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Joey Drayton brings her fiancé, Dr. John Prentice, home to sunny San Francisco to meet her affluent parents. Their liberal persuasions are now put to the test, for although the young man is an ideal choice (he’s highly and internationally respected in the medical field, and he’s impeccably mannered, handsome, well dressed and of a respectable California family), he’s black. The film, which covers one busy day in the Drayton home, is essentially a drawing-room comedy, a series of cross-conversations between the young doctor and the girl’s parents, and finally between all sets of parents and offspring. A simple dinner is extended to include the doctor’s parents, who fly up from Los Angeles for the evening, and the crusty but benevolent old Irish priest, a friend of the family. Thus, the title of the film . . .

Gillian Holroyd is just your average, modern-day, witch, living in a New York apartment with her Siamese familiar, Pyewacket. But one day a handsome publisher, Shep Henderson walks into her building and Gillian decides she wants him—especially as it turns out he’s marrying Merle Kittridge, an old poison penpal from Gillian’s college days. So, Gillian casts a spell over Shep. But her powers are in danger of being exorcised by something stronger than the bell-book-and-candle routine: Love.

A contract killer sees a chance to free himself from a tragic past.

This suspense thriller unfolds as the audience is introduced to David Dunn, played by Willis. Not only is he the sole survivor of a horrific train-crash that killed 131 people he doesn’t have a scratch on him. Samuel L Jackson plays an obscure character who approaches Dunn with a seemingly far fetched theory behind it all rocketing off an enticing thriller with a sci fi twist