Movie Downloads Easy! Fast!! Legally!!!

Dante Hicks is a clerk at a local convenience store in New Jersey. On one particular Saturday morning, he gets called in on his day off. Once there, he must deal with multiple problems. The shutters outside won’t open. His ex-girlfriend, whom he is still in love with, is getting married. His girlfriend, who bugs him about starting college, has revealed certain, uh…stuff about her past. His boss hasn’t come in to take his place. He has a hockey game at 2 o’clock. Another ex has died, and today’s the last day he can go to her wake. He must deal with customers that aren’t so intelligent. His friend, Randal, a clerk at the video store next door, is even less dedicated to his job than Dante, and is always bothering Dante’s customers. And the biggest problem of them all: HE’S NOT EVEN SUPPOSED TO BE THERE TODAY!! Can Dante manage it all?

An American writer in Paris starts writing erotic fiction. From encouragement from her friends, her lover, and her publisher she gets involved in nude modeling and progresses onward through many other forms of voyeuristic and participatory sexual adventures. Contains full frontal nudity and simulated sex, lots of sexual dialogue and profanity.

U.S. President Merkin Muffley is on the hot line to Moscow with some rather embarrassing news for the Soviet premier: “Hello, Dimitri….I’m fine….Now then, you know how we’ve always talked about the possibility of something going wrong with the bomb….The bomb, Dimitri. The hydrogen bomb….Well, now, what happened is that, uh, one of our base commanders…he went a little funny in the head….and he went and did a silly thing….He ordered his planes to attack your country.” A comedy about an accidental nuclear attack? One that ends with total annihilation, thermonuclear apocalypse? Preposterous! Stanley Kubrick thought otherwise. In the end his thinking prevailed. The mad saga revolves around a psychotic Strategic Air Command officer, Gen. Jack D. Ripper, who lets loose his B-52 bomber squadron on the Soviet Union. Ripper takes this unilateral action because of his paranoid belief that Communists are sapping and contaminating “all our precious bodily fluids” as part of their plan to take over the world.” Unbeknownst to Ripper, his attack will trigger the Russian’s ultimate weapon, the Doomsday Machine, a diabolical retaliatory device set to blow up the planet.

The Monty Python group examines the meaning and purpose of life in a series of sketches from conception to death and beyond. In typical Monty Python fashion they satirizes and humourizes almost everyone.

Having always wanted to be a disc-jockey, Howard Stern works his way painfully from radio at his 1970’s college to a Detroit station. It is with a move to Washington that he hits on an outrageous off-the-wall style that catches audience attention. Despite his on-air blue talk, at home he is a loving husband. He needs all the support he can get when he joins NBC in New York and comes up against a very different vision of radio.

As Phil Walden wanders the streets of his deserted hometown, the memories of a fateful childhood summer return. The summer he grew up. The summer that turned this once idyllic paradise upside down. The summer the stranger came to town. This stranger doesn’t beg for change, peddle ointments or speak soothe, Eli Cottonmouth builds models - enchanting models, and this sleepy southern town will be the perfect subject. His charm bewitches the townsfolk. His intentions concern the town fathers. And his secrecy captivates two curious boys. As Eli works to re-create the true essence of the community, the boys act as his eyes and ears. Armed with his ancient camera, they snap vignettes of small town life. But, shot-by-shot, Eli changes the way they look at the town. Childish wonderment turns to despair as the boys’ eyes open to the true nature of the world around them. That understanding, and Eli’s hidden purpose, threaten the existence of the entire town.

Cruising is the fictional account of a series of gruesome killings in modern day New York City. Steve Burns, a “beat” officer still wet behind the ears, is recruited by Captain Edelson of the NYPD Homicide Unit to go undercover in search of the perpetrator. The victims in these killings are all homosexual men known to frequent “Leather,” S&M (Sadism and Masochism), and B&D (Bondage and Dominance) clubs so Burns, in “deep cover,” must mascarade as gay in order to attract the killer. He fits the victims’ profiles: dark hair, dark complexion, dark eyes. Cruising tells the story of his adventures and misadventures in this small subculture of gay society as he searches for the killer.

Joe, the saxophone player, is Josephine in the all girls band that he joined with Jerry, the bass violin player, to be one step ahead of the mob after witnessing the 1929 St. Valentine’s Day Massacre in Chicago. After a train ride that sets a record for number of people in an upper berth, they are In Miami. Joe decides to be the man of Sugar Kane’s dreams and invites her out to a yacht he doesn’t have. But he can use Osgood Fielding’s yacht if Jerry — as Daphne — will keep Osgood dancing. The pace gets even giddier when the Chicago mob arrives in Miami for a convention.

Four horror/science-fiction segments directed by four of Hollywood’s famous directors based on TV’s most popular anthology series, bookened by a funny and scary prologue and epilogue featuring Dan Aykroyd and Albert Brooks. In the first story directed by John Landis (a vague remake of the Twilight Zone episode “A Quality of Mercy”) a loud-mouthed bigotted businessman (Vic Morrow) with an intense hatred for Jews, blacks, and Asians, gets the tables turned on him when he walks out a bar and is inexplicably transported back in time to being pursued by Nazis in 1940’s France, then as an African-American at a KKK rally in the 1950s Deep South, and as a Vietnamese in 1960s Vietnam. The second story directed by Stephen Spielberg (a remake of ‘Kick the Can’) an old man (Scatman Crothers) arrives at a retirement home and makes the wishes of the residents come true when he magically transforms them into youthful incarnations of their days gone by. The third story directed by Joe Dante (a remake of ‘It’s a Good Life’) a young woman on the road (Kathleen Quinlan) gives a ride to a mysterous 10-year-old boy (Jeremy Licth) to his house and ends up trapped with other people in an alternate reality created by the boy’s imagination. The fourth story directed by George Miller (a remake of ‘Nightmare at 20,000 Feet) stars John Lithgow as an passenger on an airline whom sees, but cannot convince anyone, a mysterious creature on the outside wing of the airplane trying to sabotage the aircraft.

This film tells the true story of Jeffrey Wigand, a former tobacco executive, who decided to appear on the CBS-TV News show “60 Minutes.” As matter of conscience partially prodded by producer Lowell Bergman, he revealed that, the tobacco industry was not only aware that cigarettes are addictive & harmful, but deliberately worked on increasing that addictiveness. Unfortunately, both protagonists of this story learn the hard way that simply telling the truth is not enough as they struggle against both Big Tobacco’s attempts to silence them and the CBS TV Network’s own cowardly complict preference of putting money as a higher priority over the truth.