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A rare mutation has occurred within the vampire community. The Reaper. A vampire so consumed with an insatiable bloodlust that they prey on vampires as well as humans, transforming victims who are unlucky enough to survive into Reapers themselves. Now their quickly expanding population threatens the existence of vampires, and soon there won’t be enough humans in the world to satisfy their bloodlust. Blade, Whistler (Yes, he’s back) and an armory expert named Scud are curiously summoned by the Shadow Council. The council reluctantly admits that they are in a dire situation and they require Blade’s assistance. Blade then tenuously enters into an alliance with The Bloodpack, an elite team of vampires trained in all modes of combat to defeat the Reaper threat. Blade’s team and the Bloodpack are the only line of defense which can prevent the Reaper population from wiping out the vampire and human populations.

In the small town of Knapely, Yorkshire, England, Annie Clarke (Julie Walters) has just lost her husband, who was ill with leukemia. Inspired in his speech to the local Women’s Institute, where he said that “the flowers of Yorkshire are like the women of Yorkshire”, and “the last phase of the women of Yorkshire is always the most glorious”, her best friend Chris Harper (Helen Mirren) decides to make a calendar with twelve local middle-age women nude to raise funds for the wing of leukemia treatment in the local hospital. The calendar becomes well succeeded, making them famous and affecting their lives.

Thirty years old and single, Beatrix Potter lives in London with her social-climbing parents, who are exasperated that she has turned down any number of eligible young men. Her only real friends are the animals which since childhood she has lovingly drawn and made up stories about. She finally succeeds in selling a book of the stories, and it becomes Norman Warne’s first project. He quickly falls in love with both the book and Beatrix and together they carefully arrange publication. This proves the first of many successes, offering her the possibility of escaping from both her parents’ way of life and London.

The Queen is an intimate behind the scenes glimpse at the interaction between HM Elizabeth II and Prime Minister Tony Blair during their struggle, following the death of Diana, to reach a compromise between what was a private tragedy for the Royal family and the public’s demand for an overt display of mourning.