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In this exploration of our violent society and how depictions of violence reflect and shape our culture, a middle-class housewife Anna tells the story of how she and her husband George and their 10-year-old son Georgie submitted both physically and mentally to the torture, violence, and death foisted upon them by two young, unexpected, white-gloved visitors at their weekend vacation retreat near a lake.

When Mona’s key won’t fit in her Yugo, she tries it in her son’s; when it works, she borrows his car. The brakes fail; she goes through the guard rail, into the river, and drowns. When police chief Rash learns that the brake lines were cut, he looks for a murderer. Suspect one: Mona’s dim son Jeff, whom she constantly denigrated. Suspect two: her husband Phil, whom she constantly belittled and who’s having an affair with Rona, a waitress with a secret of her own. Suspect three: Jeff’s landscape partner Bobby, who wants Jeff out, has yelled at Mona that he’d like to rip out her ovaries, and who is soon to be Rash’s son-in-law. Can Rash find the killer and keep Bobby out of jail?

Two American students are on a walking tour of England and are attacked by a Werewolf. One is killed, the other is mauled. The Werewolf is killed, but reverts to it’s human form, and the townspeople are able to deny it’s existence. The surviving student begins to have nightmares of hunting on 4 feet at first, but then finds that his friend and other recent victims appear to him, demanding that he find a way to die to release them from their curse, being trapped between worlds because of their unnatural death.

Late at night, in an unnamed U.S. city, a solitary man sits at a bus stop. A pregnant woman runs by, pursued by a man with a gun. With reluctance, the man at the bus stop rescues her and assists with the baby’s delivery, while additional pursuers fire at them, including the gang’s particularly nasty leader, an intuitive man named Hertz. Our hero, known only as Smith, determines to save the child and find out why Hertz wants the baby dead. At a local bordello, he tries to employ a lactating hooker to watch the child, but things quickly escalate, and this makeshift family is soon on the run. Heavy metal music calms the baby. Why? A laboratory, a gun factory, and a presidential campaign all figure in Smith’s search for the child’s ultimate safety.

Five friends go up to a cabin in the woods where they find unspeakable evil lurking in the forest. They find the Necronomicon and the taped translation of the text. Once the tape is played, the evil is released. One by one, the teens become deadly zombies. With only one remaining, it is up to him to survive the night and battle the evil dead.

Lee Holloway is a smart, quirky woman in her twenties who returns to her hometown in Florida after a brief stay in a mental hospital. In search of relief from herself and her oppressive childhood environment, she starts to date a nerdy friend from high school and takes a job as a secretary in a local law firm, soon developing an obsessive crush on her older boss, Mr. Grey. Through their increasingly bizarre relationship, Lee follows her deepest longings to the heights of masochism and finally to a place of self-affirmation.

Jarhead (the self-imposed moniker of the Marines) follows “Swoff” (Gyllenhaal), a third-generation enlistee, from a sobering stint in boot camp to active duty, sporting a sniper’s rifle and a hundred-pound ruck on his back through Middle East deserts with no cover from intolerable heat or from Iraqi soldiers, always potentially just over the next horizon. Swoff and his fellow Marines sustain themselves with sardonic humanity and wicked comedy on blazing desert fields in a country they don’t understand against an enemy they can’t see for a cause they don’t fully fathom… Foxx portrays Sergeant Sykes, a Marine lifer who heads up Swofford’s scout/sniper platoon, while Sarsgaard is Swoff’s friend and mentor, Troy, a die-hard member of STA-their elite Marine Unit.

The plot concerns Lewis Thomas (Paul Walker), a young man who decides to go cross-country to pick up his high school sweetheart, Venna Wilcox (Leelee Sobieski), from college. On his way there, he bails his brother, Fuller Thomas (Steve Zahn), out of jail. Fuller, looking for a good time, decides to ride with Lewis. During their trip to pick up Venna, Fuller coaxes Lewis into playing a cruel joke, through their CB radio, on a truck driver, known only as ‘Rusty Nail’ (voiced by Ted Levine). When the joke takes a deadly turn, Lewis, Venna, and Fuller find themselves being relentlessly stalked by the psychotic truck driver who is looking for more than an apology.

“Sin City” is Four stories inter-weaved telling tales of corruption in Basin City. The First Story (The Customer is always right)is short, and is based on the depression of women that they need to pay a man to feel loved when they commit suicide. The Next Story is Part 1 of “That Yellow Bastard” starring Bruce Willis as a cop who needs to save a young girl from being raped. The Third Story (The Hard Goodbye) features Mickey Rourke and his revenge on a heartless killer who murdered his one-night stand. The fourth story (The Big, Fat Kill) stars Clive Owen as a man who must dispatch of a cop’s body, but it will be a tough ride to do it. Following that are two conclusions to Sin City, the ending of “That Yellow Bastard” which is set 8 years later, and a short story that ends Sin City.