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A dramatization of the turbulent first years of Queen Victoria’s rule, and her enduring romance with Prince Albert.

In order to raise the tuition to send her young son to private school, a mom starts an unusual business — a biohazard removal/crime scene clean-up service — with her unreliable sister.

Sophie Hartley (Susan Sarandon) is convinced that she is being stalked. She becomes increasingly certain that her husband’s (Sam Neill) beautiful co-worker, Mara (Emily Blunt), wants her children, her husband and her life. But no one believes Sophie. Forced to prove her sanity, Sophie grows increasingly paranoid - but is she imagining things? Sophie becomes completely caught up in her obsession, turning stalker herself - and makes a discovery more frightening than her worst fear.

Six Californians start a club to discuss the works of Jane Austen, only to find their relationships — both old and new — begin to resemble 21st century versions of her novels.

Two college students share a ride home for the holidays. When they break down on a deserted stretch of road, they’re preyed upon by the ghosts of people who have died there.

Miranda Priestley, of “Runway” magazine tears up the landscape as a demanding fashion editor. She is a terror to everyone who is around her as is quickly depicted in the opening scenes of the movie. Her first assistant strives to please her and tries to emulate her, but one can sense that she is not quite as hard as she tries to put on. Into this mix comes a young woman who knows nothing of the fashion industry, has never read the magazine, and doesn’t know who Miranda Priestley is. She only sees this as a stepping stone to another journalism position. Showing no fashion sense and immediately scorned by everyone, Miranda nonetheless hires her as the second assistant. When Miranda demands that she obtain the next unpublished Harry Potter manuscript, you can sense that she is trying to force her to quit, but it makes the young woman dig in to please her boss. With the help of one of the magazine’s fashion editors, she gets a complete makeover and a new security. However, with her new appearance and the demands placed on her, she starts to lose her friends, family and her live-in boy friend. As she is whisked away to Paris with Miranda and faces all of the glamor that could be hers, including a flashy if not artificial freelance journalist, she is forced to make the decision of where she wants to be in her life.