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It’s 1987, and geeky Jenna wants to be popular. After her 13th birthday party goes awry, Jenna wishes she could just be 30 instead - only to wake up and discover that she’s flash-forwarded 17 years. Now a sexy, successful magazine editor, Jena finds out that being an adult isn’t necessarily all it’s cracked up to be.

Roman Polanski’s version of Shakespeare’s tragedy about a Scottish lord who murders the king and ascends the throne. His wife then begins hallucinating as a result of her guilt complex and the dead king’s son conspires to attack MacBeth and expose him for the murderer he is.

An American pulp writer arrives in post-WWII Vienna only to find that the friend who waited for him is killed under mysterious circumstances. The ensuing mystery entangles him in his friend’s involvement in the black market, with the multinational police, and with his Czech girlfriend.

After a 20 year voyage, Jason (Armstrong) returns to the Kingdom of Thessaly to claim his throne. But it’s not quite easy for this. In order to gain the throne, he must find the magical Golden Fleece, which has amazing healing powers. He selects a crew, which included Polydeuces (Crawford) and Hercules (Green). Jason also gains the help of the Queen of the Gods, Hera (Blackman). Jason and his crew must now reach the fleece and survive the likes of a 100 foot bronze giant, a huge venomous creature with head full of seven snakes, and a terrifying army of skeletons.

Two brilliant teenagers head a team of young geniuses developing a laser for what they believe is a class project. When they find out that their professor intends to turn their work over to the government for use as a weapon, they decide to ruin his plans.

He’s the star of the show—but he doesn’t know. Truman Burbank is a man whose life is a nonstop TV show. Truman doesn’t realize that his quaint hometown is a giant studio set run by a visionary producer/director/creator, that folks living and working there are Hollywood actors, that even his incessantly bubbly wife is a contract player. Gradually, Truman gets wise. And what he does about his discovery will have you laughing, crying and cheering.

Johnny Hooker is a young con-man who is being taught by Luther. One day they pull one of their con jobs and net themselves a huge roll. What they don’t know is that the man they conned is the courier for a numbers runner. And it turns out that the boss, Doyle Lonigan, considers it an attack on him and orders all the people involved terminated. Hooker is shaken down by a crooked cop, Snyder, who threatens to turn him over to Lonigan unless he pays him off. Hooker pays him, he then tries to warn Luther but is too late. He then goes to see Henry Gondorf, a friend of Luther’s and a one time great con-man, who has had a bit of bad luck. After hearing what happened to Luther and seeing how hungry Hooker is for payback, he assembles a gang and decides to con Lonigan. While everything seems to be going ok, there is just the problem of the hit on Hooker and Snyder, whom Hooker paid off with counterfeit money.

Hamlet, son of the king of Denmark, is summoned home for his father’s funeral and his mother’s wedding to his uncle. In a supernatural episode, he discovers that his uncle, whom he hates anyway, murdered his father. In an incredibly convoluted plot—the most complicated and most interesting in all literature—he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the “prime minister,” love and then unlove an innocent whom he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on stage, including his own and his mother’s.

Porter is shot by his wife and best friend and is left to die. When he survives he plots revenge.

A successful FBI profiler, Illeana Scott (Jolie), is summoned to help out Canadian law enforcement in Montreal, to hunt down a serial killer who assumes the lives and identities (hence the title) of the people he kills as he travels across North America, which forces Illeana to adjust to working in a strange city with a police team with which she doesn’t really fit in.