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As the film opens on an Oklahoma farm during the depression, two simultaneous visitors literally hit the Wagoneer home: a ruinous dust storm and a convertible crazily driven by Red, the missus’ brother. A roguish country-western musician, he has just been invited to audition for the Grand Ole Opry, his chance of a lifetime to become a success. However, this is way back in Nashville, Red clearly drives terribly, and he’s broke and sick with tuberculosis to boot. Whit, 14, seeing his own chance of a lifetime to avoid “growing up to be a cotton picker all my life,” begs Ma to let him go with Uncle Red as driver and protege. Thus begins a picaresque journey both hilarious and poignant.

The governor of a Mexican state is assassinated. Soon after, junior executive Daryl Chase’s life turns upside down: after he flags a huge transfer of funds from a Mexican account as probably illegal, he’s attacked in his apartment, rescued by a CIA agent, finds his secretary shot dead, and witnesses two cops get killed. He calls the CIA guy who tells him to grab the next train to Mexico. Leaving Manhattan, Daryl can’t shake a jive-talking street punk named Freddy, and soon he’s traded clothes with Freddy to escape the police. Within days, his girlfriend, his boss, his client, Freddy, the FBI, and the dead governor’s dog are tangled in a web of deceit and danger. Who’s who?