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After breaking up with his girlfriend Annie Hall, neurotic comedian Alvy Singer goes on a stream of conciousness journey through his memories of their relationship, trying to find out what caused them to part ways. He often breaks the fourth wall, speaking to the camera, entering peoples’ stories, and even using animation.

The movie starts out with Arthur, King of the Britons, looking for knights to sit with him at Camelot. He finds many knights including Sir Galahad the pure, Sir Lancelot the brave, the quiet Sir Bedevere, and Sir Robin the Not-Quite-So-Brave-as-Sir Lancelot. They do not travel on horses, but pretend they do and have their servants bang coconuts to make the sound of horse’s hooves. Through satire of certain events in history (witch trials, the black plague) they find Camelot, but after literally a quick song and dance they decide that they do not want to go there. While walking away, God (who seems to be grumpy) come to them from a cloud and tells them to find the Holy Grail. They agree and begin their search…

Joe’s a car salesman with a problem. He has two days to sell 12 cars or he loses his job. This would be a difficult task at the best of times but Joe has to contend with his girlfriends (he’s two timing), a missing teenage daughter and an ex-wife. What more could go wrong ?.. a lot, enter a crazy jealous husband with a machine gun..

When the will of Victor Frankenstein, the famous scientist who attempted to reanimate dead bodies, is opened, his grandson, Frederick, who’s become a skilled neurosurgeon and teacher and has cut most ties with his family name due to his grandfather’s experiments, is given the castle where all the experiments were made. Upon his arrival, Frederick finds and reads through his grandfather’s book about his theories and experiments and discovers that they might in fact work. Assisted by Igor, the grandson of the Igor who assisted Victor Frankenstein, and Inga, an attractive lab assistant, he successfully reanimates a body which soon escapes and creates havoc…

The Monty Python group examines the meaning and purpose of life in a series of sketches from conception to death and beyond. In typical Monty Python fashion they satirizes and humourizes almost everyone.

Having always wanted to be a disc-jockey, Howard Stern works his way painfully from radio at his 1970’s college to a Detroit station. It is with a move to Washington that he hits on an outrageous off-the-wall style that catches audience attention. Despite his on-air blue talk, at home he is a loving husband. He needs all the support he can get when he joins NBC in New York and comes up against a very different vision of radio.

A psychiatrist, Martin Dysart, investigates the savage blinding of six horses with a metal spike in a stable in Hampshire, England. The atrocity was committed by an unassuming seventeen-year-old stable boy named Alan Strang, the only son of an opinionated but inwardly-timid father and a genteel, religious mother. As Dysart exposes the truths behind the boy’s demons, he finds himself face-to-face with his own.

Four horror/science-fiction segments directed by four of Hollywood’s famous directors based on TV’s most popular anthology series, bookened by a funny and scary prologue and epilogue featuring Dan Aykroyd and Albert Brooks. In the first story directed by John Landis (a vague remake of the Twilight Zone episode “A Quality of Mercy”) a loud-mouthed bigotted businessman (Vic Morrow) with an intense hatred for Jews, blacks, and Asians, gets the tables turned on him when he walks out a bar and is inexplicably transported back in time to being pursued by Nazis in 1940’s France, then as an African-American at a KKK rally in the 1950s Deep South, and as a Vietnamese in 1960s Vietnam. The second story directed by Stephen Spielberg (a remake of ‘Kick the Can’) an old man (Scatman Crothers) arrives at a retirement home and makes the wishes of the residents come true when he magically transforms them into youthful incarnations of their days gone by. The third story directed by Joe Dante (a remake of ‘It’s a Good Life’) a young woman on the road (Kathleen Quinlan) gives a ride to a mysterous 10-year-old boy (Jeremy Licth) to his house and ends up trapped with other people in an alternate reality created by the boy’s imagination. The fourth story directed by George Miller (a remake of ‘Nightmare at 20,000 Feet) stars John Lithgow as an passenger on an airline whom sees, but cannot convince anyone, a mysterious creature on the outside wing of the airplane trying to sabotage the aircraft.

When it comes to matters of the heart, keeping her man happy and committed is all in a day’s work for Shanté Smith. Shanté is so adept at navigating the waters of romance that her best girlfriends Diedre, Karen and Tracye depend on her for advice whenever “man trouble” clouds the horizon. But when Shanté’s boyfriend Keith is caught red-handed stepping out with a co-worker, Shanté institutes her “Ten Day Plan” to get her man in line. Whether its sexy lingerie or good home cooking, Shanté has an arsenal of weapons designed to bring a man to his knees…and back to her. She’s not above playing the damsel in distress or using the ever-reliable local grapevine to get Keith’s attention. It’s all good, because getting her man back - by any means necessary - is all that matters. Unfortunately the happy ending that Shanté expects goes sideways when Keith begins following the advice of his buddy Tony, who brings a player’s perspective to the games girls play. In this comedic battle of the sexes, Shante’s about to discover that not only are there no rules - she’s not the only one playing. With her relationship at stake and her friends checking her every move, Shanté has to think fast and stay a step ahead of Keith if she has any hope of bringing her man back…with her pride intact.

On a vacation, sports journalist Mike meets designer Marilla. They fall in love and marry right away. However back at home they realize that they’re living in different worlds and know nothing about each other and exes and angry mobsters get in the way of their happily ever after though.