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The Waterfront Crime Commission is about to hold public hearings on union crime and underworld infiltration. As workers are turned against each other, Terry Malloy inadvertently participates in the murder of fellow longshoreman Joey Doyle. Union boss Johnny Friendly orchestrates the murder along with other illegal dockside activities, aided by Terry’s brother Charley. Terry begins to feel pangs of conscience. When Joey’s sister Edie sees more in Terry than he sees in himself and Father Barry urges him on, Terry reassesses his past and begins to regain responsibility for his actions.

Susan Stevenson (Ursula Andress) and her brother Arthur (Antonio Marsina) get off a plane somewhere in South America, allegedly in search of her husband. They team up with, Dr. Edward Foster (Stacy Keach). The three head into the jungle, get in more than a few fights amongst themselves, and view lots of gratuitous animal cruelty, notable an iguana getting eviscerated.

Without words, cameras show us the world, with an emphasis not on “where,” but on “what’s there.” It begins with morning, natural landscapes and people at prayer: volcanoes, water falls, veldts, and forests; several hundred monks do a monkey chant. Indigenous peoples apply body paint; whole villages dance. The film moves to destruction of nature via logging, blasting, and strip mining. Images of poverty, rapid urban life, and factories give way to war, concentration camps, and mass graves. Ancient ruins come into view, and then a sacred river where pilgrims bathe and funeral pyres burn. Prayer and nature return. A monk rings a huge bell; stars wheel across the sky.

A wild, vicious pig terrorizes the Australian outback. The first victim is a small child who is killed. The child’s granddad is brought to trial for killing the child but aquitted. The next victim is an American TV-journalist. Her husband Carl gets there and starts to search for the truth. The local inhabitants won’t really help him, but he is joined by a hunter and a female farmer to find the beast.

A psychiatrist, Martin Dysart, investigates the savage blinding of six horses with a metal spike in a stable in Hampshire, England. The atrocity was committed by an unassuming seventeen-year-old stable boy named Alan Strang, the only son of an opinionated but inwardly-timid father and a genteel, religious mother. As Dysart exposes the truths behind the boy’s demons, he finds himself face-to-face with his own.

Abby McWilliams (Loughlin) and her brother Loren (Presby) are particularly normal teenagers. Their parents Mac (Atkins) and Mary Beth (DeBaer) are killed in an accident. It’s decided that Abby and Loren live in Glenby, Florida with their Aunt Fay (Martin) and Uncle Charlie (Jones) who own a gas station and an amusement park. Loren and Abby don’t have much trouble making friends at their new high school. Loren starts dating Karen (Price), the local sherriff’s daughter while Abby starts dating Mark (Stoltz). Loren feels uncomfortable when he sees a blond-haired guy harassing Abby in the lunchroom. Mark tells Loren and Abby that the blond-haired guy is Eddie Dutra (Spader), a teenage drug addict who is the leader of a gang of redneck thugs. Loren helps Abby keep Dutra at a distance. Dutra’s retaliations keep getting more vicious until Dutra forces a showdown at the amusement park by kidnapping Abby.

A young Scottish girl’s cat, Thomasina, apparently dies at the hands of her widowed veterinarian father. The strained relationship between the girl and her father is eventually repaired with the return of Thomasina and the aid of a beautiful and mysterious “witch” who seems to have powers to revive and heal animals.

The 25th Hour depicts the last day of freedom for a young man before he begins serving a seven-year jail term for drug dealing. Prowling through the city until dawn with his two close male friends and his girlfriend, he is forced to re-examine his life and how he got himself into his predicament, which leads to a shocking, disturbing finale.

Spike Lee’s take on the “Son of Sam” murders in New York City during the summer of 1977 centering on the residents of an Italian-American South Bronx neighborhood who live in fear and distrust of one another.

Ron Burgundy (Ferrell) is the top-rated anchorman in San Diego in the ’70s. When feminism marches into the newsroom in the form of ambitious newswoman Veronica Corningstone (Applegate), Ron is willing to play along at first-as long as Veronica stays in her place, covering cat fashion shows, cooking, and other “female” interests. But when Veronica refuses to settle for being eye candy and steps behind the news desk, it’s more than a battle between two perfectly coiffed anchor-persons… it’s war.