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1950. Rural Alabama. Cotton harvest. It’s a make-or-break weekend for the Honeydripper Lounge and its owner, piano player Tyrone “Pine Top” Purvis. Deep in debt to the liquor man, the chicken man, and the landlord, Tyrone is desperate to lure the young cotton pickers and local Army base recruits into his juke joint, away from Touissant’s, the rival joint across the way. After laying off his regular talent, blues singer Bertha Mae, Tyrone announces to his sidekick Maceo that he has hired the famous electric guitar player, Guitar Sam, for a special one night only gig: pack em in and save the club. On the day of the show, the train arrives and Guitar Sam is no where to be found. Tyrone is forced to take drastic action. He makes a deal with Sheriff Pugh to release Sonny, the kid who hopped off a freight car here in Harmony, and turned up in the club claiming he could play the guitar as well as any Guitar Sam. Tyrone cleans Sonny up and launches a last ditch scheme to pass off the young guitar picker as Guitar Sam just long enough to cut the lights and run off with cash box. When Sonny takes the stage and launches into his first scalding electric licks, Tyrone will learn if it’s lights out for the Honeydripper or if his luck has changed: he might just be another man saved by rock n’ roll. Honeydripper features an all-star cast including Danny Glover, Charles S. Dutton, Lisa Gay Hamilton, Stacy Keach, Mary Steenburgen,Yaya DaCosta and Sean Patrick Thomas; as well as such notable musicians as Keb’ Mo’ and Dr. Mable John. It also introduces a major new talent, Gary Clark Jr. who makes his electrifying film debut as Sonny.

Based on a true story, the movie tells of the struggle of a dance teacher, Pierre Dulain (Antonio Banderas), to give to a group of problem kids a second chance by exploring their dance skills. One night Dulain is astonished to see a boy, Rock (Rob Brown) destroying his school director’s car. The following day Dulaine goes to the school to ask for a job as a dance teacher. The director has little confidence in Dulaine’s idea of helping kids (including Rock) in detention to reform through ballroom dance classes. Even the kids, who prefer hip-hop or rap, think it isn’t a great idea. Despite criticism from students in his formal dance academy as well as from parents and fellow teachers who believe that the kids need more math and less dance, Dulain catches the students’ attention with a tango session. After their initial indifference, they eventually compete in a dance contest; the important thing isn’t winning, but making a difference.