity and guilt over his partner’s death. He’s also still got a murder to solve, in addition to the blackmail and framing of an innocent bystander being orchestrated by the man they were chasing. There’s also a local detective (Swank) who is conducting her own personal investigation… of his partner’s death. Will it all come crashing down on him?

An alien who has crash-landed in the United States takes on the the appearance of a woman’s dead husband and enlists her help to escape from pursuing authorities and rendezvous with a spacecraft on the other side of the country. As he learns how to be more human the alien begins to take on more and more qualities of the woman’s husband, drawing the woman closer.

A Christlike figure wanders through bizarre, grotesque scenarios filled with religious and sacrilegious imagery. He meets a mystical guide who introduces him to seven wealthy and powerful individuals, each representing a planet in the solar system. These seven, along with the protagonist, the guide and the guide’s assistant, divest themselves of their worldly goods and form a group of nine who will seek out the Holy Mountain, in order to displace the gods who live there and become immortal.

Wes Craven produces this remake of his 1977 classic of the same name, about the Carters, an idyllic American family travelling through the great American southwest. But their trip takes a detour into an area closed off from the public, but more importantly from society. An area originally used by the U.S. Government for nuclear testing that was intended to be empty…or so they thought? When the Carter’s car breaks down at the old site, they’re stranded…or are they? As the Carters may soon realize that what seemed like a car casually breaking down, might actually be a trap. This trap might be perpetrated by the inhabitants of the site who aren’t pulling a prank, but are out to set up a gruesome massacre.

In this exploration of our violent society and how depictions of violence reflect and shape our culture, a middle-class housewife Anna tells the story of how she and her husband George and their 10-year-old son Georgie submitted both physically and mentally to the torture, violence, and death foisted upon them by two young, unexpected, white-gloved visitors at their weekend vacation retreat near a lake.

Helen Lyle (Virginia Madsen) is writing a paper on urban legends when she hears about the Candyman (Tony Todd), who was once an ex-slave-turned-artist name Daniel Robitaille, who had an affair his client’s daughter. Robitaille’s right hand was sawn off, he was covered in honey, and stung to death by bees. If anyone says the word “Candyman” five times in a mirror, he’ll appear behind that person, a bloody hook as a replacement for his hand, and kill him. A series of unsolved murders is happening in the Cabrini Green projects and Helen is using this to help with her paper. The residents say the Candyman is to blame, but Helen doesn’t believe it. Until she meets the man with a hook for a hand. Now, he’s begun to murder her friends and no one believes her. Can Helen clear her name and stop the Canydman from killing anyone else?

Jarhead (the self-imposed moniker of the Marines) follows “Swoff” (Gyllenhaal), a third-generation enlistee, from a sobering stint in boot camp to active duty, sporting a sniper’s rifle and a hundred-pound ruck on his back through Middle East deserts with no cover from intolerable heat or from Iraqi soldiers, always potentially just over the next horizon. Swoff and his fellow Marines sustain themselves with sardonic humanity and wicked comedy on blazing desert fields in a country they don’t understand against an enemy they can’t see for a cause they don’t fully fathom… Foxx portrays Sergeant Sykes, a Marine lifer who heads up Swofford’s scout/sniper platoon, while Sarsgaard is Swoff’s friend and mentor, Troy, a die-hard member of STA-their elite Marine Unit.

In the hilarious comedy Daddy Day Care, two fathers (Eddie Murphy, Jeff Garlin) lose their jobs in product development at a large food company and are forced to take their sons out of the exclusive Chapman Academy and become stay-at-home fathers. With no job possibilities on the horizon, the two dads open their own day care facility, “Daddy Day Care”, and employ some fairly unconventional and sidesplitting methods of caring for children. As “Daddy Day Care” starts to catch on, it launches them into a highly comedic rivalry with Chapman Academy’s tough-as-nails director (Anjelica Huston) …who has driven all previous competitors out of business.

Ace Ventura, emerging from self-imposed exile in a remote Himalayan hideaway, travels to Africa with explorer Fulton Greenwall to find a sacred bat which is told will avert a war between with Wachootoo and Wachati tribes. Of course, when Ace gets involved, all hell breaks loose…