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Carlito Brigante is released from jail after serving five years of a much longer stretch. He vows to go straight and to live life as a fine, upstanding citizen. He even rekindles a romance with his ex-lover. However, Carlito’s associates cannot seem to leave him in peace…his nephew involves him a pool-room gunfight, his lawyer asks him for “favours” which spiral out of control, and even an old friend (now a wheelchair bound paraplegic) tries to get him into trouble with the law. Carlito decides to make a run for Florida and the promise of a new life, but has one final dramatic escape to make from some hoods who believe (wrongly) that he was behind the murder of their boss.

Federal agent Elliot Ness assembles a personal team of mob fighters to bring Chicago crime boss Al Capone to justice using unconventional means during the mob wars of the 1920s. This fictionalized account of the arrest of Al Capone is heavy on style and gunfire. The end shootout combines a baby carriage and stairs with a nod to Eisenstein’s _The Battleship Potemkin_.

A man living in rural Wisconsin takes care of his bed-ridden mother, who is very domineering and teaches him that all women are evil. After she dies he misses her, so a year later he digs her up and takes her home. He learns about taxidermy and begins robbing graves to get materials to patch her up, and inevitably begins looking for fresher sources of materials. Based closely on the true story of Ed Gein.

When a terrorist bomb detonates inside a Western housing compound in Riyadh, Saudi Arabia, an international incident is ignited. While diplomats slowly debate equations of territorialism, FBI Special Agent Ronald Fleury quickly assembles an elite team and negotiates a secret five-day trip into Saudi Arabia to locate the madman behind the bombing. Upon landing in the desert kingdom, however, Fleury and his team discover Saudi authorities suspicious and unwelcoming of American interlopers into what they consider a local matter. Hamstrung by protocol-and with the clock ticking on their five days-the FBI agents find their expertise worthless without the trust of their Saudi counterparts, who want to locate the terrorist in their homeland on their own terms. Fleury’s crew finds a like-minded partner in Saudi Colonel Al-Ghazi, who helps them navigate royal politics and unlock the secrets of the crime scene and the workings of an extremist cell bent on further destruction. With these unlikely allies sharing a propulsive commitment to crack the case, the team is led to the killer’s front door in a blistering do-or-die confrontation. Now in a fight for their own lives, strangers united by one mission won’t stop until justice is found in The Kingdom.

Two men wake up at opposite sides of a dirty, disused bathroom, chained by their ankles to pipes. Between them lies a dead man loosely clutching a hand-held tape player and a handgun. Each finds a tape the perfect fit for the player in their back pocket. They play the tapes. One is threatened, the other isn’t. But they have a task: One must kill the other by 6:00, or his wife and daughter will die. They find hacksaws in a toilet, and try to cut the chains, but it doesn’t work. They are the two newest victims of the Jigsaw Killer. In a flashback, we learn of Amanda, a girl who falls victim to the Jigsaw Killer. On her head is a mask, which is hooked into her lower jaw. There is a timer on it. Only one key will unlock it, and that key is in the digestive tract of her cell mate who lies paralyzed on the opposite side of the room. If she doesn’t unlock the mask in time, her lower jaw will be ripped wide open. She survives, but her cell mate doesn’t. Through a series of flashbacks, we learn of more victims, and of the nearly-successful capture of the Jigsaw Killer, who doesn’t actually kill his victims. Instead, he finds ways to make them kill either themselves, or each other, and he thinks the entire ‘game’ out perfectly, with no other ways out. Or so it would seem.

In 18th century North America during the French and Indian War, a white man adopted by the last members of a dying tribe called the Mohicans unwittingly becomes the protector of the two daughters of a British colonel, who have been targeted by Magua, a sadistic and vengeful Huron warrior who has dedicated his life to destroying the girls’ father for a past injustice.

Nine strangers - a priest; a dancer; a designer; an aspirant rapper; a former tennis pro; a woman on probation; an unsuccessful composer and his wife; and a detective - are randomly abducted, drugged and locked in a house by a wealthy maniac. They are informed through a public address system that there are seventy-five cameras following them, and only one will survive and win US$ 5,000,000.00 to keep quiet. The psychological game begins, with fear and greed affecting the participants.

Set against the backdrop of civil war and chaos in 1990’s Sierra Leone, Blood Diamond is the story of Danny Archer (Leonardo DiCaprio) - an ex Mercenary from Zimbabwe - and Solomon Vandy (Djimon Hounsou) - a Mende fisherman. Both men are African, but their histories as different as any can be, until their fates become joined in a common quest to recover a rare pink diamond that can transform their lives. While in prison for smuggling, Archer learns that Solomon - who was taken from his family and forced to work in the diamond fields - has found and hidden the extraordinary rough stone. With the help of Maddy Bowen (Jennifer Connelly), an American journalist whose idealism is tempered by a deepening connection with Archer, the two men embark on a trek through rebel territory, a journey that could save Solomon’s family and give Archer the second chance he thought he would never have.

In Hollywood, the young teacher Nell (Angela Bettis) and her husband, the resident Steven Barrows (Brent Roam), move to an old building called Lusman Arms. Some sixty years ago, the place was glamorous, but presently is completely decadent, inclusive many dwellers have disappeared along the years. While her husband is working in the hospital, the lonely Nell hears some weird noises and becomes afraid of the place. While jogging, she is introduced and becomes close to her neighbor Julia Cunningham (Juliet Landau) and they schedule a hike together on the next day. Julia never shows up, and Nell looks for her in the building, finding a hiding block behind the wall, where an evil being, which was born from death, lives with many dead bodies.

Chris Taylor (Charlie Sheen) is a young, naive American who gives up college and volunteers for combat in Vietnam. Upon arrival, he quickly discovers that his presence is quite nonessential, and is considered insignificant to the other soldiers, as he has not fought for as long as the rest of them and felt the effects of combat. Chris has two commanding officers, the ill-tempered and indestructible Staff Sergeant Robert Barnes (Tom Berenger) and the more pleasant and cooperative Sergeant Elias Grodin (Willem Dafoe). A line is drawn between the two officers and a number of men in the platoon when an illegal killing occurs during a village raid. As the war continues, Chris himself draws towards psychological meltdown. And as he struggles for survival, he soon realizes he is fighting two battles, the conflict with the enemy and the conflict between the men within his platoon.