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In the 17th century a Jesuit priest and a young companion are escorted through the wilderness of Quebec by Algonquin Indians to find a distant mission in the dead of winter. The Jesuit experiences a spiritual journey while his young companion falls in love with the Algonquin chief’s beautiful daughter underneath the imposing and magnificent mountains. Dread and death follows them upriver.

As Inge buries her husband Olaf on their Minnesota farm in 1968, we relive her life story as she tells her grown grandson about how she arrived from Germany in 1920 as Olaf’s postal bride and of the obstacles they overcame in order to marry…

Without words, cameras show us the world, with an emphasis not on “where,” but on “what’s there.” It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred monks do a monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky.

It’s been three weeks, two days, and 23 hours since Tris broke up with Nick. And now here she is at his gig, with a new guy. How could she have moved on so fast? This begins the night of Nick, Norah and Manhattan. The night of stripping nuns, hotel ice rooms, Russian food, psychotic ex-boyfriends and lovingly trashy ex-girlfriends. It’s the night of Julio and Salvatore. The night of holding hands and writing songs and singing in the rain. It’s a night they’ll never forget.

Pope Julius is eager to leave behind works by which he will be remembered. To this end he cajoles Michelangelo into painting the ceiling of the Sistine Chapel. When not on the battlefield uniting Italy, the Pope nags Michelangelo to speed up his painful work on the frescoes.

Five campers arrive in the mountains to examine some property they have bought, but are warned by the forest ranger Roy McLean that a huge machete-wielding maniac has been terrorising the area. Ignoring the warnings, they set up camp, and start disappearing one by one. If that sounds too run-of-the-mill, there’s a genuinely shocking plot twist half-way through…

Revolving around Truvy’s Beauty Parlor in a small parish in modern-day Louisiana, STEEL MAGNOLIAS is the story of a close-knit circle of friends whose lives come together there. As the picture opens, we find Drum Eatenton shooting birds in the trees of his back yard in preparation for his daughter’s wedding reception that afternoon. Shortly thereafter, M’Lynn and Shelby (Drum’s wife and daughter) depart for Truvy’s to get their hair done for the wedding. “Just the sweetest thing,” Annelle Depuy Desoto (who may or may not be married because her marriage may not be legal) is introduced to Truvy’s customers as her new “glamour technician.” While in the chairs, the sour-tempered Ouiser Boudreaux shows up and entertains the assemblage with her barbs. It seems that the only one of the group who truly understands Ouiser is Clairee who is recently widowed and looking for a diversion. As she says, later in the picture, “If you can’t find anything good to say about anybody, come sit by me.” Filled with humor and heartbreak, these “Steel Magnolias” make us laugh and cry as the realities of their lives in tiny Chiquapin Parish unfolds.

As Phil Walden wanders the streets of his deserted hometown, the memories of a fateful childhood summer return. The summer he grew up. The summer that turned this once idyllic paradise upside down. The summer the stranger came to town. This stranger doesn’t beg for change, peddle ointments or speak soothe, Eli Cottonmouth builds models - enchanting models, and this sleepy southern town will be the perfect subject. His charm bewitches the townsfolk. His intentions concern the town fathers. And his secrecy captivates two curious boys. As Eli works to re-create the true essence of the community, the boys act as his eyes and ears. Armed with his ancient camera, they snap vignettes of small town life. But, shot-by-shot, Eli changes the way they look at the town. Childish wonderment turns to despair as the boys’ eyes open to the true nature of the world around them. That understanding, and Eli’s hidden purpose, threaten the existence of the entire town.

Jude Law plays a leading role as Inman, a wounded confederate soldier who is on a perilous journey home to his mountain community, hoping to reunite with his prewar sweetheart, Ada, played by Nicole Kidman.

Lisa is a young, Christian woman. Bobby, her boyfriend, however, is a street hoodlum. Lisa prays constantly that Bobby will accept God in his life. She soon gets what she wants, but discovers that Bobby’s conversion means that she has to get her life in order as well. As a result, she is forced to resolve not only her relationship with Bobby, but with everyone in her life.