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A love triangle between three friends. Rabbi Jake Schram and Father Brian Finn, two friends, are out to update their religions and draw in more worshipers. With the arrival of Anna Reilly, an old childhood friend of the two, the men’s lives are thrown a curve ball. Anna has become a stunning beauty with a lot of spunk and ambition, and both of them want her. A major road block to Anna for both men is their religion. Jake is up for a head position at his synagogue and taking on a non-Jewish partner is frowned upon, besides the fact that his mother disowned his brother for marrying a non-Jewish woman. Brian has given a vow of celibacy to become a priest.

In 1989, Nino Brown, a small time drug dealer, is convinced by one of his fellow thugs that the wave of the future is in the cocaine derivative, crack. Brown sees potential in crack and sets out to establish himself as chief kingpin by killing off his rivals and even going as far as to take over a whole apartment complex. Out to stop him are undercover cops Scottie Appleton and Nick Paretti. Appleton especially wants to get Nino because of the fact that he murdered Scottie’s mother as part of a gang initiaton. Also involved is Pookie, a former crackhead who wants to bring down Nino as well.

Drug lord Frank White (Chrstiopher Walken) is released from Sing-Sing prison after serving a number of years for drug trafficking. He is reunited with his former gang, led by the murderous Jimmy Jump (Laurence Fishburne), as well as his personal female bodyguards Raye (Theresa Randle) and Melanie (Carrie Ngyen), and his lover/legal annalist Jennifer (Janet Julien). After seeing his old neighborhood more dilapidated and depressing than ever, Frank decides to do good by eliminating his competitors whom filled the void left by his incarceration, then steal their money and drugs to finance a new South Bronx hospital for the needy. But Frank’s past won’t let go of him when a group of overzealous cops, led by corrupt detective Roy Bishop (Victor Argo), frustrated at the lack of clues to nail Frank on for the current street killings, decide to take matters into their own hands.

Kate and her actor brother live in N.Y. in the 21st Century. Her ex-boy friend, Stuart, lives above her apartment and finds this space near the Brooklyn Bridge where there is a gap in time. He goes back to the eighteen hundreds and takes pictures of the place. Leopold, a man living in the 1870’s, was puzzled by Stuart’s tiny camera and decides to follow him and they both ended up in this century. Leopold is clueless about his new surroundings. He gets help and insights from Charlie who thinks that Leopold is an actor who is always in character. Leopold is a highly intelligent man and tries his best to learn and even improve the modern conveniences that he encounters.

The best laid plans of mice and men … A cold war satire emphasising the new emerged American Superpower’s use of foreign aid to buy friends and keep then away from the USSR’s influence. Peter Sellers, as the scheming Prime Minister of Grand Fenwick, plots with Peter Sellers, as the scheming Grand Duchess, to declare war on the USA, lose and get that foreign aid. Unfortunately, they forget to tell Peter Sellers, as Tully Bascombe, commander of their mediaeval army. This honourable man does his best for his country and through a series of unbelievable circumstances (well, this is a comedy) to win. Now, who has to give aid to whom?

After the abduction by the US military of an Islamic religious leader, New York City becomes the target of escalating terrorist attacks. Anthony Hubbard, the head of the FBI’s Counter-Intelligence Task Force in New York, teams up with CIA operative Elise Kraft to hunt down the terrorist cells responsible for the attacks. As the bombings continue, the US government responds by declaring martial law, sending US troops, led by Gen. Devereaux, into the streets of New York City.

Vic is a struggling auto mechanic with a safe-cracking past and a lot of debt. His girlfriend runs a bar and offers to loan him the money she’s saved for remodeling, but Vic is reluctant to take it. When a long-lost cousin from Ireland shows up on his doorstep, the two team up for one last heist.

It has been four years since the alien-seeking agents averted an intergalactic disaster of epic proportions. Kay has since returned to the comforts of civilian life while Jay continues to work for the Men in Black, the highly funded yet unofficial government agency that regulates all things alien on earth. While investigating a seemingly routine crime, Jay uncovers a diabolical plot masterminded by Serleena, an evil Kylothian monster who disguises herself as a sexy lingerie model. It’s a race against the clock as Jay must convince Kay—who not only has no memory of his time spent with the agency, but is also the only person alive who has the expertise to save the galaxy—to reunite with the MIB before Earth is destroyed completely.

Following the theft of a highly-secured piece of artwork, an agent convinces her insurance agency employers to allow her to wriggle into the company of an aging but active master thief. Connery’s burglar takes her on suspiciously and demands rigorous training before their first job together—stealing a highly-valued mask from a chichi party. Their deepening attraction and distrust could tear apart their partnership but the promise of a bigger prize (some eight billion odd dollars) by Zeta-Jones keeps the game interesting. Only, who’s playing with whom?

Peter Parker (Tobey McGuire) can’t seem to catch any kind of break. Being Spiderman has brought him nothing but problems as far as his personal life is concerned. Not only that, Mary Jane Watson (Kirsten Dunst) is engaged to astronaut John Jameson, and Peter may lose her forever. Things are so bad for him that he is pushed past his breaking point, so he decides that he doesn’t want to be Spiderman anymore, until a freak accident transforms Dr. Otto Octavius into Dr. Octopus, a super-villian with four metal tentacles coming out of him. Peter realizes that only Spiderman can stop him, but of course, problems arise. Mary Jane gets caught in the middle, and Harry Osborn, who still blames Spiderman for the death of his father, Norman Osborn, also the Green Goblin, wants him dead. Spiderman will have to push himself past his limits if he’s going to survive.