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Gloria (Jane Fonda) is a young woman of the Depression. She has aged beyond her years and feels her life is hopeless, having been cheated and betrayed many times in her past. Fantasizing about movies, she sees herself as an actress and decides to head for Hollywood, having got the idea from a movie magazine while recuperating in the hospital from a suicide attempt which resulted from another unhappy love affair. Robert (Michael Sarrazin), a desperate Hollywood citizen unsuccessfully trying to become a director, never doubting that he’ll eventually make it. Robert and Gloria meet and decide to enter a dance marathon, one of the crazes of the thirties. The grueling dancing takes its toll on Gloria’s already weakened spirit, and she tells Robert that she’d be better off dead, that her life is hopeless - all the while acting cruel and bitter, alienating those around her, trying to convince him to shoot her and put her out of her misery. After all, they shoot horses, don’t they?

In 1866, Kansas, the American civil war has just finished and the armies disbanded. The building of the West begins, and in 1872, the new city of Dodge City is ruled by violence and shootings. The Irishman Wade Hatton (Errol Flynn) is a man adapted to these days and presently is conducting a group of pioneers, including Abbie Irving (Olivia de Havilland) and her reckless brother, to Dodge City. Once in the city, Wade is invited to be the local sheriff, and an incident makes him accept the position. He tries to clean up the cattle town, ruled by the powerful outlaw Jeff Surrett (Bruce Cabot) and his gang, with the support of the decent local people.

Christian, a young wannabe Bohemian poet living in 1899 Paris, defies his father by joining the colorfully diverse clique inhabiting the dark, fantastical underworld of Paris’ now legendary Moulin Rouge. In this seedy but glamorous haven of sex, drugs and newly-discovered electricity, the poet-innocent finds himself plunged into a passionate but ultimately tragic love affair with Satine, the club’s highest paid star and the city’s most famous courtesan. Their romance is played out against the infamous club - a meeting place of high life and low, where slumming aristocrats and the fashionably rich mingled with workers, artists, Bohemians, actresses and courtesans.

While looking for an apartment, Jeanne, a beautiful young Parisienne, encounters Paul, a mysterious American expatriate mourning his wife’s recent suicide. Instantly drawn to each other, they have a stormy, passionate affair, in which they do not reveal their names to each other. Their relationship deeply affects their lives, as Paul struggles with his wife’s death and Jeanne prepares to marry her fiance, Tom, a film director making a cinema-verite documentary about her.