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After breaking up with his girlfriend Annie Hall, neurotic comedian Alvy Singer goes on a stream of conciousness journey through his memories of their relationship, trying to find out what caused them to part ways. He often breaks the fourth wall, speaking to the camera, entering peoples’ stories, and even using animation.

When silent film stars Lucky Day, Dusty Bottoms and Ned Nederlander get fired, they take a job offer from Mexico: Doing a show with El Guapo, supposedly the most famous actor there. Traveling there in hope of getting good money, they arrive only to learn soon that El Guapo is not an actor, but a cruel gang leader suppressing people. He abducts the mayor’s beautiful daughter Carmen (to be his wife) in revenge for the people’s cry for help. Now, all hopes of the village folks rest on the weak shoulders of three minor-talented actors, who can’t just walk off the set this time.

Team America follows an international police force dedicated to maintaining global stability. Learning that power hungry dictator Kim Jong Il (Parker) is out to destroy the world, the team recuits Broadway star Gary Johnston (Parker) to go undercover. With the help of Team America (Stone, Miller, Masasa, Parker, and Norris), Gary manages to slip into an arms dealer’s hideout to uncover the plan to destroy the world. Will Team America be able to save the world?

Hamlet, son of the king of Denmark, is summoned home for his father’s funeral and his mother’s wedding to his uncle. In a supernatural episode, he discovers that his uncle, whom he hates anyway, murdered his father. In an incredibly convoluted plot—the most complicated and most interesting in all literature—he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the “prime minister,” love and then unlove an innocent whom he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on stage, including his own and his mother’s.

A puppeteer discovers a hidden doorway in his office, which turns out to be a portal into John Malkovitch (the famous actor)’s mind. Upon entering the portal, one gets to be inside Malkovitch’s mind for 15 odd minutes. As with any great discovery of this century, the ultimate question immediately arises : ‘How can we make money out of this?’ He and his co-worker promptly set out to exploit this discovery. It doesn’t take long for things to go haywire

Actors led by Alan Ormsby go to graveyard on remote island to act out necromantic ritual. The ritual works, and soon the dead are walking about and chowing down on human flesh.

Antonio Salieri believes that Mozart’s music is divine. He wishes he was himself as good a musician as Mozart so that he can praise the Lord through composing. But he can’t understand why God favored Mozart, such a vulgar creature, to be his instrument. Salieri’s envy has made him an enemy of God whose greatness was evident in Mozart. He is set to take revenge.

Two wealthy sisters, both heiresses to their family’s cosmetics fortune, are given a wake-up call when a scandal and ensuing investigation strip them of their wealth.

Bill Maher’s take on the current state of world religion.
He interviews some of religion’s oddest adherents. Muslims, Jews and Christians of many kinds pass before his jaundiced eye. Maher goes to a Creationist Museum in Kentucky, which shows that dinosaurs and people lived at the same time 5000 years ago. He talks to truckers at a Truckers’ Chapel. (Sign outside: “Jesus love you.”) He goes to a theme park called Holy Land in Florida. He speaks to a rabbi in league with Holocaust deniers. He talks to a Muslim musician who preaches hatred of Jews. Maher finds the unlikeliest of believers and, in a certain Vatican priest, he even finds an unlikely skeptic. Written by J. Spurlin

Tod Hackett, fresh out of Yale, wants to make it as an art director in late 1930’s Hollywood - but he finds himself increasingly distracted by his new neighbor Faye, a would-be starlet with possible designs of her own on a lonely, morose accountant. As Tod is drawn deeper into the lurid private lives of studio bosses and film industry workers, he gradually becomes desperate to know if Faye - or anyone - is capable of real love.