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Two sisters, plus a dead mother, a remarried father, and a hostile step-mother. The sisters, each in her way, have perfected the art of losing. The elder, Rose, is an attorney, responsible, lonely, with a closet full of shoes. The younger is Maggie, beautiful, selfish, and irresponsible. Her drunken behavior gets her tossed by her step-mother from her dad’s house; worse behavior gets her tossed from Rose’s apartment. Then, while searching in her father’s desk for money to filch, Maggie finds an address; the past and the future open up to her and, with any luck, may open to her sister as well.

New York, 1959. Max Bialystock was once the king of Broadway, but now all his shows close on opening night. Things turn around when he’s visited by the neurotic accountant Leo Bloom, who proposes a scheme tailor-made for producers who can only make flops: raise far more money than you need, then make sure the show is despised. No one will be interested in it, so you can pocket the surplus. To this end, they produce a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the insanely flamboyant Roger De Bris to direct. Finally, they hire as a lead actress the loopy Swedish bombshell Ulla (whose last name has over 15 syllables). As opening night draws near, what can go wrong? Well, there’s no accounting for taste…

In Champion City, would be superheroes like The Shoveler, The Blue Raja and Mr. Furious can’t seem to make a difference and impress either the city or its greatest superhero, Captain Amazing. However, when Captain Amazing is captured by his greatest enemy, Cassanova Frankenstein, these stumblebum heroes must join with other superhero hopefuls to save the Captain and the city.

Six unemployed steel workers, inspired by the Chippendale’s dancers, form a male striptease act. The women cheer them on to go for “the full monty” - total nudity.

A petty thief posing as an actor is brought to Los Angeles for an unlikely audition and finds himself in the middle of a murder investigation along with his high school dream girl and a detective who’s been training him for his upcoming role…

Cynthia, TV producer, has an idea about how to save the station: A normal person’s life should be broadcasted 24 hours a day. “Ed TV” is born the second her eye falls on Ed Pekurny, a sympathetic Joe Sixpack. After the first week on air Eds fame grows and grows, but conflicts break open: His brother Ray publishes a very negative book about Ed, who now dates Ray’s ex; Ed’s parent’s partnership problematics are broadcasted nationwide and a very attractive and seducing model uses innocent Ed to raise her own fame. Also, Ed’s contract proves to be unquittable, so that Ed Pekurny suddenly can see the golden bars around his cage. But in a country that switches the TV set on for breakfast and off for bedtime, nearly everything can happen - and people can be counted on.

The killer doll is back! The all-new film is the fifth in the popular series of Chucky (”Child’s Play”) horror comedies. Making his directorial debut is the franchise creator and writer of all five films, Don Mancini. The film introduces Glen (voiced by “The Lord of the Rings” star Billy Boyd), the orphan doll offspring of the irrepressible devilish-doll-come-to-life Chucky (again voiced by series star Brad Dourif) and his equally twisted bride Tiffany (again voiced by Jennifer Tilly). When production starts on a movie detailing the urban legend of his parents’ lethal exploits, Glen heads for Hollywood where he brings his bloodthirsty parents back from the dead. The family dynamics are far from perfect as Chucky and Tiffany go Hollywood and get rolling on a new spree of murderous mayhem; much to gentle Glen’s horror. Chucky can’t believe that his child doesn’t want to walk in his murdering footsteps, and star-struck Tiffany can’t believe that the movie will star her favorite actress, Jennifer Tilly (playing herself), who soon becomes an unwitting hostess to this new family in more ways than one…

A gangster movie where all the gangsters are children. Instead of real bullets they use “splurge guns” that cover the victim in cream. The story tells of the rise of “Bugsy Malone” and the battle for power between “Fat Sam” and “Dandy Dan”.

Hollywood, today: Bobby Bowfinger, a run-down actor-producer-director, is reading a script which a friend has written. Completely convinced of its quality, he decides to take a last shot at fame and fortune. But the script is not that easy to sell, and a famous producer promises him to do it, but there is one condition: Kit Ramsey, Hollywood’s number one star, has to be in it. So, Bobby tries his luck with Kit - who says no - and then decides to shoot the film himself. Together with the cheapest team available in Southern California, an aspiring beauty from Ohio, a diva who is just a little over the hill, a key-holding gofer from a major studio and a goon hired away from burger-flipping, Bobby sets out to shoot the science-fiction-film starring Kit Ramsey - who does not even know he’s being filmed.

A bright-eyed young actress travels to Hollywood, only to be ensnared in a dark conspiracy involving a woman who was nearly murdered, and now has amnesia because of a car crash. Eventually, both women are pulled into a psychotic illusion involving a dangerous blue box, a director named Adam Kesher, and the mysterious night club Silencio.