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The major sub-plot circles around the youngest Griffin, Stewie, who has a near-death experience at a pool when a lifeguard chair falls on him, but he survives. After having a vision of being in Hell, he decides to change his ways, but this doesn’t last long. While watching television, he and Brian spot a man that looks like Stewie. Brian is convinced that he is Stewie’s real father, until Stewie learns that the man is actually himself as an adult, taking a vacation from his own time period. Baby Stewie visits thirty years later to discover that his adult self, going by the name Stu, is a single blue-collar middle-aged virgin working at a Circuit City-type store. Meanwhile, Peter and Lois are trying to teach their two older kids, Meg and Chris, to date. In the future, Chris, who hasn’t changed much, is working as a cop and is married to a foul-mouthed hustler named Vanessa. Meg is now called Ron, since she had a sex-change after college.

A hotshot poker player tries to win a tournament in Vegas, but is fighting a losing battle with his personal problems.

Cheery Alex Fletcher lives comfortably in Manhattan off the residuals from his 80’s pop success and reprising his hits at school reunions, theme parks, and state fairs. But those gigs are declining, so he jumps at the chance to write a song and record it with reigning teen idol Cora Corman. Trouble is, he’s good at melodies but needs a lyricist and has less than a week to finish. Enter Sophie Fisher, subbing for a friend who waters Alex’s plants; she’s a pretty good poet, quick witted, and could do it, if she’d agree. But there’s some sort of shadow over her head that Alex may not be able to charm his way past. And what if they do get a song written, what then?