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After a series of ill-fated relationships, Jane (Ashley Judd) has finally met Mr. Right, Ray (Greg Kinnear) - he’s emotionally available, and not afraid of commitment. Six weeks into their blissful courtship, he asks her to move in with him, and they start looking at apartments. But little by little Ray starts to pull away, until Jane realizes that once again she’s been dumped. Jane’s womanizing coworker, Eddie, just happens to be looking for a roommate, and Jane reluctantly moves in. Desperate to understand what happened and get over Ray, Jane comes up with a theory of interpreting male-female relations by observing the behaviors of wild animals. She shares this idea with a friend who works at a men’s magazine (Marisa Tomei) and is given an anonymous editorial column devoted solely to her thoughts on the matter. But no one could have predicted the chord she’d strike among women with her theory, and the column’s wild success makes Jane start to question her conclusions - and opens her eyes to what might be right in front of her.

An American writer in Paris starts writing erotic fiction. From encouragement from her friends, her lover, and her publisher she gets involved in nude modeling and progresses onward through many other forms of voyeuristic and participatory sexual adventures. Contains full frontal nudity and simulated sex, lots of sexual dialogue and profanity.

An American pulp writer arrives in post-WWII Vienna only to find that the friend who waited for him is killed under mysterious circumstances. The ensuing mystery entangles him in his friend’s involvement in the black market, with the multinational police, and with his Czech girlfriend.

Young publishing executive Carly takes an apartment in an exclusive “sliver” building in New York, only to learn that the previous tenant, who bore a great resemblance to Carly, died in a mysterious fall from the apartment balcony. When other tenants of the building begin to die likewise mysteriously, Carly begins to suspect that a killer may be inhabiting the building and that it may be either Zeke, the voyeuristic building owner with whom she’s become involved romantically, or Jack, a mystery writer with a suspicious quality.

Novelist Thad Beaumount has buried his alter ego George Stark, a pseudonym he used when writing fiction of a darker nature than he would write using his real name. He even stages a mock burial of George for the benefit of the press. When a local man is killed, evidence leads Sheriff Alan Pangborn to George’s grave, and he begins to suspect Thad. Meanwhile Thad is beginning to have visions of sparrows flying, something that hasn’t occurred for twenty-three years since he had brain surgery. As the string of gruesome murders continue, someone claiming to be George Stark starts calling Thad on the phone. Thad fears for his family’s safety, and Pangborn can’t decide whether or not Thad is the murderer.

On the night of 14 November 1959, in Holcomb, Kansas, a farmhouse is broken into by the criminals Perry Smith and Dick Hickock that expect to get US$ 10,000.00. With the policy of “no witness”, the murderers kill the entire family. The homosexual writer Truman Capote travels to the small town with his friend Nelle Harper Lee and decide to use the topic to write a book. When the killers are arrested, he becomes friend of Perry for his own interest and then he falls in love for him, and gets a new lawyer for them, postponing their execution until 14 April 1965.

A completely fabricated biography of the famous Danish fairytale writer Hans Christian Andersen featuring several of his stories and a ballet performance of “The Little Mermaid”.

Gillian Holroyd is just your average, modern-day, witch, living in a New York apartment with her Siamese familiar, Pyewacket. But one day a handsome publisher, Shep Henderson walks into her building and Gillian decides she wants him—especially as it turns out he’s marrying Merle Kittridge, an old poison penpal from Gillian’s college days. So, Gillian casts a spell over Shep. But her powers are in danger of being exorcised by something stronger than the bell-book-and-candle routine: Love.

Chain-smoking, wisecracking private eye Philip Marlowe drives a buddy from LA to the Tijuana border and returns home to an apartment full of cops who arrest him for abetting the murder of his friend’s wife. After Marlowe’s release, following the reported suicide in Mexico of his friend, a beautiful woman hires him to locate her alcoholic and mercurial husband. Then, a hoodlum and his muscle visit to tell Marlowe that he owes $350,000, mob money the dead friend took to Mexico. Marlowe tails the hood, who goes to the house of the woman with the temperamental husband. As Marlowe pulls these threads together, his values emerge from beneath the cavalier wisecracking.

Dito, a writer in L.A., goes home to Astoria, Queens, after a 15-year absence when his mother calls to say his father’s ill. In a series of flashbacks we see the young Dito, his parents, his four closest friends, and his girl Laurie, as each tries to navigate family, race, loyalty, sex, coming of age, violence, and wanting out. A ball falls onto the subway tracks at a station, small things get out of hand. Can Dito go home again?