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King Henry II (’Patrick Stewart (I)’ (qv)) keeps his wife, Eleanor (’Glenn Close’ (qv)) locked away in the towers because of her frequent attempts to overthrow him. With Eleanor out of the way he can have his dalliances with his young mistress (’Yuliya Vysotskaya’ (qv)). Needless to say the queen is not pleased, although she still has affection for the king. Working through her sons, she plots the king’s demise and the rise of her second and preferred son, Richard (’Andrew Howard (I)’ (qv)), to the throne. The youngest son, John (’Rafe Spall’ (qv)), an overweight buffoon and the only son holding his father’s affection is the king’s choice after the death of his first son, young Henry. But John is also overly eager for power and is willing to plot his father’s demise with middle brother, Geoffrey (’John Light (I)’ (qv)) and the young king of France, Phillip (’Jonathan Rhys Meyers’ (qv)). Geoffrey, of course sees his younger brother’s weakness and sees that route as his path to power. Obviously political and court intrigue ensues.

Picking up where Prophecy: Uprising left off, Allison (Kari Wuhrer) has been assigned to protect an ancient text bible when a group of renegade angels, called Thrones and led by the sinister Stark (Tony Todd) target Allison by trying to kill her to get at the last page of the manuscript which will reveal the name of the Antichrist now living in Bucharest. Aiding Allison is a contract killer named Dylan (Jason Scott Lee) who as been hired to kill Allison but has a epiphany to help her. Also back is the devil John Reigart (John Light) who refuses to help Allison this time around because the impeding Apocyolypse will bring him new souls to the realm of Hell leading to Allison to try to survive as long as possible to prevent Stark and his Thrones from re-writing the prophesy of the end of the world for their own purpose.