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When the first manned flight to Venus returns to Earth, the rocket crash-lands in the Mediterranean near a small Italian fishing village. The locals manage to save one of the astronauts Colonel Calder, the mission commander. A young boy also recovers what turns out to be a specimen of an alien creature. Growing at a fantastic rate, it manages to escape and eventually threatens the city of Rome forcing the military to take drastic action.

U.S. President Merkin Muffley is on the hot line to Moscow with some rather embarrassing news for the Soviet premier: “Hello, Dimitri….I’m fine….Now then, you know how we’ve always talked about the possibility of something going wrong with the bomb….The bomb, Dimitri. The hydrogen bomb….Well, now, what happened is that, uh, one of our base commanders…he went a little funny in the head….and he went and did a silly thing….He ordered his planes to attack your country.” A comedy about an accidental nuclear attack? One that ends with total annihilation, thermonuclear apocalypse? Preposterous! Stanley Kubrick thought otherwise. In the end his thinking prevailed. The mad saga revolves around a psychotic Strategic Air Command officer, Gen. Jack D. Ripper, who lets loose his B-52 bomber squadron on the Soviet Union. Ripper takes this unilateral action because of his paranoid belief that Communists are sapping and contaminating “all our precious bodily fluids” as part of their plan to take over the world.” Unbeknownst to Ripper, his attack will trigger the Russian’s ultimate weapon, the Doomsday Machine, a diabolical retaliatory device set to blow up the planet.

A Perfect World touches you from the bottom of your heart. It is a story about a man and a boy. A man escapes from a prison with his partner who he does not like. After escaping, they kidnap a little boy. It is not a simple kidnapping story as people expect with violence and blood. This man, as he describes himself, is not a good guy, but not the worst either. The boy, living with his mom and two sisters, follows their family¡¯s religion, which forbids him from celebrating Halloween, celebrating Christmas, participating in parties, and pretty much any fun common for children of his age. The man gives the boy opportunities to play the games that he wants to, tells him what is wrong and what is right, and asks him to be independent and make his own choices.

A group of adolescent boys, placed in a summer camp by their otherwise too busy parents, find themselves unable to fit in and are soon branded as bedwetters by their fellow campers and unsympathetic counselor. After their counselor exposes them to what they perceive as a cruel slaughter of corralled bison, these misfits are soon drawn to a common purpose to break free of their camp and free the bison. On their way to free the bison, individual flashbacks reveal the relationships each has with his own family and give insight to their reasons behind wanting to set the bison free. Karen and Richard Carpenter’s singing of the title song occurs now and again throughout the movie to underscore the the drama.

Coming of age in Plainsboro, New Jersey. High school student Hal Hefner stutters. On the evening his parents stop arguing and separate, 43 miles away at the state tournament, his school’s legendary debater, Ben Wekselbaum, goes blank mid-sentence, Ben’s teammate Ginny Ryerson doesn’t get a first-place trophy, and the world changes. That fall, to Hal’s amazement, Ginny recruits him for the debate team, mentors him, and will be his partner. He still has his stutter, but he works hard and he falls in love with Ginny. On the day of the first debate of the season, the world changes again. From then until the day of the state tournament, Hal has a lot to sort out. Is love rocket science?

A mid-western farm boy reluctantly becomes a member of the undead when a girl he meets turns out to be part of a band of southern vampires who roam the highways in stolen cars. Part of his initiation includes a bloody assault on a hick bar.

Based on the Bram Stoker Award nominee short story by cult author Joe R. Lansdale, Bubba Ho-tep tells the “true” story of what really did become of Elvis Presley. We find Elvis (Bruce Campbell) as an elderly resident in an East Texas rest home, who switched identities with an Elvis impersonator years before his “death”, then missed his chance to switch back. Elvis teams up with Jack (Ossie Davis), a fellow nursing home resident who thinks that he is actually President John F. Kennedy, and the two valiant old codgers sally forth to battle an evil Egyptian entity who has chosen their long-term care facility as his happy hunting grounds.

In an era when Americans were in great need of heroic figures to help them forget their troubles, SEABISCUIT comes to the rescue. The picture relates a moving story of friendship and devotion in rehabilitating the main characters’fractured lives, as it interweaves the interactions between horse, jockey, trainer and owner and their adoring fans. The film accurately portrays the real people and events of those troubled times and how Seabiscuit “fixed us, every one of us.”

The mother (and father) of all Teen Sex Gross Out comedies is set in the 1950’s where there’s only one thing on the male sex’s mind. Well, sex to be correct. We have PEE WEE: the horny toad that is desperate to lose his virginity. TOMMY: the bad boy of the bunch. MEAT: tough jock whose nickname originates from his abnormally large body appendage. MICKEY: a wiseass redneck without a care in all the universe. BRIAN: the smart Jew. And TIM: the racist giving talents of his abusive father. Each one takes a trip to PORKY’S, it’s the most popular strip joint in Florida. But when they try to get in, they’re tricked and humiliated. Returning home, they vow revenge. Following crazy sex jokes like Ms. Balbrick’s famous “Pecker Pull” incident, to the ultimate return fire on a strip club, PORKY’S is and will remain the grandest of all teenage comedies.

Ron Burgundy (Ferrell) is the top-rated anchorman in San Diego in the ’70s. When feminism marches into the newsroom in the form of ambitious newswoman Veronica Corningstone (Applegate), Ron is willing to play along at first-as long as Veronica stays in her place, covering cat fashion shows, cooking, and other “female” interests. But when Veronica refuses to settle for being eye candy and steps behind the news desk, it’s more than a battle between two perfectly coiffed anchor-persons… it’s war.