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Four horror/science-fiction segments directed by four of Hollywood’s famous directors based on TV’s most popular anthology series, bookened by a funny and scary prologue and epilogue featuring Dan Aykroyd and Albert Brooks. In the first story directed by John Landis (a vague remake of the Twilight Zone episode “A Quality of Mercy”) a loud-mouthed bigotted businessman (Vic Morrow) with an intense hatred for Jews, blacks, and Asians, gets the tables turned on him when he walks out a bar and is inexplicably transported back in time to being pursued by Nazis in 1940’s France, then as an African-American at a KKK rally in the 1950s Deep South, and as a Vietnamese in 1960s Vietnam. The second story directed by Stephen Spielberg (a remake of ‘Kick the Can’) an old man (Scatman Crothers) arrives at a retirement home and makes the wishes of the residents come true when he magically transforms them into youthful incarnations of their days gone by. The third story directed by Joe Dante (a remake of ‘It’s a Good Life’) a young woman on the road (Kathleen Quinlan) gives a ride to a mysterous 10-year-old boy (Jeremy Licth) to his house and ends up trapped with other people in an alternate reality created by the boy’s imagination. The fourth story directed by George Miller (a remake of ‘Nightmare at 20,000 Feet) stars John Lithgow as an passenger on an airline whom sees, but cannot convince anyone, a mysterious creature on the outside wing of the airplane trying to sabotage the aircraft.

The Goonies are a group of friends living in a village, the groups leader Mikey Walsh, his older brother Brand and gang members Andy, Data, Stef, Mouth, and Chunk are being evicted from their homes which are to be demolished. Setting out to find a way of saving their homes, The Goonies find a treasure map and they set off in search for the treasure of the legendary pirate One-Eyed Willy which is located beneath a abandoned restaurant. Joined by a deformed gentle giant named Sloth, The Goonies embark on a great adventure through a underground maze filled with traps and skeletons, where they are pursued by Sloth’s mother, thief Momma Fratelli and his brothers Jake and Francis who are also after One-Eyed Willy’s treasure and they willing to get the treasure first.

Tia (Kim Richards) and Tony (Ike Eisenmann) are two orphaned youngsters with extraordinary powers. Lucas Deranian (Donald Pleasence) poses as their uncle in order to get the kids into the clutches of Deranian’s megalomaniacal boss, evil millionaire Aristotle Bolt (Ray Milland), who wants to exploit them. Jason (Eddie Albert), a cynical widower, helps Tia and Tony “escape to witch mountain,” while at the same time Tia and Tony help Jason escape the pain of the loss of his wife.

A bottle containing a plea for help arrives at the Rescue Aid Society, an organization of mice from all over the world who’s mission is to help those in need. Bernard and Miss Bianca are chosen for the task and after gathering the needed clues and information, they fly on the back of albatross Orville to the gloomy and uncharted Devil’s Beyou. There, together with Ellie Mae and other swamp folk, they must work together to save a little orphan girl from the evil Madame Medusa.

In London, a real-estate scam puts millions of pounds up for grabs, attracting some of the city’s scrappiest tough guys and its more established underworld types, all of whom are looking to get rich quick. While the city’s seasoned criminals vie for the cash, an unexpected player - a drugged out rock ‘n’ roller presumed to be dead but very much alive - has a multi-million dollar prize fall into his hands.

Dito, a writer in L.A., goes home to Astoria, Queens, after a 15-year absence when his mother calls to say his father’s ill. In a series of flashbacks we see the young Dito, his parents, his four closest friends, and his girl Laurie, as each tries to navigate family, race, loyalty, sex, coming of age, violence, and wanting out. A ball falls onto the subway tracks at a station, small things get out of hand. Can Dito go home again?

South Park is a peaceful and quiet town until the Terrence and Phillip movie “Asses Of Fire” hits the theaters. Once that happens, all friggin’ hell breaks loose. After all the kids see the movie, they begin using all the foul and naughty language used in the movie. When the parents discover this, they demand war against Canada. The parents plan to execute Terrence and Phillip. After Kenny gets sent to hell (all thanks to Cartman), he overhears Satan and Saddam Hussien plan to rise to Earth to rule for 2,000,000 years of torture once Terrence and Phillip’s blood touches US soil. Will Cartman’s filthy fucking mouth and V-Chip save the day?

After a drug-op gone bad, Joey Gazelle is put in charge of disposing the gun that shot a dirty cop. But things goes wrong for Joey after the neighbor kid stole the gun and used it to shoot his abusive father. Now Joey has to find the kid and the gun before the police and the mob find them first.

It’s been nearly ten years since Freddy Krueger (Englund) terrorised people in the dreams, and the towns folk want to keep him erased from their memory. Freddy still has one more plan on getting back to Elm Street. He resurrects Jason Vorhees (Kirzinger) and sends him off to kill. The more bodies which fall to the ground, the stronger in which Freddy becomes. This is until, Freddy realises that Jason isn’t going to step aside easily, and must be taken down himself.

Harry Potter and the Sorcerer’s Stone is the first film in the Harry Potter series based off the novels by J.K. Rowling. It is the tale of Harry Potter, an ordinary 11-year-old boy serving as a sort of slave for his aunt and uncle who learns that he is actually a wizard and has been invited to attend the Hogwarts School for Witchcraft and Wizardry. Harry is snatched away from his mundane existence by Hagrid, the grounds keeper for Hogwarts, and quickly thrown into a world completely foreign to both him and the viewer. Famous for an incident that happened at his birth, Harry makes friends easily at his new school. He soon finds, however, that the wizarding world is far more dangerous for him than he would have imagined, and he quickly learns that not all wizards are ones to be trusted.